Your cart is empty
Mike Andersen - Slamming The Door
Cet élément a bien été ajouté / retiré de vos favoris.
Listen to this album in high quality now on our appsStart my trial period and start listening to this album
Enjoy this album on Qobuz apps with your subscriptionSubscribe
Enjoy this album on Qobuz apps with your subscription
Purchase and download this album in a wide variety of formats depending on your needs.
Slamming The Door
You are currently listening to samples.
Listen to over 70 million songs with an unlimited streaming plan.
Listen to this album and more than 70 million songs with your unlimited streaming plans.
1 month free, then $14.99/ month
Mike Andersen, Composer, Lyricist, MainArtist
2020 Custom Records 2020 Custom Records
About the album
- 1 disc(s) - 1 track(s)
- Total length: 00:03:19
- Main artist: Mike Andersen
- Composer: Mike Andersen
- Label: Custom Records
- Genre: Blues
16-Bit CD Quality 44.1 kHz - Stereo
2020 Custom Records 2020 Custom RecordsImprove this page
Why buy on Qobuz...
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.
Two legendary live albums released at the end of the sixties gave Johnny Cash’s career a huge boost and turned him into an international star. They were two records were unlike any others: they were recorded in prison. But how did the Man in Black find himself in such an unusual concert hall?
What a difference 50 years can make! By early 1969 rock music had become a leading cultural force: The Who had just recorded Tommy; Cream packed Royal Albert Hall for their farewell concert; Janis Joplin became a solo act; Led Zeppelin performed for the first time. And after four months of recording, The Beatles (aka The White Album) was out and climbing the charts. To understate the obvious, rock music was awash in talent and standards were high.
If Joe Bonamassa has come back with British Blues Explosion, a year after the Rolling Stones’ Blue And Lonesome, it has cemented the fact that the British Blues Boom was more than just a trend. More than a simple musical trend, it was the interest of a younger generation for the great American blues idols that had been ignored in their country, which led to a real revolution, with three major agitators leading the charge, Eric Clapton, Jeff Beck and Jimmy Page, considered in the UK as the “Holy Trinity” of rock and guitar. If they were far from being the only musicians involved, it is through their respective careers that we have discovered that blues, far from being an outdated musical genre, is some kind of getaway to other musical areas and has allowed for endless innovations.