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Camille Thomas|Voice Of Hope

Voice Of Hope

Camille Thomas, Brussels Philharmonic, Stephane Deneve, Mathieu Herzog

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This release by the young cellist Camille Thomas has a consistent tone from beginning to end: elegiac, mournful, but suggesting renewal. This will appeal to some listeners and may drive others up the wall, but set that aside and consider the ingenious way the recital is put together. Thomas subsumes quite a variety of music under her concept, from Baroque to core Italian opera to brand-new: in the latter category, a concerto by composer Fazil Say written expressly for Thomas. That work is the main attraction, and it is a remarkable cello showpiece considering that Say is known as a pianist, not a string player. Thomas also effectively uses late-Romantic exoticism, and she has some unusual transcriptions: one of Wagner's Wesendonck-Lieder and Bellini's "Casta Diva," from Norma, perhaps wouldn't be expected to produce good cello pieces, but they do. John Williams' Theme from Schindler's List makes an appearance, and it's a reasonable representation of the whole album, consisting of quasi-tragic works that are really something else. Thomas has remarkable consistency and stamina to go with her originality, and she's clearly a player to watch.
© TiVo

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Voice Of Hope

Camille Thomas

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Deux mélodies hébraïques, M. A22 (Maurice Ravel)

1
I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra )
00:04:59

Maurice Ravel, Composer - Richard Tognetti, Contributor, Transcription - Brussels Philharmonic, Orchestra, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Mathieu Herzog, Conductor, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Orfeo ed Euridice, Wq. 30 / Act II (Christoph Willibald von Gluck)

2
Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings)
00:03:07

Christoph Willibald Gluck, Composer - Brussels Philharmonic, Orchestra, MainArtist - Ranieri de' Calzabigi, Author - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Mathieu Herzog, Conductor, Arranger, Work Arranger, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Dido and Aeneas, Z. 626 / Act III (Henry Purcell)

3
"When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)
00:03:48

Nahum Tate, Author - Henry Purcell, Composer - Brussels Philharmonic, Orchestra, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Mathieu Herzog, Conductor, Arranger, Work Arranger, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Concerto for Cello and Orchestra "Never Give Up", Op. 73 (Fazil Say)

4
I. Never Give Up
00:08:43

Fazil Say, Composer - Brussels Philharmonic, Orchestra, MainArtist - Stephane Deneve, Conductor, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

5
II. Terror - Elegy
00:06:49

Fazil Say, Composer - Brussels Philharmonic, Orchestra, MainArtist - Stephane Deneve, Conductor, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

6
III. Song of Hope
00:06:00

Fazil Say, Composer - Brussels Philharmonic, Orchestra, MainArtist - Stephane Deneve, Conductor, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

"Kol Nidrei" Adagio for Cello and Orchestra, Op. 47 (Max Bruch)

7
I. Adagio ma non troppo
00:05:26

Max Bruch, Composer - Brussels Philharmonic, Orchestra, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Mathieu Herzog, Conductor, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

8
II. Un poco più animato
00:05:09

Max Bruch, Composer - Brussels Philharmonic, Orchestra, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Mathieu Herzog, Conductor, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Wesendonck Lieder, WWV 91 (Richard Wagner)

9
V. Träume (Arr. by Mathieu Herzog for Cello and Orchestra)
00:04:52

Richard Wagner, Composer - Brussels Philharmonic, Orchestra, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Mathieu Herzog, Conductor, Arranger, Work Arranger, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Gypsy Melodies, Op. 55, B. 104 (Antonín Dvořák)

10
IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra)
00:03:16

Antonín Dvorák, Composer - Fritz Kreisler, Arranger, Orchestrator - Brussels Philharmonic, Orchestra, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Mathieu Herzog, Conductor, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

11
Theme from "Schindler's List" (Adapt. for Cello and Orchestra)
00:04:14

John Williams, Composer - Brussels Philharmonic, Orchestra, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Mathieu Herzog, Conductor, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Werther / Act III (Jules Massenet)

12
"Pourquoi me réveiller" (Adapt. for Cello and Orchestra)
00:02:58

Jules Massenet, Composer - JOHANN WOLFGANG VON GOETHE, Author, Original Text Author - Georges Hartmann, Author - Brussels Philharmonic, Orchestra, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Edouard Stanislas Viateur Blau, Author - Paul Monchicourt Milliet, Author - Mathieu Herzog, Conductor, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

L'elisir d'amore / Act II (Gaetano Donizetti)

13
"Una furtiva lagrima" (Adapt. for Cello and Orchestra)
00:04:10

Felice Romani, Author - Gaetano Donizetti, Composer - Eugene Scribe, Author, Original Text Author - Alberto Zedda, Contributor, Work Editor - Brussels Philharmonic, Orchestra, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Mathieu Herzog, Conductor, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Norma / Act I (Vincenzo Bellini)

14
"Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra)
00:05:15

Vincenzo Bellini, Composer - Felice Romani, Author - Brussels Philharmonic, Orchestra, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Mathieu Herzog, Conductor, Arranger, Work Arranger, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Don Giovanni, K. 527 / Act I (Wolfgang Amadeus Mozart)

15
"Dalla sua pace" (Adapt. for Cello and Orchestra)
00:03:29

Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Author - Brussels Philharmonic, Orchestra, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Mathieu Herzog, Conductor, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Nabucco / Act III (Giuseppe Verdi)

16
"Va, pensiero" (Arr. by Mathieu Herzog for Cello and Orchestra)
00:03:07

Giuseppe Verdi, Composer - Temistocle Solera, Author - Brussels Philharmonic, Orchestra, MainArtist - Camille Thomas, Cello, MainArtist, AssociatedPerformer - Steven Maes, Balance Engineer, Mastering Engineer, StudioPersonnel - Mathieu Herzog, Conductor, Arranger, Work Arranger, MainArtist - Felicia Bockstael, Producer - Floren Van Stichel, Asst. Recording Engineer, StudioPersonnel

℗ 2020 Deutsche Grammophon GmbH, Berlin

Album review

This release by the young cellist Camille Thomas has a consistent tone from beginning to end: elegiac, mournful, but suggesting renewal. This will appeal to some listeners and may drive others up the wall, but set that aside and consider the ingenious way the recital is put together. Thomas subsumes quite a variety of music under her concept, from Baroque to core Italian opera to brand-new: in the latter category, a concerto by composer Fazil Say written expressly for Thomas. That work is the main attraction, and it is a remarkable cello showpiece considering that Say is known as a pianist, not a string player. Thomas also effectively uses late-Romantic exoticism, and she has some unusual transcriptions: one of Wagner's Wesendonck-Lieder and Bellini's "Casta Diva," from Norma, perhaps wouldn't be expected to produce good cello pieces, but they do. John Williams' Theme from Schindler's List makes an appearance, and it's a reasonable representation of the whole album, consisting of quasi-tragic works that are really something else. Thomas has remarkable consistency and stamina to go with her originality, and she's clearly a player to watch.
© TiVo

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