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The Beautiful South|Welcome To The Beautiful South

Welcome To The Beautiful South

The Beautiful South

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The Beautiful South's 1989 debut would be important if only to mark the partial continuance of the Housemartins' legacy. But when vocalist Paul Heaton and drummer Dave Hemmingway greeted the world with Welcome to the Beautiful South, the handshake came with a Cheshire grin. Nothing in the Beautiful South was as it seemed. Where there was jaunty, jazzy pop, crossed fingers warned of murderous lyrics. If a single featured a fluttering flute, it was filled with familial terror. "Woman in the Wall," featuring one of the year's most memorable melodies and Heaton's plaintive lead vocal, also featured lines like "He'd enjoyed the thought of killing her before" and "when the rotting flesh began to stink." But even in the album's most gruesome moments, the streak of cynical, caustic sarcasm running through it was as clear as crop circles. This fact only made Welcome's twee goodness that much more fun, for with each well-placed barb it further proved what the Housemartins had started: pop didn't have to be stupid.
© Johnny Loftus /TiVo

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Welcome To The Beautiful South

The Beautiful South

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1
Song For Whoever (Album Version)
00:06:09

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - The Beautiful South, MainArtist

℗ 1989 Go! Discs Ltd.

2
Have You Ever Been Away
00:05:10

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - The Beautiful South, MainArtist

℗ 1989 Go! Discs Ltd.

3
From Under The Covers
00:04:03

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - The Beautiful South, MainArtist

℗ 1989 Go! Discs Ltd.

4
I'll Sail This Ship Alone (LP Mix)
00:04:38

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - The Beautiful South, MainArtist

℗ 1989 Go! Discs Ltd.

5
Girlfriend
00:02:53

Antonio "L.A." Reid, ComposerLyricist - Michael Hedges, Producer - KENNETH "BABYFACE" EDMONDS, ComposerLyricist - The Beautiful South, MainArtist

℗ 1989 Go! Discs Ltd.

6
Straight In At 37
00:04:28

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - The Beautiful South, MainArtist

℗ 1989 Go! Discs Ltd.

7
You Keep It All In
00:02:53

Michael Hedges, Producer - Dave Rotheray, Guitar, AssociatedPerformer, ComposerLyricist - Paul Heaton, Vocals, AssociatedPerformer, ComposerLyricist - Ian Grimble, Engineer, StudioPersonnel - The Beautiful South, MainArtist - Dave Stead, Drums, AssociatedPerformer - Sean Welch, AssociatedPerformer, Bass (Vocal) - Dave Hemingway, Vocals, AssociatedPerformer - Briana Corrigan, Vocals, AssociatedPerformer

℗ 1989 Go! Discs Ltd.

8
Woman In The Wall
00:05:15

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - The Beautiful South, MainArtist

℗ 1989 Go! Discs Ltd.

9
Oh Blackpool
00:02:59

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - The Beautiful South, MainArtist

℗ 1989 Go! Discs Ltd.

10
Love Is...
00:07:03

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - The Beautiful South, MainArtist

℗ 1989 Go! Discs Ltd.

11
I Love You (But You're Boring)
00:04:30

Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - The Beautiful South, MainArtist - John Rowley, Producer

℗ 1989 Go! Discs Ltd.

Album Description

The Beautiful South's 1989 debut would be important if only to mark the partial continuance of the Housemartins' legacy. But when vocalist Paul Heaton and drummer Dave Hemmingway greeted the world with Welcome to the Beautiful South, the handshake came with a Cheshire grin. Nothing in the Beautiful South was as it seemed. Where there was jaunty, jazzy pop, crossed fingers warned of murderous lyrics. If a single featured a fluttering flute, it was filled with familial terror. "Woman in the Wall," featuring one of the year's most memorable melodies and Heaton's plaintive lead vocal, also featured lines like "He'd enjoyed the thought of killing her before" and "when the rotting flesh began to stink." But even in the album's most gruesome moments, the streak of cynical, caustic sarcasm running through it was as clear as crop circles. This fact only made Welcome's twee goodness that much more fun, for with each well-placed barb it further proved what the Housemartins had started: pop didn't have to be stupid.
© Johnny Loftus /TiVo

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