Categories:
Cart 0

Your cart is empty

Orfeo Orchestra - Werner: Der Gute Hirt

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Werner: Der Gute Hirt

György Vashegyi, Orfeo Orchestra

Digital booklet

Available in
logo Hi-Res
24-Bit 48.0 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Gregor Joseph Werner (1693-1766) was Kapellmeister at the Eszterházy court in Eisenstadt, and on his death he was succeeded by Joseph Haydn. A surviving manuscript score of his oratorio Der gute Hirt is preserved in the music collection of the National Library of Hungary in Budapest. Werner’s oratorio is a “sepolcro” oratorio originating from the Viennese court tradition. This particular musical-dramatic form of the Holy Week oratorio performed around the holy sepulcher of Catholic churches, became fashionable throughout the Habsburg empire during the last third of the 17th century.
This genre, a staged musical performance presenting the burial of Jesus Christ, was a part of church music practice in Central Europe as late as the 1730s. On 28 March 1739, the Good Friday service held in the Palace Chapel in Eisenstadt was centered around a musical drama setting of Gregor Werner’s own text based on the Parable of the Good Shepherd in the Gospel of Luke, thereby commemorating Jesus Christ’s death on the cross at Golgotha. The single lost sheep is the symbol of man who, having revolted and lost his secure place in Paradise, can be guided back to the path of salvation only through the sacrifice of the all-forgiving Good Shepherd/Jesus, the Father’s only son, who will never leave him. © Accent

More info

Werner: Der Gute Hirt

Orfeo Orchestra

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

Copy the following link to share it

You are currently listening to samples.

Listen to over 60 million songs with an unlimited streaming plan.

Listen to this album and more than 60 million songs with your unlimited streaming plans.

Der Gute Hirt, Act I (Gregor Joseph Werner)

1
Introductio
Orfeo Orchestra
00:04:24

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra, MainArtist - György Vashegyi, Conductor

(C) 2020 Accent (P) 2020 Accent

Der Gute Hirt, Act I Scene 1 (Gregor Joseph Werner)

2
Wohlan laßt uns mit Rosen krönen
Agnes Kovacs
00:01:39

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Agnes Kovacs, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

3
Nun ihr, Blumen auf den Feldern
Agnes Kovacs
00:06:00

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Agnes Kovacs, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

Der Gute Hirt, Act I Scene 2 (Gregor Joseph Werner)

4
Wie? Was höre ich?
Peter Barany
00:07:39

Gregor Joseph Werner, Composer - Peter Barany, Artist, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist

(C) 2020 Accent (P) 2020 Accent

Der Gute Hirt, Act I Scene 3 (Gregor Joseph Werner)

5
Ach, schiegle dich, mein Geist
Lóránt Najbauer
00:06:07

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

6
Ach Schäflein, Schäflein, komme doch
Peter Barany
00:01:12

Gregor Joseph Werner, Composer - Peter Barany, Artist, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor

(C) 2020 Accent (P) 2020 Accent

7
Das Hirschlein nicht so schnell
Peter Barany
00:07:55

Gregor Joseph Werner, Composer - Peter Barany, Artist, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor

(C) 2020 Accent (P) 2020 Accent

8
Du daurest nicht, mein Kind
Peter Barany
00:03:04

Gregor Joseph Werner, Composer - Peter Barany, Artist, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist

(C) 2020 Accent (P) 2020 Accent

9
Die Liebe hat kein Ziel
Lóránt Najbauer
00:04:55

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

Der Gute Hirt, Act I Scene 4 (Gregor Joseph Werner)

10
Auf, auf, ihr wild Syrenen
Agnes Kovacs
00:07:16

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist - Agnes Kovacs, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

Der Gute Hirt, Act I Scene 5 (Gregor Joseph Werner)

11
Hinweg mit der Melancholie
Agnes Kovacs
00:03:05

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Agnes Kovacs, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

DISC 2

Der Gute Hirt, Act II Scene 1 (Gregor Joseph Werner)

1
Nun bin ich mied und matt
Peter Barany
00:02:24

Gregor Joseph Werner, Composer - Peter Barany, Artist, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Adriána Kalafszky, Artist

(C) 2020 Accent (P) 2020 Accent

2
Auf, auf, mit hurtig schnellem Lauf
Peter Barany
00:03:07

Gregor Joseph Werner, Composer - Peter Barany, Artist, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor

(C) 2020 Accent (P) 2020 Accent

Der Gute Hirt, Act II Scene 2 (Gregor Joseph Werner)

3
O, du geheiligter Ort
Agnes Kovacs
00:02:45

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist - Agnes Kovacs, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

Der Gute Hirt, Act II Scene 3 (Gregor Joseph Werner)

4
Deine froh Wort ich verachte
Agnes Kovacs
00:05:41

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist - Agnes Kovacs, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

Der Gute Hirt, Act II Scene 4 (Gregor Joseph Werner)

5
Endlich bin ich so weit gekommen
Zoltan Megyesi
00:04:34

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Zoltan Megyesi, Artist, MainArtist - Lóránt Najbauer, Artist

(C) 2020 Accent (P) 2020 Accent

Der Gute Hirt, Act II Scene 5 (Gregor Joseph Werner)

6
O ihr alle, die ihr vorbei nun gehet
Zoltan Megyesi
00:02:00

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Zoltan Megyesi, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

7
Steinhartes Felsenherz
Zoltan Megyesi
00:03:57

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Zoltan Megyesi, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

Der Gute Hirt, Act II Scene 6 (Gregor Joseph Werner)

8
O du gebenedei, guter Hirt
Agnes Kovacs
00:02:15

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Agnes Kovacs, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

9
So komme dann herbei
Purcell Choir
00:01:39

Gregor Joseph Werner, Composer - Purcell Choir, Choir, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor

(C) 2020 Accent (P) 2020 Accent

10
So sei es dann gewagt
Agnes Kovacs
00:01:16

Gregor Joseph Werner, Composer - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor - Lóránt Najbauer, Artist - Agnes Kovacs, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

11
So laßt uns auch dann gehen
Purcell Choir
00:01:39

Gregor Joseph Werner, Composer - Purcell Choir, Choir, MainArtist - Orfeo Orchestra, Orchestra - György Vashegyi, Conductor

(C) 2020 Accent (P) 2020 Accent

Album Description

Gregor Joseph Werner (1693-1766) was Kapellmeister at the Eszterházy court in Eisenstadt, and on his death he was succeeded by Joseph Haydn. A surviving manuscript score of his oratorio Der gute Hirt is preserved in the music collection of the National Library of Hungary in Budapest. Werner’s oratorio is a “sepolcro” oratorio originating from the Viennese court tradition. This particular musical-dramatic form of the Holy Week oratorio performed around the holy sepulcher of Catholic churches, became fashionable throughout the Habsburg empire during the last third of the 17th century.
This genre, a staged musical performance presenting the burial of Jesus Christ, was a part of church music practice in Central Europe as late as the 1730s. On 28 March 1739, the Good Friday service held in the Palace Chapel in Eisenstadt was centered around a musical drama setting of Gregor Werner’s own text based on the Parable of the Good Shepherd in the Gospel of Luke, thereby commemorating Jesus Christ’s death on the cross at Golgotha. The single lost sheep is the symbol of man who, having revolted and lost his secure place in Paradise, can be guided back to the path of salvation only through the sacrifice of the all-forgiving Good Shepherd/Jesus, the Father’s only son, who will never leave him. © Accent

About the album

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...
España London Symphony Orchestra
The Real McCoy McCoy Tyner
Legends Never Die Juice WRLD
More on Qobuz
By Orfeo Orchestra
Haydn: Symphonies Nos. 6-8 Orfeo Orchestra
Lemoyne: Phèdre Orfeo Orchestra
Mondonville : Isbé Orfeo Orchestra
Gervais : Hypermnestre Orfeo Orchestra

Playlists

You may also like...
some kind of peace Ólafur Arnalds
Seasons: Orchestral Music of Michael Fine The Royal Scottish National Orchestra
Debussy – Rameau Víkingur Ólafsson
In your panoramas...
Fabio Biondi & Europa Galante, 30 years of freedom

The Italian violinist and conductor Fabio Biondi, notably famous for his rendition of the Four Seasons by Vivaldi with his ensemble Europa Galante, is one of the musicians who actively spurns the idea of separating and compartmentalising music. We take a look back at the career of one of the most versatile and open-minded classical musicians of our time, and an essential figure of baroque violin.

Jonas Kaufmann in 10 Key Albums

With his flattering physique reminiscent of a handsome romantic, German Jonas Kaufmann has successfully modernised the image of opera tenors, long considered as unrepentant tumblers… Beyond his powerful and versatile voice, Jonas Kaufmann possesses an immense repertoire in several languages, masters all styles of opera, from Wagner to Verdi or Puccini, and sings the lied or the French opera to perfection. A great admirer of Fritz Wunderlich, he started his career “the old fashioned way”, in a company touring around small German theatres before taking off on his own towards a prodigious career. After a chaotic year in 2017 due to a ruptured blood vessel on his vocal chords, Jonas Kaufmann seems to have fully recovered and is working on countless new projects. Qobuz looks back on his career, highlighting 10 albums.

Nils Frahm, An Atypical Piano Master

Hailed by critics of classical music as well as amateurs of the electronic genre, Nils Frahm’s talent has brought harmony between the two worlds for the last ten years. Whether he plays on a church organ or a synthesiser fitted with effect pedals, the German pianist is always looking forward, and that’s what makes him so appealing.

In the news...