Paulin Bündgen - Clematis Vater unser. German Sacred Cantatas

Vater unser. German Sacred Cantatas

Paulin Bündgen - Clematis

Hi-Res 24-bit – 88.20 kHz

Includes: 1 Digital booklet

Released on June 22, 2018 by Ricercar

Main artist: Paulin Bündgen

Genre: Classical > Sacred Vocal Music > Cantatas (sacred)

Distinctions: 5 de Diapason (October 2018)

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Album : 1 disk - 14 tracks Total length : 01:19:32

    Sinfonia Vater unser (Johann Hermann Schein)
  1. 1 Sinfonia Vater unser

    Clematis - Johann Hermann Schein, Composer Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  2. Vater unser im Himmelreich (Samuel Eccard)
  3. 2 Vater unser im Himmelreich

    Clematis - Samuel Eccard, Composer Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  4. Herr, wenn ich nur dich habe (David Pohle)
  5. 3 Herr, wenn ich nur dich habe

    Paulin Bündgen, Countertenor - Clematis - David Pohle, Composer - Anonyme, Lyricist Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  6. Salve mi Jesu (Franz Tunder)
  7. 4 Salve mi Jesu

    Paulin Bündgen, Countertenor - Clematis - Franz Tunder, Composer - Anonyme, Lyricist Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  8. Sonata Hertzlich thut mich verlangen (Johann Fischer)
  9. 5 Sonata Hertzlich thut mich verlangen

    Clematis - Johann Fischer, Composer Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  10. Weil Jesu in meinem Sinn (Johann Wolfgang Franck)
  11. 6 Weil Jesu in meinem Sinn

    Paulin Bündgen, Countertenor - Clematis - Johann Wolfgang Franck, Composer - Anonyme, Lyricist Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  12. Sonata a 6 (Anonyme)
  13. 7 Sonata a 6

    Clematis - Anonymous, Composer Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  14. Ach daß ich Wassers g'nug hätte (Johann Christoph Bach)
  15. 8 Ach daß ich Wassers g'nug hätte

    Paulin Bündgen, Countertenor - Clematis - Johann Christoph Bach, Composer - Anonyme, Lyricist Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  16. Vater unser im Himmelreich (Georg Böhm)
  17. 9 Vater unser im Himmelreich

    Clematis - Georg Böhm, Composer Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  18. Was betrübst du dich meine Seele (Johann Theile)
  19. 10 Was betrübst du dich meine Seele

    Paulin Bündgen, Countertenor - Clematis - Johann Theile, Composer - Anonyme, Lyricist Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  20. Auf, laßt uns den Herren loben (Johann Michael Bach)
  21. 11 Auf, laßt uns den Herren loben

    Paulin Bündgen, Countertenor - Clematis - Johann Michael Bach, Composer - Anonyme, Lyricist Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  22. Cum Maria diluculo (Johann Rudolph Ahle)
  23. 12 Cum Maria diluculo

    Paulin Bündgen, Countertenor - Clematis - Johann Rudolph Ahle, Composer - Anonyme, Lyricist Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  24. Sinfonia da pacem Domine a 7 (Franz Tunder)
  25. 13 Sinfonia da pacem Domine a 7

    Clematis - Franz Tunder, Composer Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

  26. Grabgesang (Heinrich Schwemmer)
  27. 14 Grabgesang

    Paulin Bündgen, Countertenor - Clematis - Heinrich Schwemmer, Composer - Anonyme, Lyricist Copyright : © 2018 Ricercar / OUTHERE - ℗ 2018 Ricercar / OUTHERE

About

Most of the works presented here by the Clematis Ensemble and countertenor Paulin Bündgen come from the rich Düben collection held by the Uppsala University. In the 17th century, Gustaf Düben was kapellmeister at the Swedish court; he had mostly gathered manuscript scores of compositions from numerous German, French, Italian and Baltic authors. It is one of the largest sources of Lutherian repertoire of the 17th century, particularly as it contains numerous in unicum scores. Among the composers featured in this piece, some were Schütz’ successors or disciples, but it’s worth mentioning that the German composers of that time – particularly Schein, Franz Tunder (who was Buxtehude’s master) and Johann Fischer – were considerably influenced by Italian baroque. You’ll notice the presence of two Bachs on this album: Johann Michael (1648-1694) and Johann Christoph (1642-1703), two second-degree cousins of Johann Sebastian. Johann Christoph Bach’s Lamento − whom his cousin described as a “deep composer” – is without a doubt one of the best-known compositions of the sacred German repertoire of the time. Like in the entire repertoire, the role of strings remains essential. This sacred piece relies on the text’s numerous descriptive effects, like a “painting in musical form”: the sharpest terms (crying, sighing, sinking…) are underlined by similar vocal and instrumental effects. This Lamento is without a doubt the perfect example of the aria à da capo form that Johann Sebastian Bach so frequently used in his sacred works. This vocal music programme is accompanied by a few instrumental pieces that can be assimilated to church music. © SM/Qobuz

Hi-Res 24-bit – 88.20 kHz

Details of original recording:

Recording: Centeilles, église Notre-Dame, October 2017

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Ricercar

RICERCAR was founded by Jérôme Lejeune in 1980 and the label swiftly became one of the major players in the rediscovery of early music. Each RICERCAR recording documents a moment in the history of music, one that can be experienced not only by listening but also by reading informative liner notes written with the general public in mind. RICERCAR’s aim has always been to seek out and make available unusual and unpublished works, although they have also recorded certain well-known works when new musicological discoveries have inspired their artists to a new style of performance or interpretation. Each recording is made with the greatest respect possible for the history ...

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