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Toto - The Seventh One

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The Seventh One

Toto

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Toto attempted to satisfy commercial considerations by loading up the first half of their seventh album with the kind of power ballads that had given the band recognition before, especially songs named after women whose names end in "A" like "Pamela" and "Anna." But these thinly veiled rewrites of "Rosanna" earned only modest radio play, and the rest of the album, which rocked harder as it went on, while it may have been truer to the band's musical aspirations, continued to sound too anonymous to earn any response beyond the band's fan base, especially its international one (which it seemed to be acknowledging by printing some of the sleeve notes in Japanese).
© William Ruhlmann /TiVo

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The Seventh One

Toto

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1
Pamela (Album Version)
00:05:09

Toto, Producer - Toto, Performer - Steve Porcaro, Engineer - Steve Porcaro, Synthesizer - Steve Porcaro, Programmer - Bill Payne, Producer - Sharon Rice, Engineer - J. Williams, Composer - J. Williams, Lyricist - David Paich, Vocal - David Paich, Keyboards - David Paich, Lyricist - David Paich, Composer - Scott Symington, 2nd Engineer - Steve Lukather, Vocal - Steve Lukather, Guitar - Mike Porcaro, Bass - Duane Seykora, 2nd Engineer - Greg Dennen, 2nd Engineer - Joseph Williams, Vocal - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - Mark McKenna, 2nd Engineer - George Massenburg, Producer - Niko Bolas, Mixing Engineer - John Jessel, Engineer - Ken Fowler, 2nd Engineer

(P) 1988 Columbia Records, a division of Sony Music Entertainment

2
You Got Me (Album Version)
00:03:10

Mike Reese, Mastering Engineer - Toto, Producer - Toto, Performer - Steve Porcaro, Engineer - Steve Porcaro, Synthesizer - Steve Porcaro, Programmer - Bill Payne, Producer - Sharon Rice, Engineer - J. Williams, Composer - David Paich, Vocal - David Paich, Keyboards - David Paich, Composer - Doug Sax, Mastering Engineer - Scott Symington, 2nd Engineer - Steve Lukather, Vocal - Steve Lukather, Guitar - Mike Porcaro, Bass - Oberman, A&R Coordinator - Duane Seykora, 2nd Engineer - Greg Dennen, 2nd Engineer - Joseph Williams, Vocal - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - Mark McKenna, 2nd Engineer - George Massenburg, Producer - Niko Bolas, Mixing Engineer - John Jessel, Engineer - Ken Fowler, 2nd Engineer

(P) 1988 Columbia Records, a division of Sony Music Entertainment

3
Anna (Album Version)
00:04:55

Toto, Producer - Toto, Performer - Steve Porcaro, Engineer - Steve Porcaro, Synthesizer - Steve Porcaro, Programmer - Bill Payne, Producer - R. Goodrum, Composer - R. Goodrum, Lyricist - Sharon Rice, Engineer - David Paich, Vocal - David Paich, Keyboards - Scott Symington, 2nd Engineer - Steve Lukather, Vocal - Steve Lukather, Guitar - Mike Porcaro, Bass - S. Lukather, Composer - S. Lukather, Lyricist - Duane Seykora, 2nd Engineer - Greg Dennen, 2nd Engineer - Joseph Williams, Vocal - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - Mark McKenna, 2nd Engineer - George Massenburg, Producer - Niko Bolas, Mixing Engineer - John Jessel, Engineer - Ken Fowler, 2nd Engineer

(P) 1988 Columbia Records, a division of Sony Music Entertainment

4
Stop Loving You (Album Version)
00:04:29

Toto, Producer - Toto, Performer - Steve Porcaro, Engineer - Steve Porcaro, Synthesizer - Steve Porcaro, Programmer - Bill Payne, Producer - Sharon Rice, Engineer - David Paich, Vocal - David Paich, Keyboards - David Paich, Lyricist - David Paich, Composer - Scott Symington, 2nd Engineer - Steve Lukather, Vocal - Steve Lukather, Guitar - Mike Porcaro, Bass - S. Lukather, Composer - S. Lukather, Lyricist - Duane Seykora, 2nd Engineer - Greg Dennen, 2nd Engineer - Joseph Williams, Vocal - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - Mark McKenna, 2nd Engineer - George Massenburg, Producer - Niko Bolas, Mixing Engineer - John Jessel, Engineer - Ken Fowler, 2nd Engineer

(P) 1988 Columbia Records, a division of Sony Music Entertainment

5
Mushanga (Album Version)
00:05:34

Mike Reese, Mastering Engineer - Toto, Producer - Toto, Performer - Steve Porcaro, Engineer - Steve Porcaro, Synthesizer - Steve Porcaro, Programmer - Bill Payne, Producer - Sharon Rice, Engineer - David Paich, Vocal - David Paich, Keyboards - David Paich, Composer - Doug Sax, Mastering Engineer - Scott Symington, 2nd Engineer - Steve Lukather, Vocal - Steve Lukather, Guitar - Mike Porcaro, Bass - Oberman, A&R Coordinator - Duane Seykora, 2nd Engineer - Greg Dennen, 2nd Engineer - Joseph Williams, Vocal - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - Mark McKenna, 2nd Engineer - George Massenburg, Producer - Niko Bolas, Mixing Engineer - John Jessel, Engineer - Ken Fowler, 2nd Engineer - J. Porcaro, Composer

(P) 1988 Columbia Records, a division of Sony Music Entertainment

6
Stay Away (Album Version)
00:05:29

Mike Reese, Mastering Engineer - Toto, Producer - Toto, Performer - Steve Porcaro, Engineer - Steve Porcaro, Synthesizer - Steve Porcaro, Programmer - Bill Payne, Producer - Sharon Rice, Engineer - David Paich, Vocal - David Paich, Keyboards - David Paich, Composer - Doug Sax, Mastering Engineer - Scott Symington, 2nd Engineer - Steve Lukather, Vocal - Steve Lukather, Guitar - Mike Porcaro, Bass - S. Lukather, Composer - Oberman, A&R Coordinator - Duane Seykora, 2nd Engineer - Greg Dennen, 2nd Engineer - Joseph Williams, Vocal - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - Mark McKenna, 2nd Engineer - George Massenburg, Producer - Niko Bolas, Mixing Engineer - John Jessel, Engineer - Ken Fowler, 2nd Engineer

(P) 1988 Columbia Records, a division of Sony Music Entertainment

7
Straight for the Heart (Album Version)
00:04:09

Mike Reese, Mastering Engineer - Toto, Producer - Toto, Performer - Steve Porcaro, Engineer - Steve Porcaro, Synthesizer - Steve Porcaro, Programmer - Bill Payne, Producer - Sharon Rice, Engineer - David Paich, Composer - David Paich, Vocal - David Paich, Lyricist - David Paich, Keyboards - Doug Sax, Mastering Engineer - Scott Symington, 2nd Engineer - Steve Lukather, Vocal - Steve Lukather, Guitar - Mike Porcaro, Bass - Oberman, A&R Coordinator - Duane Seykora, 2nd Engineer - Greg Dennen, 2nd Engineer - Joseph Williams, Composer - Joseph Williams, Vocal - Joseph Williams, Lyricist - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - Mark McKenna, 2nd Engineer - George Massenburg, Producer - Niko Bolas, Mixing Engineer - John Jessel, Engineer - Ken Fowler, 2nd Engineer

(P) 1988 Columbia Records, a division of Sony Music Entertainment

8
Only the Children (Album Version)
00:04:09

Mike Reese, Mastering Engineer - Toto, Producer - Toto, Performer - Steve Porcaro, Engineer - Steve Porcaro, Synthesizer - Steve Porcaro, Programmer - Bill Payne, Producer - Sharon Rice, Engineer - J. Williams, Composer - David Paich, Vocal - David Paich, Keyboards - David Paich, Composer - Doug Sax, Mastering Engineer - Scott Symington, 2nd Engineer - Steve Lukather, Vocal - Steve Lukather, Guitar - Mike Porcaro, Bass - S. Lukather, Composer - Oberman, A&R Coordinator - Duane Seykora, 2nd Engineer - Greg Dennen, 2nd Engineer - Joseph Williams, Vocal - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - Mark McKenna, 2nd Engineer - George Massenburg, Producer - Niko Bolas, Mixing Engineer - John Jessel, Engineer - Ken Fowler, 2nd Engineer

(P) 1988 Columbia Records, a division of Sony Music Entertainment

9
A Thousand Years (Album Version)
00:04:51

Mike Reese, Mastering Engineer - Toto, Producer - Toto, Performer - Steve Porcaro, Engineer - Steve Porcaro, Synthesizer - Steve Porcaro, Programmer - Bill Payne, Producer - Sharon Rice, Engineer - J. Williams, Composer - David Paich, Vocal - David Paich, Keyboards - David Paich, Composer - Doug Sax, Mastering Engineer - Scott Symington, 2nd Engineer - Steve Lukather, Vocal - Steve Lukather, Guitar - Mike Porcaro, Bass - Oberman, A&R Coordinator - Duane Seykora, 2nd Engineer - Greg Dennen, 2nd Engineer - Joseph Williams, Vocal - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - M. Williams, Composer - Mark McKenna, 2nd Engineer - George Massenburg, Producer - Niko Bolas, Mixing Engineer - John Jessel, Engineer - Ken Fowler, 2nd Engineer

(P) 1988 Columbia Records, a division of Sony Music Entertainment

10
These Chains (Album Version)
00:04:57

Mike Reese, Mastering Engineer - Toto, Producer - Toto, Performer - Steve Porcaro, Engineer - Steve Porcaro, Synthesizer - Steve Porcaro, Programmer - Bill Payne, Producer - R. Goodrum, Composer - Sharon Rice, Engineer - David Paich, Vocal - David Paich, Keyboards - Doug Sax, Mastering Engineer - Scott Symington, 2nd Engineer - Steve Lukather, Vocal - Steve Lukather, Guitar - Mike Porcaro, Bass - S. Lukather, Composer - Oberman, A&R Coordinator - Duane Seykora, 2nd Engineer - Greg Dennen, 2nd Engineer - Joseph Williams, Vocal - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - Mark McKenna, 2nd Engineer - George Massenburg, Producer - Niko Bolas, Mixing Engineer - John Jessel, Engineer - Ken Fowler, 2nd Engineer

(P) 1988 Columbia Records, a division of Sony Music Entertainment

11
Home of the Brave (Album Version)
00:06:47

Mike Reese, Mastering Engineer - Toto, Producer - Toto, Performer - Steve Porcaro, Engineer - Steve Porcaro, Synthesizer - Steve Porcaro, Programmer - Bill Payne, Producer - Sharon Rice, Engineer - J. Williams, Composer - David Paich, Vocal - David Paich, Keyboards - David Paich, Composer - Doug Sax, Mastering Engineer - Scott Symington, 2nd Engineer - J. WEBB, Composer - Steve Lukather, Vocal - Steve Lukather, Guitar - Mike Porcaro, Bass - S. Lukather, Composer - Oberman, A&R Coordinator - Duane Seykora, 2nd Engineer - Greg Dennen, 2nd Engineer - Joseph Williams, Vocal - Jeff Porcaro, Percussion - Jeff Porcaro, Drums - Mark McKenna, 2nd Engineer - George Massenburg, Producer - Niko Bolas, Mixing Engineer - John Jessel, Engineer - Ken Fowler, 2nd Engineer

(P) 1988 Columbia Records, a division of Sony Music Entertainment

Album Description

Toto attempted to satisfy commercial considerations by loading up the first half of their seventh album with the kind of power ballads that had given the band recognition before, especially songs named after women whose names end in "A" like "Pamela" and "Anna." But these thinly veiled rewrites of "Rosanna" earned only modest radio play, and the rest of the album, which rocked harder as it went on, while it may have been truer to the band's musical aspirations, continued to sound too anonymous to earn any response beyond the band's fan base, especially its international one (which it seemed to be acknowledging by printing some of the sleeve notes in Japanese).
© William Ruhlmann /TiVo

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