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Sophie Yates|The Pleasures of the Imagination: English 18th Century Music for the Harpsichord

The Pleasures of the Imagination: English 18th Century Music for the Harpsichord

Sophie Yates

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Collections of Baroque keyboard music are often focused on famous French and German composers, so there's comparatively little available on CD of English harpsichord music of the 18th century, aside from recordings of works by Henry Purcell and George Frederick Handel. Considering the rarity of its material, Sophie Yates' 2016 album on Chaconne, The Pleasures of the Imagination, holds a certain appeal because its selections haven't been dulled by excessive anthologizing. While some of the composers' names may ring a bell, such as John Blow, Jeremiah Clarke, Thomas Arne, and Johann Christian Bach (the "London Bach"), their contributions here will be unknown to most listeners, while William Croft, Maurice Greene, and Richard Jones are known only to specialists in the period. But obscurity doesn't mean boring, and as overlooked as these pieces are, they are remarkably lively and entertaining in Yates' varied and virtuosic performances. Sampling will yield many pleasant surprises, such as the rhythmic play in Blow's delightful Morlake Ground, the quirky "Round O" in Clarke's Suite No. 2, and the affecting dances in Croft's Suite in D minor, just for starters. Yates plays modern copies of a 1681 Vaudry and a 1748 Goujon, which have crisp sonorities in these fairly close-up recordings, made in 2012 at St. George's Church, Brandon Hill, Bristol.
© TiVo

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The Pleasures of the Imagination: English 18th Century Music for the Harpsichord

Sophie Yates

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Chaconne in F Major (John Blow)

1
Chaconne in F Major
00:06:14

John Blow, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

Morlake Ground (John Blow)

2
Morlake Ground
00:04:32

John Blow, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

Choice Lessons for the Harpsichord or Spinet, Suite No. 2 in A Major (Jeremiah Clarke)

3
I. Almand
00:02:58

Jeremiah Clarke, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

4
II. Round O
00:01:17

Jeremiah Clarke, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

5
III. Jigg
00:01:45

Jeremiah Clarke, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

Harpsichord Suite No. 6 in D Minor (William Croft)

6
I. Slow almand
00:04:18

William Croft, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

7
II. Corant
00:02:02

William Croft, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

8
III. Saraband, slow
00:02:39

William Croft, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

A Collection of Lessons for the Harpsichord, Suite No. 14 in C Major (Maurice Greene)

9
I. Allegro
00:04:22

Maurice Greene, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

10
II. Vivace
00:02:17

Maurice Greene, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

11
III. Allegro
00:02:44

Maurice Greene, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

3rd Set of Lessons for Harpsichord in B-Flat Major (Richard Jones)

12
I. Prelude
00:06:15

Richard Jones, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

13
II. Sarabande
00:02:13

Richard Jones, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

14
III. Allegro
00:03:23

Richard Jones, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

15
IV. Minuet
00:01:20

Richard Jones, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

16
V. Bourree
00:01:02

Richard Jones, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

17
VI. Largo
00:00:48

Richard Jones, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

18
VII. Giga: Allegro
00:02:54

Richard Jones, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

Keyboard Sonata No. 3 in G major (Thomas Arne)

19
I. Prelude
00:01:35

Thomas Augustine Arne, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

20
II. Allegro
00:03:04

Thomas Augustine Arne, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

21
III. Minuet
00:03:16

Thomas Augustine Arne, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

Harpsichord Sonata in C Minor, Op. 17 No. 2, W.A 8 (Johann Christian Bach)

22
I. Allegro
00:05:35

Johann Christian Bach, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

23
II. Andante
00:03:33

Johann Christian Bach, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

24
III. Prestissimo
00:05:14

Johann Christian Bach, Composer - Sophie Yates, Artist, MainArtist

(C) 2016 Chandos (P) 2016 Chandos

Album review

Collections of Baroque keyboard music are often focused on famous French and German composers, so there's comparatively little available on CD of English harpsichord music of the 18th century, aside from recordings of works by Henry Purcell and George Frederick Handel. Considering the rarity of its material, Sophie Yates' 2016 album on Chaconne, The Pleasures of the Imagination, holds a certain appeal because its selections haven't been dulled by excessive anthologizing. While some of the composers' names may ring a bell, such as John Blow, Jeremiah Clarke, Thomas Arne, and Johann Christian Bach (the "London Bach"), their contributions here will be unknown to most listeners, while William Croft, Maurice Greene, and Richard Jones are known only to specialists in the period. But obscurity doesn't mean boring, and as overlooked as these pieces are, they are remarkably lively and entertaining in Yates' varied and virtuosic performances. Sampling will yield many pleasant surprises, such as the rhythmic play in Blow's delightful Morlake Ground, the quirky "Round O" in Clarke's Suite No. 2, and the affecting dances in Croft's Suite in D minor, just for starters. Yates plays modern copies of a 1681 Vaudry and a 1748 Goujon, which have crisp sonorities in these fairly close-up recordings, made in 2012 at St. George's Church, Brandon Hill, Bristol.
© TiVo

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