Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
It is understandable that Elektra/Nonesuch deemed an overview of Caetano Veloso's output on the label appropriate, but naming this collection The Best of Caetano Veloso is audacious. Veloso has been a pioneer of Brazilian pop since 1967, when his debut album sparked one of Brazil's most famous movements in music and politics, the legendary Tropicalia movement. Presumably due to publishing rights, Elektra/Nonesuch did not access the vaults of the Phillips label, which, along with that first album, contain the first 20 years of Veloso's output. This is fine and dandy, but to reiterate: the 12 years spanning the collected material here do not make a considerable enough dent in Veloso's 30-plus-year career as an influential recording artist to tag "Best Of" to the cover of this release and leave it at that. In fact, it is a misleading slap in the face. That aside, Elektra/Nonesuch has pieced together a nice collection of songs Veloso recorded for them between the years 1989 and 2001. It is astonishing to note how much Veloso has continued to evolve with finesse through his career, never rooting himself in a single place, but instead exploring constantly. His arrangements are sometimes sparse, sometimes gorgeously complex, sometimes dissonant, and sometimes wild. Most of these tendencies are explored on this collection, from the beautiful and lush "Manhatã" to the polyphony of "13 de Maio" to the string quartet and vocal waltz "Fina Estampa" to the rhythmic and melodic glory of "Un Tom." It is easy to become so lost in the marvelous organicity of Veloso's compositions and his downy voice that the diversity and calculations of his arrangements become an afterthought. This is a mystifying effect -- one does not have to dissect these songs because they are so natural; however, once the nuances are placed under the scientific ear, endless imagination and innovation are revealed. There have been many attempts to describe this imagination and innovation Veloso exudes to an American audience over the years, as David Byrne's liner notes state, without success, because the comparisons to the founding fathers of Western music are invalid. Byrne points out that Veloso's contributions to the world's music stage rival Lennon/McCartney melodically, Dylan poetically, and the inventiveness of Neil Young, Serge Gainsbourg, Stevie Wonder, and others. He has a point; no music fan ever refers to the music of Paul Simon by stating who Simon sounds like, simply because Paul Simon sounds only like Paul Simon, and while it is difficult to impress such a concept on the ears of those not familiar with Veloso, he is an artist of such magnitude and should be recognized as such. The Best of Caetano Veloso provides much to back this up and is an excellent starting point for the uninitiated, even if it pretends almost two-thirds of Veloso's remarkable career never existed.
© Gregory McIntosh /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $10.83/month
Peter Scherer, Producer, Keyboards - CAetano Veloso, Composer, MainArtist - Tony Lewis, Drums - Bill Frisell, Guitar - Nana Vasconcelos, Percussion, Vocals - ARTO LINDSAY, Producer, Guitar - Francis Manzella, AdditionalEngineer - Rober Moutenot, Mixer, Engineer
© 2003 Nonesuch Records ℗ 1989 PolyGram do Brasil Ltda.
CAetano Veloso, Performance, MainArtist
© 2003 Nonesuch Records ℗ 1997 PolyGram Brazil
CAetano Veloso, Composer, Performance, MainArtist
© 2003 Nonesuch Records ℗ 2000 Polygram Brasil ltda. Exclusively licensed to Nonesuch Records.
Jaques Morelenbaum, Cello - CAetano Veloso, Vocals, MainArtist - Bernardo Bessler, Violin - Michel Bessler, Violin - Chabuca Grande, Writer - Marie Christine Springel, Viola
© 2003 Nonesuch Records ℗ 2003 Nonesuch Records
Moreno Veloso, Cello - Gilberto Gil, Composer, Guitar, Vocals - Liminha, Guitar, Keyboards, Percussion, Bass - CAetano Veloso, Composer, Lyricist, Vocals - Ramiro Mussoto, Programmer - Caetano Veloso e Gilberto Gil, MainArtist
© 2003 Nonesuch Records ℗ 1994 Elektra Entertainment
CAetano Veloso, Performance, MainArtist
© 2003 Nonesuch Records ℗ 1991 PolyGram do Brasil Ltda.
Tomas Mendez Sosa, Composer, Lyricist - CAetano Veloso, MainArtist
© 2003 Nonesuch Records ℗ 1995 Universal Music Brazil
CAetano Veloso, Performance, MainArtist
© 2003 Nonesuch Records ℗ 1997 PolyGram Brazil
Gilberto Gil, Composer, Lyricist, Guitar, Vocals - CAetano Veloso, Vocals - Bidinho, Flugelhorn - Zé Carlos, Alto Saxophone - Marcio Montarroyos, Flugelhorn - Leo Gandelman, Tenor Saxophone - Serginho Trombone, Trombone - Caetano Veloso e Gilberto Gil, MainArtist - Nico Assunc?o, Bass
© 2003 Nonesuch Records ℗ 1994 Elektra Entertainment
Nino Rota, Composer - CAetano Veloso, Producer, MainArtist - T. Amurri, Lyricist - Antonio "Moogie" Canazio, Engineer - Portugese lyrics: Caetano Veloso, Lyricist
© 2003 Nonesuch Records ℗ 1999 Universal Music
CAetano Veloso, Composer, Performance, MainArtist
© 2003 Nonesuch Records ℗ 2000 Polygram Brasil ltda. Exclusively licensed to Nonesuch Records.
CAetano Veloso, Performance, MainArtist - Sadao Watanabe, Composer
© 2003 Nonesuch Records ℗ 1991 PolyGram do Brasil Ltda.
CAetano Veloso, Performance, MainArtist
© 2003 Nonesuch Records ℗ 1997 PolyGram Brazil
Fito Paez, Writer - CAetano Veloso, Vocals, MainArtist - Bernardo Bessler, Violin - Michel Bessler, Violin - Walter Hack, Violin - José Alves, Violin - Ricardo Amado, Violin - Pascoal Perrota, Violin - Iura Ranevsky, Cello - Alceu de Almeida Reis, Cello - Alfredo Vidal, Violin - Carlos Eduardo Hack, Violin - Marie Christine Springel, Viola - Denner Campolini, Bass - Giancarlo Parschi, Lead Violin - Jesuina Passarolo, Viola
© 2003 Nonesuch Records ℗ 2003 Nonesuch Records
CAetano Veloso, Performance, MainArtist
© 2003 Nonesuch Records ℗ 1997 PolyGram Brazil
Album review
It is understandable that Elektra/Nonesuch deemed an overview of Caetano Veloso's output on the label appropriate, but naming this collection The Best of Caetano Veloso is audacious. Veloso has been a pioneer of Brazilian pop since 1967, when his debut album sparked one of Brazil's most famous movements in music and politics, the legendary Tropicalia movement. Presumably due to publishing rights, Elektra/Nonesuch did not access the vaults of the Phillips label, which, along with that first album, contain the first 20 years of Veloso's output. This is fine and dandy, but to reiterate: the 12 years spanning the collected material here do not make a considerable enough dent in Veloso's 30-plus-year career as an influential recording artist to tag "Best Of" to the cover of this release and leave it at that. In fact, it is a misleading slap in the face. That aside, Elektra/Nonesuch has pieced together a nice collection of songs Veloso recorded for them between the years 1989 and 2001. It is astonishing to note how much Veloso has continued to evolve with finesse through his career, never rooting himself in a single place, but instead exploring constantly. His arrangements are sometimes sparse, sometimes gorgeously complex, sometimes dissonant, and sometimes wild. Most of these tendencies are explored on this collection, from the beautiful and lush "Manhatã" to the polyphony of "13 de Maio" to the string quartet and vocal waltz "Fina Estampa" to the rhythmic and melodic glory of "Un Tom." It is easy to become so lost in the marvelous organicity of Veloso's compositions and his downy voice that the diversity and calculations of his arrangements become an afterthought. This is a mystifying effect -- one does not have to dissect these songs because they are so natural; however, once the nuances are placed under the scientific ear, endless imagination and innovation are revealed. There have been many attempts to describe this imagination and innovation Veloso exudes to an American audience over the years, as David Byrne's liner notes state, without success, because the comparisons to the founding fathers of Western music are invalid. Byrne points out that Veloso's contributions to the world's music stage rival Lennon/McCartney melodically, Dylan poetically, and the inventiveness of Neil Young, Serge Gainsbourg, Stevie Wonder, and others. He has a point; no music fan ever refers to the music of Paul Simon by stating who Simon sounds like, simply because Paul Simon sounds only like Paul Simon, and while it is difficult to impress such a concept on the ears of those not familiar with Veloso, he is an artist of such magnitude and should be recognized as such. The Best of Caetano Veloso provides much to back this up and is an excellent starting point for the uninitiated, even if it pretends almost two-thirds of Veloso's remarkable career never existed.
© Gregory McIntosh /TiVo
About the album
- 1 disc(s) - 15 track(s)
- Total length: 01:00:42
- Main artists: Caetano Veloso
- Composer: Various Composers
- Label: Nonesuch
- Genre: World
© 2003 Nonesuch Records ℗ 2003 This compilation P. 2003 Nonesuch Records
Improve album informationWhy buy on Qobuz?
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalog with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets, and computers, and listen to your purchases wherever you go.