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Sol Gabetta|Schumann

Schumann

Sol Gabetta - Bertrand Chamayou - Kammerorchester Basel - Giovanni Antonini

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Cellist Sol Gabetta and her almost-favourite pianist, Bertrand Chamayou, focus here on Schumann's all too rare repertoire for cello and piano. And once again, none of these pieces are intended a priori for cello, even though the original scores do propose the instrument as a possible alternative to the clarinet in Fantasy Pieces or the horn in Adagio and Allegro. It was only with Five Pieces in Folk Style that Schumann immediately thought of the cello! Here, Chamayou plays on a Viennese fortepiano by Streicher, dated from 1847 - three or four years after the composition of these three works. The Concerto for cello is accompanied by the Basel Chamber Orchestra, who also play on instruments from the romantic era, giving a more hushed yet incisive sound for the attacks. There’s more of an emphasis on the woodwind section as well, in contrast to the over-inflated string ensemble that so many modern orchestras offer up. © SM/Qobuz

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Schumann

Sol Gabetta

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5 Stucke im Volkston, Op. 102 (Robert Schumann)

1
I. Mit Humor
00:03:16

Sol Gabetta, Violoncello - Bertrand Chamayou, Piano - Robert Schumann, Composer - Lukas Kowalski, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

2
II. Langsam
00:03:21

Sol Gabetta, Violoncello - Bertrand Chamayou, Piano - Robert Schumann, Composer - Lukas Kowalski, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

3
III. Nicht schnell, mit viel Ton zu spielen
00:03:55

Sol Gabetta, Violoncello - Bertrand Chamayou, Piano - Robert Schumann, Composer - Lukas Kowalski, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

4
IV. Nicht zu rasch
00:01:49

Sol Gabetta, Violoncello - Bertrand Chamayou, Piano - Robert Schumann, Composer - Lukas Kowalski, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

5
V. Stark und markiert
00:03:08

Sol Gabetta, Violoncello - Bertrand Chamayou, Piano - Robert Schumann, Composer - Lukas Kowalski, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

Adagio und Allegro, op. 70 (Robert Schumann)

6
I. Adagio
00:03:55

Sol Gabetta, Violoncello - Bertrand Chamayou, Piano - Robert Schumann, Composer - Lukas Kowalski, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

7
II. Allegro
00:04:55

Sol Gabetta, Violoncello - Bertrand Chamayou, Piano - Robert Schumann, Composer - Lukas Kowalski, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

Fantasiestücke, op. 73 (Robert Schumann)

8
I. Zart und mit Ausdruck
00:03:09

Sol Gabetta, Violoncello - Bertrand Chamayou, Piano - Robert Schumann, Composer - Lukas Kowalski, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

9
II. Lebhaft leicht
00:03:20

Sol Gabetta, Violoncello - Bertrand Chamayou, Piano - Robert Schumann, Composer - Lukas Kowalski, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

10
III. Rasch und mit Feuer
00:04:12

Sol Gabetta, Violoncello - Bertrand Chamayou, Piano - Robert Schumann, Composer - Lukas Kowalski, Engineer

(P) 2018 Sony Music Entertainment Germany GmbH

Cello Concerto in A minor, Op. 129 (Robert Schumann)

11
I. Nicht zu schnell
00:11:06

Sol Gabetta, Violoncello - Kammerorchester Basel - Giovanni Antonini, Conductor - Robert Schumann, Composer

(P) 2018 Sony Music Entertainment Germany GmbH

12
II. Langsam
00:04:18

Sol Gabetta, Violoncello - Kammerorchester Basel - Giovanni Antonini, Conductor - Robert Schumann, Composer

(P) 2018 Sony Music Entertainment Germany GmbH

13
III. Sehr lebhaft
00:07:47

Sol Gabetta, Violoncello - Kammerorchester Basel - Giovanni Antonini, Conductor - Robert Schumann, Composer

(P) 2018 Sony Music Entertainment Germany GmbH

Album Description

Cellist Sol Gabetta and her almost-favourite pianist, Bertrand Chamayou, focus here on Schumann's all too rare repertoire for cello and piano. And once again, none of these pieces are intended a priori for cello, even though the original scores do propose the instrument as a possible alternative to the clarinet in Fantasy Pieces or the horn in Adagio and Allegro. It was only with Five Pieces in Folk Style that Schumann immediately thought of the cello! Here, Chamayou plays on a Viennese fortepiano by Streicher, dated from 1847 - three or four years after the composition of these three works. The Concerto for cello is accompanied by the Basel Chamber Orchestra, who also play on instruments from the romantic era, giving a more hushed yet incisive sound for the attacks. There’s more of an emphasis on the woodwind section as well, in contrast to the over-inflated string ensemble that so many modern orchestras offer up. © SM/Qobuz

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