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The Smiths - The Smiths

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The Smiths
The Smiths
- Released on 11/15/93 by WM UK
- Main artist: The Smiths
- Genre: Pop/Rock Rock Alternative & Indie
- Distinctions: Hi-Res Audio

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The Smiths
The Smiths
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Johnny Marr, Guitar, Writer, Remastering Engineer - The Smiths, MainArtist - MORRISSEY, Vocals, Writer - JOHN PORTER, Producer - Paul Carrack, Organ, Piano - Andy Rourke, Bass Guitar - Neil King, Engineer - Phil Bush, Engineer - Mike Joyce, Drums - Annalisa Jablonska, Backing Vocals
© 2013 Warner Music UK Ltd. ℗ 1984 Warner Music UK Ltd.
Johnny Marr, Guitar, Writer, Remastering Engineer - The Smiths, MainArtist - MORRISSEY, Vocals, Writer - JOHN PORTER, Producer - Paul Carrack, Organ, Piano - Andy Rourke, Bass Guitar - Neil King, Engineer - Phil Bush, Engineer - Mike Joyce, Drums
© 2013 Warner Music UK Ltd. ℗ 1984 Warner Music UK Ltd.
Johnny Marr, Guitar, Writer, Remastering Engineer - The Smiths, MainArtist - MORRISSEY, Vocals, Writer - JOHN PORTER, Producer - Andy Rourke, Bass Guitar - Neil King, Engineer - Phil Bush, Engineer - Mike Joyce, Drums
© 2013 Warner Music UK Ltd. ℗ 1984 Warner Music UK Ltd.
Johnny Marr, Guitar, Writer, Remastering Engineer - The Smiths, MainArtist - MORRISSEY, Vocals, Writer - JOHN PORTER, Producer - Andy Rourke, Bass Guitar - Neil King, Engineer - Phil Bush, Engineer - Mike Joyce, Drums
© 2013 Warner Music UK Ltd. ℗ 1984 Warner Music UK Ltd.
Johnny Marr, Guitar, Writer, Remastering Engineer - The Smiths, MainArtist - MORRISSEY, Vocals, Writer - JOHN PORTER, Producer - Andy Rourke, Bass Guitar - Neil King, Engineer - Phil Bush, Engineer - Mike Joyce, Drums
© 2013 Warner Music UK Ltd. ℗ 1984 Warner Music UK Ltd.
Johnny Marr, Acoustic Guitar, Electric Guitar, Writer, Remastering Engineer - The Smiths, MainArtist - MORRISSEY, Vocals, Writer - Tim Young, Masterer - JOHN PORTER, Producer - Andy Rourke, Bass Guitar - Mike Joyce, Drums
© 2013 Warner Music UK Ltd. ℗ 1984 Warner Music UK Ltd.
Johnny Marr, Guitar, Writer, Remastering Engineer - The Smiths, MainArtist - MORRISSEY, Vocals, Writer - JOHN PORTER, Producer - Andy Rourke, Bass Guitar - Neil King, Engineer - Phil Bush, Engineer - Mike Joyce, Drums
© 2013 Warner Music UK Ltd. ℗ 1984 Warner Music UK Ltd.
Johnny Marr, Guitar, Writer, Remastering Engineer - The Smiths, MainArtist - MORRISSEY, Vocals, Writer - JOHN PORTER, Producer - Andy Rourke, Bass Guitar - Neil King, Engineer - Phil Bush, Engineer - Mike Joyce, Drums
© 2013 Warner Music UK Ltd. ℗ 1984 Warner Music UK Ltd.
Johnny Marr, Guitar, Writer - The Smiths, MainArtist - MORRISSEY, Vocals, Writer - JOHN PORTER, Producer - Andy Rourke, Bass Guitar - Neil King, Engineer - Phil Bush, Engineer - Mike Joyce, Drums
© 2013 Warner Music UK Ltd. ℗ 1984 Warner Music UK Ltd.
Johnny Marr, Guitar, Writer, Remastering Engineer - The Smiths, MainArtist - MORRISSEY, Vocals, Writer - JOHN PORTER, Producer - Paul Carrack, Organ, Piano - Andy Rourke, Bass Guitar - Neil King, Engineer - Phil Bush, Engineer - Mike Joyce, Drums
© 2013 Warner Music UK Ltd. ℗ 1984 Warner Music UK Ltd.
Johnny Marr, Guitar, Writer, Remastering Engineer - The Smiths, MainArtist - MORRISSEY, Vocals, Writer - JOHN PORTER, Producer - Andy Rourke, Bass Guitar - Neil King, Engineer - Phil Bush, Engineer - Mike Joyce, Drums - Annalisa Jablonska, Backing Vocals
© 2013 Warner Music UK Ltd. ℗ 1984 Warner Music UK Ltd.
About the album
- 1 disc(s) - 11 track(s)
- Total length: 00:45:33
- Main artist: The Smiths
- Label: WM UK
- Genre: Pop/Rock Rock Alternative & Indie
-
24-Bit 96.0 kHz - Stereo
© 2013 Warner Music UK Ltd. ℗ 2013 Warner Music UK Ltd.
Distinctions:
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Barely five years and four albums were enough for the Smiths to make an indelible mark on the history of British rock music. The Morrissey/Johnny Marr partnership offered an oasis amidst the synthetics of the 1980s. They were one of those groups that could ONLY come from the UK...
“If punk was about getting rid of hippies, then I'm getting rid of grunge.” It was with this sentence from Damon Albarn in 1993 that England invaded the stage previously dominated by Nirvana and Seattle grunge. Britpop is deeply linked to politics and local identity and emerged just as Tony Blair and New Labour were entering the scene. English romanticism was once again becoming attractive compared to the American identity, which was considered too hollow in the UK. Make way for “Cool Britannia”.
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