Qobuz’s experts gather all the essentials of each genre. These albums have marked music history and become major landmarks.

With the Ideal Discography you (re)discover legendary recordings, all whilst building on your musical knowledge.

Albums

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Punk / New Wave - Released November 24, 2017 | Rhino - Warner Bros.

Hi-Res Distinctions The Qobuz Ideal Discography
The rules of the game were certainly perfectly clear after their first album: in the third instalment of the Ramones' story, they surpassed themselves. And even refined their art! Once again, with this Rocket to Russia, released on 4 November 1977, at the height of the Cold War, it was all about three-chord symphonies, enthusiastically cretinous and 100% adolescent hi-jinks and above all, taking rock'n'roll back to its birthplace: the garage! But the refrains of Sheena Is A Punk Rocker or Teenage Lobotomy are peerless in their re–imagining of their rock’n’roll, bubblegum pop and surf heritage. And even when they cover the cult tracks Surfin’ Bird by the Trashmen or Do You Wanna Dance? (made famous by Cliff Richard, the Beach Boys and even Bette Midler) our delinquent punks from Queens produced savage and raw rock like nobody else! This edition to mark the 40th birthday of this sublime sonic attack offers two mixes of the album: the original, and a new mix, entitled Tracking Mix by Ed Stasium, the sound engineer on the original release. It also includes 24 rare or unreleased tracks, demos, alternative versions and B–sides. And the cherry on the cake is a dazzling, unreleased live version by the four Ramones brothers (all from other mothers) recorded on 19 December 1977 the Apollo Centre in Glasgow, Scotland. © MZ/Qobuz
$84.49

Classical - Released January 1, 1996 | Decca Music Group Ltd.

Distinctions The Qobuz Ideal Discography - The Qobuz Standard
$71.99

Film Soundtracks - Released November 24, 2009 | Larghetto

Booklet Distinctions The Qobuz Ideal Discography
$199.49
$169.49

R&B/Soul - Released August 21, 2015 | Epic - Legacy

Hi-Res Distinctions 4F de Télérama - The Qobuz Ideal Discography - Pitchfork: Best New Reissue
In a way, the Isley Brothers have been taken for granted. Part of that is the group's unwitting doing because they were exceptionally steady. From 1966 through 1983, the Isleys placed at least one single on the Billboard R&B chart each year. They were always present, frequently at or near the top. For an extended period, they were among the most progressive groups, whether they were mixing gospel, soul, and rock, incorporating synthesizers without sacrificing the funk, covering pop hits and often surpassing them, or epitomizing quiet storm. When they retreated from the fore, they adapted with ease. Another factor in their undervalued status is that their vast discography has been reissued in chunks by various sources across the decades. The RCA Victor & T-Neck Album Masters: 1959-1983, released by the Sony catalog's Legacy division, is a corrective measure in the form of a compact 23-disc box set. It doesn't cover the Isleys' brief '60s stints with Wand, United Artists, and Tamla, but it is remarkably generous with dozens of bonus tracks -- mono versions, single edits, instrumentals, and so forth -- and LP-replica sleeves for each album. As an extra enticement for those who dutifully rounded up those late-'90s Legacy and early-2010s BBR reissues, there's Wild in Woodstock, a previously unreleased recording of the Go All the Way-era band performing at Bearsville Studios. Intended for release with overdubbed crowd noise that was thankfully never applied, the set alternates between blistering and gliding and deserves a separate physical issue outside the box. ~ Andy Kellman
$102.49

Classical - Released January 1, 1973 | Decca Music Group Ltd.

Booklet Distinctions Diapason d'or - The Qobuz Ideal Discography

Classical - Released January 1, 1996 | Decca Music Group Ltd.

Distinctions The Qobuz Ideal Discography
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If beauty is truth and truth beauty, then the Quartetto Italiano's late-'60s, early-'70s cycle of the complete Beethoven string quartets is possibly the most truthful cycle ever recorded because it is certainly the most beautiful cycle ever recorded. No quartet has ever played with such consummate beauty of tone, such ideal intonation, and such superb ensemble as the Quartetto Italiano. In the most strenuous passages, in the most awkward, in the most excruciating passages, the Italiano is always and everywhere transcendentally beautiful. The "early" quartets bring out all the high-Classical poise and elegance of the works, expressing the strong emotions of the young Beethoven in performances of graceful beauty. The "middle" quartets are powerfully muscular and as powerfully intellectual, balancing the heart and mind of the mature Beethoven in performances of exquisite beauty. The "late" quartets are deeply emotional and profoundly spiritual, transcending the duality of heart and mind in the sublime beauty of the interpretations. And Philips' stereo sound is nearly as beautiful as the Italiano's tone and certainly as truthful as any recording could possibly be in capturing the greatness of these interpretations. One of the two or three greatest sets of the Beethoven quartets ever recorded.
$38.49

Classical - Released November 25, 2005 | Warner Classics

Distinctions The Qobuz Ideal Discography
$61.49

Classical - Released January 1, 2005 | Decca Music Group Ltd.

Distinctions The Qobuz Ideal Discography
$44.99

Country - Released January 1, 2003 | American Recordings

Distinctions The Qobuz Ideal Discography
$68.99

Classical - Released January 1, 2002 | Deutsche Grammophon (DG)

Distinctions The Qobuz Ideal Discography
$38.49

Classical - Released September 2, 2002 | Warner Classics

Distinctions The Qobuz Ideal Discography
$115.49

Classical - Released January 1, 2001 | Deutsche Grammophon (DG)

Distinctions The Qobuz Ideal Discography
$38.49

Classical - Released June 1, 2000 | Warner Classics

Distinctions The Qobuz Ideal Discography
$53.99

Classical - Released January 1, 2000 | Archiv Produktion

Distinctions The Qobuz Ideal Discography
$57.49

Jazz - Released November 17, 1998 | Impulse!

Distinctions The Qobuz Ideal Discography
Here it is: eight CDs worth of John Coltrane's classic quartet, comprised of bassist Jimmy Garrison, pianist McCoy Tyner, and drummer Elvin Jones, recorded between December of 1961 and September of 1965 when the artist followed his restless vision and expanded the band before assembling an entirely new one before his death. What transpired over the course of the eight albums and supplementary material used elsewhere is nothing short of a complete transfiguration of one band into another one, from a band that followed the leader into places unknown to one that inspired him and pushed him further. All of this transpired in the span of only three years. The group that the saxophonist had assembled for Coltrane in 1962, a band that had been together a little while and had performed together at the Village Vanguard (the tracks that include the quartet without Eric Dolphy from Impressions are here, and, in fact, the first pieces on the set are from those session dates chronologically) in a variety of settings, is almost nothing like the band that made Kulu Se Mama in 1965. For a change, the oft-employed yet irritating chronological method of compiling a box makes sense here. McCoy Tyner's piano style, that rich open-ended modal chromaticism he developed was at work on "The Inchworm," astonishingly enough the first work recorded in the 1962 studio dates. "Out of This World" was one of the last from that session that would produce the album Coltrane. The blues element that would disappear from later records -- at least consciously -- was the driving force behind ballads like "Soul Eyes" and "After the Rain." But it isn't until the latter end of 1963 that we hear the band beginning to gel into the unit that would make A Love Supreme and create the tracks that would be assembled into First Meditations for Quartet. There are the two alternate takes of "Alabama," and the soprano solo that is positively danced around by the rhythm section on "Dear Old Stockholm." There is also the great schism in Coltrane, much that took place between the June 1964 session that produced "Crescent" (and its first version is on disc eight, which is full of supplementary and unreleased material) and the following December when A Love Supreme was recorded. Here is the hinges in the whole box, the questions that need to be resolved than that this box only begs more than answers: what happened to that tight conscripted modalism Coltrane had been working on in his official releases prior to that time period as many of them hold clues but never give away the entire picture. What the box does in its voluminous way is set the record straight that there was no retrenchment in pursuant releases to A Love Supreme. There were softer moments on record, but the material in the can was far more adventurous recorded at about the same time, such as the "Suite" or "Transition" or "Dusk Dawn." Disc eight is also a treat in that it contains seven "works in progress" from all periods in the quartet's history. It begins with the aforementioned version of "Crescent," which is appreciably different than the master take in Tyner's solo particularly. There's also an incomplete though steaming initial take of "Bessie's Blues." Perhaps the most beautiful thing on the final disc is the alternate take of part II of A Love Supreme's "Resolution," with its elongated obligato by Coltrane and Tyner's gorgeous tenths playing ostinato during the saxophone solo. There's an alternate of "Feelin' Good" that's no big deal, followed by breakdowns and alternate takes of both "Dear Lord" and "Living Space," both of which reveal the harmonic development of a scale as it becomes the architectural model for the rest of the composition and improvisation. There can be no arguing the value of the originally released recordings; whether they were issued during Coltrane's lifetime or after his death, they tell a story that millions of listeners formed their impressions by, true or false, and created a legacy that lives on. But there is also something to be said for setting the record straight, and the chronological approach that this set takes in no way desecrates the integrity of the original albums themselves -- unlike the Ornette Coleman box. Simply put, it is indispensable to those who need a deeper understanding of Coltrane's music and the development of his most influential period. The sound quality is fully remastered to 20-bit technology, and the package is unwieldy but beautiful and sturdy. It's a must. ~ Thom Jurek
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Classical - Released March 1, 1998 | Warner Classics

Distinctions The Qobuz Ideal Discography
$45.99

Classical - Released January 1, 1997 | Decca Music Group Ltd.

Distinctions The Qobuz Ideal Discography
$115.49

Classical - Released January 1, 1991 | Decca Music Group Ltd.

Distinctions Gramophone Record of the Year - The Qobuz Ideal Discography
$45.99

Classical - Released January 1, 1991 | Decca Music Group Ltd.

Distinctions The Qobuz Ideal Discography