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Ray Chen|The Golden Age

The Golden Age

Ray Chen

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In dubbing his album "The Golden Age" violinist Ray Chen wanted to evoke an era when violinists Fritz Kreisler and Jascha Heifetz travelled the world, and when the ink was barely dry on the works of Claude Debussy, Erik Satie, Max Bruch, Cyril Scott and George Gershwin. Chen thought of his bouquet as a great big spray bordered by smaller flowers whose size hides an often exquisite perfection. And so it is that Max Bruch's First Concerto a major work, and musically a classic, dating from 1866, is hemmed around with a few pearls from Gershwin, Ponce and Scott re-written by Heifetz et Kreisler, not to forget a few delightful winks from Stephan Koncz (born 1984) at Satie in The New Satiesfaction or Debussy in his revision of Clair de lune. It's Stephan Koncz himself, who is also the cellist of the Berlin Philharmonic, who holds down the cello role in the revisions for string quartet. Ray Chen won the 2008 Menuhin Competition and the following year won the Queen Elisabeth Competition in Brussels: two big door-openers for the great international career which he has enjoyed since, with a constant companion in the form of a Stradivarius which had belonged to Joseph Joachim. © SM/Qobuz

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The Golden Age

Ray Chen

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1
A New Satiesfaction (Gymnopédie No. 1)
Ray Chen
00:04:31

Erik Satie, Composer - Jonathan Allen, Producer, Recording Producer - Made In Berlin, Ensemble, MainArtist - Christian Feldgen, Recording Engineer, StudioPersonnel - Ray Chen, Violin, MainArtist, AssociatedPerformer - Stephan Koncz, Composer

℗ 2018 Decca Music Group Limited

2
Syncopation
Ray Chen
00:02:03

Jonathan Allen, Producer, Recording Producer - Fritz Kreisler, Composer - Christian Feldgen, Recording Engineer, StudioPersonnel - Ray Chen, Violin, MainArtist, AssociatedPerformer - Julien Quentin, Piano, MainArtist, AssociatedPerformer

℗ 2018 Decca Music Group Limited

3
Estrellita (Arr. Heifetz)
Julien Quentin
00:03:31

Jonathan Allen, Producer, Recording Producer - Manuel Ponce, Composer - Jascha Heifetz, Arranger, Work Arranger - Christian Feldgen, Recording Engineer, StudioPersonnel - Ray Chen, Violin, MainArtist, AssociatedPerformer - Julien Quentin, Piano, MainArtist, AssociatedPerformer

℗ 2018 Decca Music Group Limited

Violin Concerto No. 1 in G minor, Op. 26 (Max Bruch)

4
1. Vorspiel (Allegro moderato)
Ray Chen
00:08:43

Jonathan Allen, Producer, Recording Producer - Max Bruch, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Neil Hutchinson, Recording Engineer, StudioPersonnel - Ray Chen, Violin, MainArtist, AssociatedPerformer - Robert Trevino, Conductor, MainArtist

℗ 2018 Decca Music Group Limited

5
2. Adagio
Ray Chen
00:09:24

Jonathan Allen, Producer, Recording Producer - Max Bruch, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Neil Hutchinson, Recording Engineer, StudioPersonnel - Ray Chen, Violin, MainArtist, AssociatedPerformer - Robert Trevino, Conductor, MainArtist

℗ 2018 Decca Music Group Limited

6
3. Finale (Allegro energico)
Ray Chen
00:07:37

Jonathan Allen, Producer, Recording Producer - Max Bruch, Composer - London Philharmonic Orchestra, Orchestra, MainArtist - Neil Hutchinson, Recording Engineer, StudioPersonnel - Ray Chen, Violin, MainArtist, AssociatedPerformer - Robert Trevino, Conductor, MainArtist

℗ 2018 Decca Music Group Limited

7
Clair de lune, CD 82/3 (Arr. Koncz)
Ray Chen
00:04:32

Claude Debussy, Composer - Jonathan Allen, Producer, Recording Producer - Made In Berlin, Ensemble, MainArtist - Christian Feldgen, Recording Engineer, StudioPersonnel - Ray Chen, Violin, MainArtist, AssociatedPerformer - Stephan Koncz, Arranger, Work Arranger

℗ 2018 Decca Music Group Limited

8
Schön Rosmarin
Ray Chen
00:02:17

Jonathan Allen, Producer, Recording Producer - Fritz Kreisler, Composer - Christian Feldgen, Recording Engineer, StudioPersonnel - Ray Chen, Violin, MainArtist, AssociatedPerformer - Julien Quentin, Piano, MainArtist, AssociatedPerformer

℗ 2018 Decca Music Group Limited

Porgy and Bess (George Gershwin)

9
Summertime (Arr. Heifetz)
Ray Chen
00:01:55

George Gershwin, Composer - Ira Gershwin, Author - Jonathan Allen, Producer, Recording Producer - Dorothy Heyward, Author - Dubose Heyward, Author - Jascha Heifetz, Contributor, Transcription - Christian Feldgen, Recording Engineer, StudioPersonnel - Ray Chen, Violin, MainArtist, AssociatedPerformer - Julien Quentin, Piano, MainArtist, AssociatedPerformer

℗ 2018 Decca Music Group Limited

10
Lotus Land (Arr. Kreisler)
Ray Chen
00:05:09

Jonathan Allen, Producer, Recording Producer - Christian Feldgen, Recording Engineer, StudioPersonnel - Ray Chen, Violin, MainArtist, AssociatedPerformer - Cyril Scott, ComposerLyricist - Julien Quentin, Piano, MainArtist, AssociatedPerformer

℗ 2018 Decca Music Group Limited

11
Waltzing Matilda (Arr. Koncz)
Ray Chen
00:03:16

Traditional, Composer - Jonathan Allen, Producer, Recording Producer - Made In Berlin, Ensemble, MainArtist - Christian Feldgen, Recording Engineer, StudioPersonnel - Ray Chen, Violin, MainArtist, AssociatedPerformer - Stephan Koncz, Arranger, Work Arranger

℗ 2018 Decca Music Group Limited

Album review

In dubbing his album "The Golden Age" violinist Ray Chen wanted to evoke an era when violinists Fritz Kreisler and Jascha Heifetz travelled the world, and when the ink was barely dry on the works of Claude Debussy, Erik Satie, Max Bruch, Cyril Scott and George Gershwin. Chen thought of his bouquet as a great big spray bordered by smaller flowers whose size hides an often exquisite perfection. And so it is that Max Bruch's First Concerto a major work, and musically a classic, dating from 1866, is hemmed around with a few pearls from Gershwin, Ponce and Scott re-written by Heifetz et Kreisler, not to forget a few delightful winks from Stephan Koncz (born 1984) at Satie in The New Satiesfaction or Debussy in his revision of Clair de lune. It's Stephan Koncz himself, who is also the cellist of the Berlin Philharmonic, who holds down the cello role in the revisions for string quartet. Ray Chen won the 2008 Menuhin Competition and the following year won the Queen Elisabeth Competition in Brussels: two big door-openers for the great international career which he has enjoyed since, with a constant companion in the form of a Stradivarius which had belonged to Joseph Joachim. © SM/Qobuz

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