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Joss Stone|The Soul Sessions, Vol. 2

The Soul Sessions, Vol. 2

Joss Stone

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Joss Stone launched her career by singing soul standards so when it came time for a reboot she went back to the beginning, dusting off the old blueprint for The Soul Sessions and following it to a T, right down to replicating its title and giving a contemporary alt-rock hit a soul makeover. First time around, the intent was to prove that teenage Joss had soul bona fides, but in 2012 the purpose of The Soul Sessions, Vol. 2 is to signal how she's done messing around with fleeting fashions and is getting back down to the real business. Stone doesn't dig deep into the crates this time around, nor does she stick to deep soul; she chooses to mine hits from the early '70s, favoring songs by the Dells, the Chi-Lites, and Sylvia, giving these smooth tunes a bit of a polished Southern spin. And "professional" is the operative word here: this is the work of seasoned veterans who play with every note falling neatly into place, stretching just enough to show off their chops but never enough to alter the DNA of a song. The exception to the rule is, of course, "The High Road," a Broken Bells song refashioned to sound old, thereby occupying the same space as Joss' White Stripes "Fell in Love with a Boy" cover did on the first Soul Sessions. This is the song to prove that Stone isn't living in the past but rather she's seeing the future through a retro prism that turns everything into something that feels classic. That Stone remains a bit too theatrical a singer, overemphasizing every phrase, is almost besides the point, as she's a diva and is expected to sing with more gusto than the song requires just as long as the overall package feels right. And, for the most part, The Soul Sessions, Vol. 2 does feel right: it has the form and sound of classic soul while never acknowledging that R&B continued to develop past, say, 1972. For an audience that agrees with that thesis, this is fun.

© Stephen Thomas Erlewine /TiVo

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The Soul Sessions, Vol. 2

Joss Stone

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1
I Got The...
00:04:59

Joss Stone, MainArtist - Labi Siffre, Composer, Writer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

2
(For God's Sake) Give More Power To The People
00:03:44

Eugene Record, Composer, Writer - Joss Stone, MainArtist

© 2012 S-Curve Records ℗ 2012 S-Curve Records

3
While You're Out Looking For Sugar
00:03:28

Edith Wayne, Composer - RONALD DUNBAR, Composer, Writer - Brian Burton, Composer - Joss Stone, MainArtist - Edythe Wayne, Writer - James Russel Mercer, Composer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

4
Sideway Shuffle
00:03:38

Linda Lewis, Composer, Writer - Joss Stone, MainArtist

© 2012 S-Curve Records ℗ 2012 S-Curve Records

5
I Don't Want To Be With Nobody But You
00:05:00

Eddie Floyd, Composer, Writer - Joss Stone, MainArtist - Joe Shamwell, Composer, Writer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

6
Teardrops
00:05:55

Cecil Womack, Composer, Writer - Linda Womack, Writer - Joss Stone, MainArtist - Linda Cooke Womack, Composer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

7
Stoned Out Of My Mind
00:03:12

Eugene Record, Composer, Writer - Barbara Acklin, Composer, Writer - Joss Stone, MainArtist

© 2012 S-Curve Records ℗ 2012 S-Curve Records

8
The Love We Had (Stays On My Mind)
00:04:42

Larry Wade, Composer, Writer - Terry Callier, Composer, Writer - Joss Stone, MainArtist - Unkown, Composer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

9
The High Road
00:04:40

Edith Wayne, Composer - RONALD DUNBAR, Composer, Writer - Brian Burton, Composer - Joss Stone, MainArtist - Edythe Wayne, Writer - James Russel Mercer, Composer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

10
Pillow Talk
00:04:42

Sylvia Robinson, Composer, Writer - Michael Burton, Composer, Writer - Joss Stone, MainArtist

© 2012 S-Curve Records ℗ 2012 S-Curve Records

11
Then You Can Tell Me Goodbye
00:03:51

John D. Loudermilk, Writer - Joss Stone, MainArtist

© 2012 S-Curve Records ℗ 2012 S-Curve Records

12
First Taste Of Hurt
00:03:39

Joss Stone, MainArtist - Wilson Turbinton, Composer, Writer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

13
One Love In My Lifetime
00:03:49

Leonard Perry, Composer, Writer - Lawrence Brown, Composer, Writer - Joss Stone, MainArtist - Theresa G. McFaddin, Composer, Writer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

14
Nothing Takes The Place Of You
00:03:25

Joss Stone, MainArtist - Alan Robinson, Composer - Toussaint McCall, Composer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

15
(1-2-3-4-5-6-7) Count The Days
00:03:44

Jr., Composer - Jerry Williams, Composer - Joss Stone, MainArtist - Jerry Williams Jr., Writer - Yvonne Williams, Composer, Writer - Charlie Foxx, Composer, Writer - Brooks O'Dell Johnson, Composer, Writer

© 2012 S-Curve Records ℗ 2012 S-Curve Records

Album review

Joss Stone launched her career by singing soul standards so when it came time for a reboot she went back to the beginning, dusting off the old blueprint for The Soul Sessions and following it to a T, right down to replicating its title and giving a contemporary alt-rock hit a soul makeover. First time around, the intent was to prove that teenage Joss had soul bona fides, but in 2012 the purpose of The Soul Sessions, Vol. 2 is to signal how she's done messing around with fleeting fashions and is getting back down to the real business. Stone doesn't dig deep into the crates this time around, nor does she stick to deep soul; she chooses to mine hits from the early '70s, favoring songs by the Dells, the Chi-Lites, and Sylvia, giving these smooth tunes a bit of a polished Southern spin. And "professional" is the operative word here: this is the work of seasoned veterans who play with every note falling neatly into place, stretching just enough to show off their chops but never enough to alter the DNA of a song. The exception to the rule is, of course, "The High Road," a Broken Bells song refashioned to sound old, thereby occupying the same space as Joss' White Stripes "Fell in Love with a Boy" cover did on the first Soul Sessions. This is the song to prove that Stone isn't living in the past but rather she's seeing the future through a retro prism that turns everything into something that feels classic. That Stone remains a bit too theatrical a singer, overemphasizing every phrase, is almost besides the point, as she's a diva and is expected to sing with more gusto than the song requires just as long as the overall package feels right. And, for the most part, The Soul Sessions, Vol. 2 does feel right: it has the form and sound of classic soul while never acknowledging that R&B continued to develop past, say, 1972. For an audience that agrees with that thesis, this is fun.

© Stephen Thomas Erlewine /TiVo

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