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Thomas Zehetmair|Sibelius: Symphony No. 3 & Symphony No. 6 - Stravinsky: Concerto for Violin and Orchestra

Sibelius: Symphony No. 3 & Symphony No. 6 - Stravinsky: Concerto for Violin and Orchestra

Igor Stravinski - Jean Sibelius

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Proving that great performances can come from anywhere, this 2009 release of Sibelius' Third and Sixth symphonies coupled with Stravinsky's Violin Concerto, by conductor and violinist Thomas Zehetmair and the Northern Sinfonia, contains performances as fine as the finest ever recorded. This is particularly surprising since an earlier release of Brahms' Violin Concerto coupled with the original version of Schumann's Fourth Symphony featuring the same conductor and chamber orchestra was such a disappointment. But the flaws that plagued those performances, a scrawny tone and a scrappy ensemble chief among them, are nowhere in evidence on this disc. Indeed, the Northern Sinfonia's playing here rivals the best of similarly sized bands, with a cogency that none can surpass. Under Zehetmair's inspired leadership, they turn in a Sibelius Third that is strong toned and big muscled, but also lean, hard, tight, and driven, with a beautifully mysterious central Andantino and a wonderfully energetic closing Allegro. Sibelius' Sixth is both bucolic and tragic, with a closing Allegro molto that has far more unfettered fury than most performances by full-sized orchestras. But perhaps the most impressive thing here is the performance of Stravinsky's Violin Concerto. One might have thought that Zehetmair had opened the door to all manner of ensemble errors by leading from the violin, but in fact he holds the orchestra together without any sign of strain, while turning in a solo performance as stylish, sassy, and virtuosic as one could ask for. Though longtime listeners may have their favorite recordings of all three pieces, any fan of these works will surely enjoy this disc. Avie's digital sound is a tad raw, but still very clean and extremely atmospheric: in the concerto, for example, one can faintly but clearly hear Zehetmair cue the orchestra with sharp intakes of breath before each movement.
© TiVo

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Sibelius: Symphony No. 3 & Symphony No. 6 - Stravinsky: Concerto for Violin and Orchestra

Thomas Zehetmair

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Symphony No. 3 in C major, Op. 52 (Jean Sibelius)

1
Symphony No. 3 in C Major, Op. 52: I. Allegro moderato
00:09:48

Northern Sinfonia, Orchestra - Jean Sibelius, Composer - Thomas Zehetmair, Conductor, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

2
Symphony No. 3 in C Major, Op. 52: II. Andantino con moto, quasi allegretto
00:09:45

Northern Sinfonia, Orchestra - Jean Sibelius, Composer - Thomas Zehetmair, Conductor, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

3
Symphony No. 3 in C Major, Op. 52: III. Moderato; Allegro (ma non tanto)
00:08:16

Northern Sinfonia, Orchestra - Jean Sibelius, Composer - Thomas Zehetmair, Conductor, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

Concerto for Violin and Orchestra in D major (Igor Stravinsky)

4
Concerto for Violin and Orchestra in D Major: I. Toccata
00:05:39

Northern Sinfonia, Orchestra - Igor Stravinsky, Composer - Thomas Zehetmair, Conductor, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

5
Concerto for Violin and Orchestra in D Major: II. Aria I
00:04:08

Northern Sinfonia, Orchestra - Igor Stravinsky, Composer - Thomas Zehetmair, Conductor, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

6
Concerto for Violin and Orchestra in D Major: III. Aria II
00:04:59

Northern Sinfonia, Orchestra - Igor Stravinsky, Composer - Thomas Zehetmair, Conductor, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

7
Concerto for Violin and Orchestra in D Major: IV. Capriccio
00:05:58

Northern Sinfonia, Orchestra - Igor Stravinsky, Composer - Thomas Zehetmair, Conductor, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

Symphony No.6 in D minor, Op.104 (Jean Sibelius)

8
Symphony No. 6 in D Minor, Op. 104: I. Allegro molto moderato
00:07:50

Northern Sinfonia, Orchestra - Jean Sibelius, Composer - Thomas Zehetmair, Conductor, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

9
Symphony No. 6 in D Minor, Op. 104: II. Allegro moderato
00:05:40

Northern Sinfonia, Orchestra - Jean Sibelius, Composer - Thomas Zehetmair, Conductor, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

10
Symphony No. 6 in D Minor, Op. 104: III. Poco vivace
00:03:03

Northern Sinfonia, Orchestra - Jean Sibelius, Composer - Thomas Zehetmair, Conductor, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

11
Symphony No. 6 in D Minor, Op. 104: IV. Allegro molto
00:09:08

Northern Sinfonia, Orchestra - Jean Sibelius, Composer - Thomas Zehetmair, Conductor, MainArtist

(C) 2009 AVIE Records (P) 2009 AVIE Records

Album review

Proving that great performances can come from anywhere, this 2009 release of Sibelius' Third and Sixth symphonies coupled with Stravinsky's Violin Concerto, by conductor and violinist Thomas Zehetmair and the Northern Sinfonia, contains performances as fine as the finest ever recorded. This is particularly surprising since an earlier release of Brahms' Violin Concerto coupled with the original version of Schumann's Fourth Symphony featuring the same conductor and chamber orchestra was such a disappointment. But the flaws that plagued those performances, a scrawny tone and a scrappy ensemble chief among them, are nowhere in evidence on this disc. Indeed, the Northern Sinfonia's playing here rivals the best of similarly sized bands, with a cogency that none can surpass. Under Zehetmair's inspired leadership, they turn in a Sibelius Third that is strong toned and big muscled, but also lean, hard, tight, and driven, with a beautifully mysterious central Andantino and a wonderfully energetic closing Allegro. Sibelius' Sixth is both bucolic and tragic, with a closing Allegro molto that has far more unfettered fury than most performances by full-sized orchestras. But perhaps the most impressive thing here is the performance of Stravinsky's Violin Concerto. One might have thought that Zehetmair had opened the door to all manner of ensemble errors by leading from the violin, but in fact he holds the orchestra together without any sign of strain, while turning in a solo performance as stylish, sassy, and virtuosic as one could ask for. Though longtime listeners may have their favorite recordings of all three pieces, any fan of these works will surely enjoy this disc. Avie's digital sound is a tad raw, but still very clean and extremely atmospheric: in the concerto, for example, one can faintly but clearly hear Zehetmair cue the orchestra with sharp intakes of breath before each movement.
© TiVo

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