Your basket is empty

Categories :

Albums

From
CD$10.49

Jazz - Released December 2, 2013 | La Buissonne

Distinctions Disque d'émoi Jazz Magazine
From
CD$4.99

Jazz - Released April 13, 2009 | Laborie Classique

Distinctions 3F de Télérama - Choc Jazzman - Disque d'émoi Jazz Magazine - Victoire du jazz - 8/10 de Noise - Elu par Citizen Jazz
From
CD$5.49

Contemporary Jazz - Released April 2, 2009 | Laborie Jazz

Distinctions 3F de Télérama - Choc Jazzman - Disque d'émoi Jazz Magazine - Victoire du jazz - 8/10 de Noise - Elu par Citizen Jazz
From
CD$8.99

Classical - Released February 5, 2008 | Cypres

Distinctions Disque d'émoi Jazz Magazine
From
CD$8.99

Jazz - Released March 5, 2007 | Cypres

Distinctions 4 étoiles Jazzman - Disque d'émoi Jazz Magazine - Elu par Citizen Jazz
From
CD$8.99

Jazz - Released December 27, 2004 | Fresh Sound Records

Distinctions Disque d'émoi Jazz Magazine - Disque d’émoi de l’année Jazz Magazine
From
CD$8.99

Jazz - Released November 12, 2004 | Fresh Sound Records

Distinctions 4 étoiles du Monde de la Musique - Choc Jazzman - Disque d'émoi Jazz Magazine
From
CD$8.99

Jazz - Released February 16, 2003 | Fresh Sound Records

Distinctions Choc du Monde de la Musique - Choc Jazzman - Disque d'émoi Jazz Magazine
From
CD$8.99

Jazz - Released January 1, 2002 | Fresh Sound Records

Distinctions 4F de Télérama - Choc Jazzman - Disque d'émoi Jazz Magazine
Robert Glasper's debut as a leader displays his immense talent in full force as a legitimate original modern jazz voice. The majority of selections are with a trio, perfectly suiting his inclination to improvise, and hints at the hip-hop rhythms of his generation. The clear highlight is his bomb virtuosic interpretation of "Blue Skies." Ideas flow into infinity, he's insanely inspired, with bright melodies bursting like a supernova. He uses chord substitutions liberally and during an unaccompanied bridge, his emotions burn at length. He extrapolates on four notes to a millionth degree for the original "'Lil Tipsy," varying tempos, sometimes dizzying, in measures of four and six. "In Passing" is another original composition, a sweet waltz displaying a fine original melody with elements recalling McCoy Tyner. Vocalist Bilal is on the mystery train for the 12/8 modal ritual, invocation, spiritual, quite different take on "Maiden Voyage," which identifies Glasper's overall sound as reverent, pastoral, and challenging. In addition, there's the stripped and deconstructed version of "Alone Together," and two quintet tracks, with twin tenor saxes for the hard bop number "L.N.K. Blues," and the serene, beautiful title cut with tenor and guitar. The interplay between Glasper and bassist Bob Hurst should be simpatico and it is, they've played together a lot, while Damion Reid more than holds up his end on drums in a sensitive manner. All in all, a fine first offering with loads of potential. In a way, Glasper is in many ways reinventing the piano trio aesthetic, and time will tell whether it wears well and progresses. © Michael G. Nastos /TiVo