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Ars Antiqua Austria - Weichlein: Messen

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Weichlein: Messen

St. Florianer Sängerknaben, Gunar Letzbor, Ars Antiqua Austria

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More or less a contemporary of Corelli and Pachelbel, Romanus Weichlein (1652-1706) shares the fate of so many composers: widely-known while alive, he fell into oblivion when he died. But Weichlein still remains in the memories of many monasteries in which he was hired as a musician, in addition to his religious obligations since he was a Benedictine monk, especially in Salzburg but also in other lesser-known cities. He composed these masses for liturgical use around the years 1690-1700; and as you would imagine, at the time the soprano sections were sung by children. This is therefore precisely the case for this recording which is so authentic (or so we imagine) that the Latin is pronounced with a slight Austrian accent, rather distant from what we are used to hearing in the “Italian-style” liturgies. The audience is notified, of course, that these are boys’ choirs who sing here, as it happens the St. Florianer Sängerknaben (not everyone likes boys’ choirs…), which accompanies the Ars Antiqua Austria ensemble. It is also worth noting that some acts are preceded by a short moment of plainsong, probably as it was done at the time. © SM/Qobuz

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Weichlein: Messen

Ars Antiqua Austria

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Canon uber das Post-Hornl (Romanus Weichlein)

1
Canon uber das Post-Hornl
Ars Antiqua Austria
00:05:00

Ars Antiqua Austria, Ensemble, MainArtist - Gunar Letzbor, Conductor - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

Eripe me Domine (Romanus Weichlein)

2
Eripe me Domine
St. Florianer Sängerknaben
00:04:58

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

Domine (Romanus Weichlein)

3
Domine
St. Florianer Sängerknaben
00:05:28

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

Missa rectorium cordium (Romanus Weichlein)

4
Kyrie
St. Florianer Sängerknaben
00:03:21

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

5
Gloria
St. Florianer Sängerknaben
00:10:46

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

6
Credo
St. Florianer Sängerknaben
00:12:41

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

7
Sanctus
St. Florianer Sängerknaben
00:02:22

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

8
Benedictus
St. Florianer Sängerknaben
00:02:19

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

9
Agnus Dei
St. Florianer Sängerknaben
00:03:24

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

DISC 2

Missa Sanctissimæ Trinitatis (Romanus Weichlein)

1
Kyrie
St. Florianer Sängerknaben
00:07:33

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

2
Gloria
St. Florianer Sängerknaben
00:09:40

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

3
Credo
St. Florianer Sängerknaben
00:12:24

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

4
Sanctus
St. Florianer Sängerknaben
00:08:50

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

5
Agnus Dei
St. Florianer Sängerknaben
00:02:44

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

Missa gloriosæ virginis in coelo (Romanus Weichlein)

6
Kyrie
St. Florianer Sängerknaben
00:05:58

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

7
Gloria
St. Florianer Sängerknaben
00:08:25

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

8
Credo
St. Florianer Sängerknaben
00:10:50

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

9
Sanctus
St. Florianer Sängerknaben
00:04:22

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

10
Agnus Dei
St. Florianer Sängerknaben
00:03:49

Ars Antiqua Austria, Ensemble - Gunar Letzbor, Conductor - St. Florianer Sängerknaben, Choir, MainArtist - Romanus Weichlein, Composer

(C) 2018 Accent (P) 2018 Accent

Album Description

More or less a contemporary of Corelli and Pachelbel, Romanus Weichlein (1652-1706) shares the fate of so many composers: widely-known while alive, he fell into oblivion when he died. But Weichlein still remains in the memories of many monasteries in which he was hired as a musician, in addition to his religious obligations since he was a Benedictine monk, especially in Salzburg but also in other lesser-known cities. He composed these masses for liturgical use around the years 1690-1700; and as you would imagine, at the time the soprano sections were sung by children. This is therefore precisely the case for this recording which is so authentic (or so we imagine) that the Latin is pronounced with a slight Austrian accent, rather distant from what we are used to hearing in the “Italian-style” liturgies. The audience is notified, of course, that these are boys’ choirs who sing here, as it happens the St. Florianer Sängerknaben (not everyone likes boys’ choirs…), which accompanies the Ars Antiqua Austria ensemble. It is also worth noting that some acts are preceded by a short moment of plainsong, probably as it was done at the time. © SM/Qobuz

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