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Edward Higginbottom|Wolfgang Amadeus Mozart : Music for Salzburg Cathedral

Wolfgang Amadeus Mozart : Music for Salzburg Cathedral

Choir of New College Oxford - Collegium Novum - Edward Higginbottom

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On the heels of a successful recording of Mozart's Requiem mass in D minor, K. 626, comes this survey of some much less famous music by the men-and-boys Choir of New College, Oxford, the Collegium Novum instrumental ensemble, and their conductor, Edward Higginbottom. It's far from clear that the argument for historical accuracy advanced here is accurate. The soloists are drawn from the choir itself, but the music here might well have been sung by castrati, for which a female soprano is a better approximation than a boy soprano (female singers were apparently still prohibited in Salzburg). But the list of attractions begins nevertheless with the relationship between soloists and choir, which is unusually well integrated and produces a pleasantly balanced sound. The list continues with the overall performance of the choir, which is beautifully rehearsed; its articulation of the texts is absolutely second to none. And the biggest reason to try this out is the presence of some rather underappreciated Mozart gems. Not present are the Mozart hits of this era, the Mass in C major, K. 317 ("Coronation"), and the Vesperae solennes de confessore, K. 339. Instead there are a couple of bright works, one of which paved the way toward those masterpieces; both are enjoyable in their own right. The Vesperae de Dominica, K. 321, appears to have been a bit neglected because it doesn't contain an aria on the order of the gorgeous F major piece in K. 339, but its writing for soloists is exquisite, and it all fits together here like clockwork. The Litaniae Lauretanae, K. 195, was written in 1774 when Mozart was 16, and it has connections with rather frothy instrumental music of the period like the Concertone, K. 190. All the music is characteristically joyous, and Novum's recording work in Oxford's Church of St. Michael and All Angels captures the choir's precision superbly. This performance has a sound that some may take to or may not, and it is really a matter of preference: as the fine booklet notes here mention, these works were probably performed in different ways on different occasions.
© TiVo

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Wolfgang Amadeus Mozart : Music for Salzburg Cathedral

Edward Higginbottom

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Altri canti d'Amor, tenero arciero (Wolfgang Amadeus Mozart)

1
Kyrie
Inigo Jones
00:06:52

Inigo Jones, Performer - Michael Alchin, Performer - Guy Cutting, Performer - Patrick Edmond, Performer - New College Oxford Choir, Choir - Collegium Novum, Ensemble - Edward Higginbottom, Conductor - Wolfgang Amadeus Mozart, Composer - Anonymous, Lyricist - Mass Text, Lyricist

2014 Novum 2014 Novum

2
Sancta Maria
Inigo Jones
00:07:57

Inigo Jones, Performer - Michael Alchin, Performer - Guy Cutting, Performer - Patrick Edmond, Performer - New College Oxford Choir, Choir - Collegium Novum, Ensemble - Edward Higginbottom, Conductor - Wolfgang Amadeus Mozart, Composer - Anonymous, Lyricist - Mass Text, Lyricist

2014 Novum 2014 Novum

3
Salus infirmorum
Inigo Jones
00:03:17

Inigo Jones, Performer - Michael Alchin, Performer - Guy Cutting, Performer - Patrick Edmond, Performer - New College Oxford Choir, Choir - Collegium Novum, Ensemble - Edward Higginbottom, Conductor - Wolfgang Amadeus Mozart, Composer - Anonymous, Lyricist - Mass Text, Lyricist

2014 Novum 2014 Novum

4
Regina angelorum
Inigo Jones
00:05:08

Inigo Jones, Performer - Michael Alchin, Performer - Guy Cutting, Performer - Patrick Edmond, Performer - New College Oxford Choir, Choir - Collegium Novum, Ensemble - Edward Higginbottom, Conductor - Wolfgang Amadeus Mozart, Composer - Anonymous, Lyricist - Mass Text, Lyricist

2014 Novum 2014 Novum

5
Agnus Dei
Inigo Jones
00:05:09

Inigo Jones, Performer - Michael Alchin, Performer - Guy Cutting, Performer - Patrick Edmond, Performer - New College Oxford Choir, Choir - Collegium Novum, Ensemble - Edward Higginbottom, Conductor - Wolfgang Amadeus Mozart, Composer - Anonymous, Lyricist - Mass Text, Lyricist

2014 Novum 2014 Novum

Church Sonata No. 16 in C Major, K. 329 (Wolfgang Amadeus Mozart)

6
Church Sonata No. 16 in C Major, K. 329
Collegium Novum
00:04:45

Collegium Novum, Ensemble - Edward Higginbottom, Conductor - Wolfgang Amadeus Mozart, Composer

2014 Novum 2014 Novum

Vesperae solennes de Dominica, K. 321 (Wolfgang Amadeus Mozart)

7
Dixit Dominus
Inigo Jones
00:04:12

Inigo Jones, Performer - Michael Alchin, Performer - Guy Cutting, Performer - Patrick Edmond, Performer - New College Oxford Choir, Choir - Collegium Novum, Ensemble - Edward Higginbottom, Conductor - Wolfgang Amadeus Mozart, Composer - Bible - Old Testament, Lyricist

2014 Novum 2014 Novum

8
Confitebor tibi
Inigo Jones
00:05:59

Inigo Jones, Performer - Michael Alchin, Performer - Guy Cutting, Performer - Patrick Edmond, Performer - New College Oxford Choir, Choir - Collegium Novum, Ensemble - Edward Higginbottom, Conductor - Wolfgang Amadeus Mozart, Composer - Bible - Old Testament, Lyricist

2014 Novum 2014 Novum

9
Beatus vir
Inigo Jones
00:04:33

Inigo Jones, Performer - Michael Alchin, Performer - Guy Cutting, Performer - Patrick Edmond, Performer - New College Oxford Choir, Choir - Collegium Novum, Ensemble - Edward Higginbottom, Conductor - Wolfgang Amadeus Mozart, Composer - Bible - Old Testament, Lyricist

2014 Novum 2014 Novum

10
Laudate Pueri
Inigo Jones
00:04:12

Inigo Jones, Performer - Michael Alchin, Performer - Guy Cutting, Performer - Patrick Edmond, Performer - New College Oxford Choir, Choir - Collegium Novum, Ensemble - Edward Higginbottom, Conductor - Wolfgang Amadeus Mozart, Composer - Bible - Old Testament, Lyricist

2014 Novum 2014 Novum

11
Laudate Dominum
Inigo Jones
00:05:28

Inigo Jones, Performer - Michael Alchin, Performer - Guy Cutting, Performer - Patrick Edmond, Performer - New College Oxford Choir, Choir - Collegium Novum, Ensemble - Edward Higginbottom, Conductor - Wolfgang Amadeus Mozart, Composer - Bible - Old Testament, Lyricist

2014 Novum 2014 Novum

12
Magnificat
Inigo Jones
00:05:30

Inigo Jones, Performer - Michael Alchin, Performer - Guy Cutting, Performer - Patrick Edmond, Performer - New College Oxford Choir, Choir - Collegium Novum, Ensemble - Edward Higginbottom, Conductor - Wolfgang Amadeus Mozart, Composer - Bible - Old Testament, Lyricist

2014 Novum 2014 Novum

Album review

On the heels of a successful recording of Mozart's Requiem mass in D minor, K. 626, comes this survey of some much less famous music by the men-and-boys Choir of New College, Oxford, the Collegium Novum instrumental ensemble, and their conductor, Edward Higginbottom. It's far from clear that the argument for historical accuracy advanced here is accurate. The soloists are drawn from the choir itself, but the music here might well have been sung by castrati, for which a female soprano is a better approximation than a boy soprano (female singers were apparently still prohibited in Salzburg). But the list of attractions begins nevertheless with the relationship between soloists and choir, which is unusually well integrated and produces a pleasantly balanced sound. The list continues with the overall performance of the choir, which is beautifully rehearsed; its articulation of the texts is absolutely second to none. And the biggest reason to try this out is the presence of some rather underappreciated Mozart gems. Not present are the Mozart hits of this era, the Mass in C major, K. 317 ("Coronation"), and the Vesperae solennes de confessore, K. 339. Instead there are a couple of bright works, one of which paved the way toward those masterpieces; both are enjoyable in their own right. The Vesperae de Dominica, K. 321, appears to have been a bit neglected because it doesn't contain an aria on the order of the gorgeous F major piece in K. 339, but its writing for soloists is exquisite, and it all fits together here like clockwork. The Litaniae Lauretanae, K. 195, was written in 1774 when Mozart was 16, and it has connections with rather frothy instrumental music of the period like the Concertone, K. 190. All the music is characteristically joyous, and Novum's recording work in Oxford's Church of St. Michael and All Angels captures the choir's precision superbly. This performance has a sound that some may take to or may not, and it is really a matter of preference: as the fine booklet notes here mention, these works were probably performed in different ways on different occasions.
© TiVo

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