Categories:
Cart 0

Your cart is empty

Anneleen Lenaerts|Vienna Stories

Vienna Stories

Anneleen Lenaerts

Digital booklet

Available in
24-Bit/96 kHz Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

The Vienna Stories title of this release by harpist Anneleen Lenaerts is more personal than thematic. Only some of the pieces are from or about Vienna (although the inclusion of An der schönen blauen Donau, Op. 314 ("The Blue Danube Waltz") qualifies the collection as Viennese in the end. Lenaerts is the principal harpist of the Vienna Philharmonic Orchestra, where she has become an emerging star of her instrument. At the end of the program, she brings in some of her Philharmonic colleagues as a small string group. This is entirely in keeping with the spirit of the program, which evokes unusually nicely the atmosphere of a salon harp concert of a century or more ago. Most of the pieces are transcriptions of various ages, and Lenaerts contributes a Fantasy on La Bohème by Puccini of her own; it is indeed good to hear a new entry in the operatic paraphrase genre, which any 19th century listener would have taken as natural, but which is mighty rare these days. Listen to the 1914 harp version of Smetana's The Moldau by Hans Trneček, where Lenaerts' clean, liquid runs help establish her as a major player of her instrument. There's an X-factor here in the frequent presence of the harp's lyrical charm, of which any viewer of The Marx Brothers' films is aware but which is sometimes lost in the sheer technical difficulties of the instrument. The sound environment of the Casino Baumgarten in Vienna is appropriate, but Lenaerts is miked too closely, picking up extraneous noise that would have been inaudible to hearers of such a program in 1914. Save for that, a lovely harp recital.

© TiVo

More info

Vienna Stories

Anneleen Lenaerts

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 100 million songs with an unlimited streaming plan.

Listen to this playlist and more than 100 million songs with our unlimited streaming plans.

From $10.83/month

1
Rusalka, Op. 114, Act 1: Song to the Moon (Transc. Lenaerts)
00:05:53

Antonín Dvorák, Composer - Anneleen Lenaerts, Harp, Transcriber, MainArtist

© 2021 Parlophone Records Limited, a Warner Music Group Company ℗ 2021 Parlophone Records Limited

2
Moldau, Op. 43 (Transc. Trneček)
00:09:59

Bedrich Smetana, Composer - Hans Trnecek, Transcriber - Anneleen Lenaerts, Harp, MainArtist

© 2021 Parlophone Records Limited, a Warner Music Group Company ℗ 2021 Parlophone Records Limited

3
Die Meistersinger, WWV 96, Act 3: Walthers Preislied (Transc. Trneček)
00:07:28

Richard Wagner, Composer - Hans Trnecek, Transcriber - Anneleen Lenaerts, Harp, MainArtist

© 2021 Parlophone Records Limited, a Warner Music Group Company ℗ 2021 Parlophone Records Limited

4
Fantaisie sur les motifs de l’opéra Faust de Charles Gounod, Op. 12
00:13:37

Albert Zabel, Composer - Anneleen Lenaerts, Harp, MainArtist

© 2021 Parlophone Records Limited, a Warner Music Group Company ℗ 2021 Parlophone Records Limited

5
Les Préludes, S. 97, Pt. 1 (Transc. Lenaerts)
00:03:19

Franz Liszt, Composer - Anneleen Lenaerts, Harp, Transcriber, MainArtist

© 2021 Parlophone Records Limited, a Warner Music Group Company ℗ 2021 Parlophone Records Limited

6
Les Préludes, S. 97, Pt. 2 (Transc. Lenaerts)
00:06:40

Franz Liszt, Composer - Anneleen Lenaerts, Harp, Transcriber, MainArtist

© 2021 Parlophone Records Limited, a Warner Music Group Company ℗ 2021 Parlophone Records Limited

7
Fantaisie sur la Bohème de Puccini, Pt. 1
00:04:27

Anneleen Lenaerts, Composer, Harp, MainArtist

© 2021 Parlophone Records Limited, a Warner Music Group Company ℗ 2021 Parlophone Records Limited

8
Fantaisie sur la Bohème de Puccini, Pt. 2
00:05:54

Anneleen Lenaerts, Composer, Harp, MainArtist

© 2021 Parlophone Records Limited, a Warner Music Group Company ℗ 2021 Parlophone Records Limited

9
Fantaisie sur un thème de Onegin, de Pyotr Ilyich Tchaikovsky
00:08:00

Anneleen Lenaerts, Harp, MainArtist - Ekaterina Walter Kühne, Composer

© 2021 Parlophone Records Limited, a Warner Music Group Company ℗ 2021 Parlophone Records Limited

10
Der Rosenkavalier (Arr. Wouter Lenaerts)
00:05:38

Richard Strauss, Composer - Raphael Flieder, Cello - Rainer Honeck, Violin - Anneleen Lenaerts, Harp, MainArtist - Gerhard Marschner, Viola - Wouter Lenaerts, Transcriber - Michael Bladerer, Double Bass - Benjamin Morrison, Violin

© 2021 Parlophone Records Limited, a Warner Music Group Company ℗ 2021 Parlophone Records Limited

11
An der schönen blauen Donau, Op. 314 (Arr. Wouter Lenaerts)
00:09:51

Johann Strauss II, Composer - Raphael Flieder, Cello - Rainer Honeck, Violin - Anneleen Lenaerts, Harp, MainArtist - Gerhard Marschner, Viola - Wouter Lenaerts, Transcriber - Michael Bladerer, Double Bass - Benjamin Morrison, Violin

© 2021 Parlophone Records Limited, a Warner Music Group Company ℗ 2021 Parlophone Records Limited

Album review

The Vienna Stories title of this release by harpist Anneleen Lenaerts is more personal than thematic. Only some of the pieces are from or about Vienna (although the inclusion of An der schönen blauen Donau, Op. 314 ("The Blue Danube Waltz") qualifies the collection as Viennese in the end. Lenaerts is the principal harpist of the Vienna Philharmonic Orchestra, where she has become an emerging star of her instrument. At the end of the program, she brings in some of her Philharmonic colleagues as a small string group. This is entirely in keeping with the spirit of the program, which evokes unusually nicely the atmosphere of a salon harp concert of a century or more ago. Most of the pieces are transcriptions of various ages, and Lenaerts contributes a Fantasy on La Bohème by Puccini of her own; it is indeed good to hear a new entry in the operatic paraphrase genre, which any 19th century listener would have taken as natural, but which is mighty rare these days. Listen to the 1914 harp version of Smetana's The Moldau by Hans Trneček, where Lenaerts' clean, liquid runs help establish her as a major player of her instrument. There's an X-factor here in the frequent presence of the harp's lyrical charm, of which any viewer of The Marx Brothers' films is aware but which is sometimes lost in the sheer technical difficulties of the instrument. The sound environment of the Casino Baumgarten in Vienna is appropriate, but Lenaerts is miked too closely, picking up extraneous noise that would have been inaudible to hearers of such a program in 1914. Save for that, a lovely harp recital.

© TiVo

About the album

Improve album information

Qobuz logo Why buy on Qobuz?