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Clara Rodriguez|Venezuela

Venezuela

Clara Rodriguez

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Each Caribbean country has its own Afro-Latin dance rhythms that influenced its concert music as well as its popular styles, but Venezuela's contributions have always been somewhat neglected internationally in comparison with Colombian cumbia or Dominican merengue. This survey of Venezuelan dance piano pieces by pianist Clara Rodríguez, covering short works from the late 19th century until the present day, attempts to remedy the situation. Her enthusiastic if wholly unedited booklet notes (in English only) quote guitarist John Williams: "Listen to it with two rhythms going simultaneously -- a six-eight over a three-four. To really play this, you need to do the African thing -- move your body with the complex pulse. It's not good tapping your feet like a European. There's a European influence here, but the guts of it is Indian plus African." Williams was referring to the music in general, but his statement is especially applicable to the most common genre on the album, the joropo. This rhythm is little known outside of Venezuela, and it's easy to understand why after hearing this album: if you think of the cumbia, which has become a virtual lingua franca of dance music south of U.S. Interstate 20, as the simplest of all Caribbean rhythms, the joropo may well be the most complex. As Rodríguez points out, "it consists of strongly accented rhythms and often makes use of hemiola but unlike the other Venezuelan dances, no single rhythmic pattern is associated with it"; it takes a variety of forms, all exploiting additive rhythms and hemiola tensions. Aside from the joropo there are waltzes, a merengue, a pasaje llanero, and the still more complex ritmo orquidea in Antonio Lauro's Diversión (track 11). The thematic and harmonic structure of the music is simple, setting off the tricky rhythms that appear even in the waltzes. A fascinating glimpse into one of Latin America's less-appreciated musical cultures, recommended for anyone with an interest in the music of the region.
© TiVo

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Venezuela

Clara Rodriguez

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1
Pajarillo
00:03:01

Clara Rodriguez, MainArtist - Luisa Elena Paesano, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

2
Mañanita Caraqueña
00:02:25

Clara Rodriguez, MainArtist - Evencio Castellanos, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

3
Jarro Mocho
00:02:46

Clara Rodriguez, MainArtist - Federico Vollmer, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

4
La Dulzura de Tu Rostro
00:02:32

Clara Rodriguez, MainArtist - Ramon Delgado Palacios, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

5
El Porfiao
00:01:29

Clara Rodriguez, MainArtist - Luisa Elena Paesano, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

6
El Atravesado
00:01:55

Clara Rodriguez, MainArtist - Federico Vollmer, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

7
Aliseo
00:03:04

Federico Ruiz, Composer - Clara Rodriguez, MainArtist

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

8
Noche de Luna en Altamira
00:03:40

Clara Rodriguez, MainArtist - Maria Luisa Escobar, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

9
Zumba Que Zumba
00:03:03

Federico Ruiz, Composer - Clara Rodriguez, MainArtist

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

10
Adriana
00:03:18

Clara Rodriguez, MainArtist - Miguel Astor, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

11
Diversión
00:02:30

Clara Rodriguez, MainArtist - Pablo Camcaro, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

12
Canción
00:03:34

Antonio Lauro, Composer - Clara Rodriguez, MainArtist

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

13
Vals Criollo
00:02:57

Antonio Lauro, Composer - Clara Rodriguez, MainArtist

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

14
Retrato de Ramón Delgado Palacios
00:04:02

Juan Carlos Núñez, Composer - Clara Rodriguez, MainArtist

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

15
Fuga
00:02:21

Clara Rodriguez, MainArtist - Modesta Bor, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

16
Juangriego
00:02:44

Clara Rodriguez, MainArtist - Modesta Bor, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

17
Seis Por Derecho
00:02:58

Antonio Lauro, Composer - Clara Rodriguez, MainArtist

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

18
Destilado de Vals
00:02:58

Clara Rodriguez, MainArtist - Ricardo Teruel, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

19
El Cumaco de San Juan
00:02:54

Clara Rodriguez, MainArtist - Francisco Delfín Pacheco, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

20
Creo Que Te Quiero
00:05:38

Clara Rodriguez, MainArtist - Luis Laguna, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

21
Alma Llanera
00:02:47

Pedro Elias Gutierrez, Composer - Clara Rodriguez, MainArtist

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

22
Don Luis
00:02:26

Clara Rodriguez, MainArtist - Pablo Camacaro, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

23
Caballo Viejo
00:03:22

Simón Díaz, Composer - Clara Rodriguez, MainArtist

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

24
Viajera del Río
00:03:48

Clara Rodriguez, MainArtist - Manuel Yanez, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

25
El Diablo Suelto
00:01:57

Clara Rodriguez, MainArtist - Heraclio Fernandez, Composer

(C) 2010 Wyastone Estate Limited (P) 2010 Wyastone Estate Limited

Album review

Each Caribbean country has its own Afro-Latin dance rhythms that influenced its concert music as well as its popular styles, but Venezuela's contributions have always been somewhat neglected internationally in comparison with Colombian cumbia or Dominican merengue. This survey of Venezuelan dance piano pieces by pianist Clara Rodríguez, covering short works from the late 19th century until the present day, attempts to remedy the situation. Her enthusiastic if wholly unedited booklet notes (in English only) quote guitarist John Williams: "Listen to it with two rhythms going simultaneously -- a six-eight over a three-four. To really play this, you need to do the African thing -- move your body with the complex pulse. It's not good tapping your feet like a European. There's a European influence here, but the guts of it is Indian plus African." Williams was referring to the music in general, but his statement is especially applicable to the most common genre on the album, the joropo. This rhythm is little known outside of Venezuela, and it's easy to understand why after hearing this album: if you think of the cumbia, which has become a virtual lingua franca of dance music south of U.S. Interstate 20, as the simplest of all Caribbean rhythms, the joropo may well be the most complex. As Rodríguez points out, "it consists of strongly accented rhythms and often makes use of hemiola but unlike the other Venezuelan dances, no single rhythmic pattern is associated with it"; it takes a variety of forms, all exploiting additive rhythms and hemiola tensions. Aside from the joropo there are waltzes, a merengue, a pasaje llanero, and the still more complex ritmo orquidea in Antonio Lauro's Diversión (track 11). The thematic and harmonic structure of the music is simple, setting off the tricky rhythms that appear even in the waltzes. A fascinating glimpse into one of Latin America's less-appreciated musical cultures, recommended for anyone with an interest in the music of the region.
© TiVo

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