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John Eliot Gardiner - Schumann : Overture, Scherzo & Finale

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Schumann : Overture, Scherzo & Finale

London Symphony Orchestra - John Eliot Gardiner

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Sir John Eliot Gardiner and the London Symphony Orchestra bring their survey of Schumann's symphonic works to a close with the Overture, Scherzo & Finale. Dating from 1841, Schumann's Overture, Scherzo & Finale was originally conceived as a symphony, or 'symphonette' as he liked to call it, but having no slow movement he eventually republished it as this three-movement work. The work begins with a graceful and delicate Overture, which quickly transforms into a stormy Scherzo. The lyrical trio section that follows provides a welcome contrast before the fast, fugato style Finale brings the work to a rousing close. © LSO Live

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Schumann : Overture, Scherzo & Finale

John Eliot Gardiner

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Overture, Scherzo & Finale, Op. 52 (Robert Schumann)

1
I. Overture. Andante con moto
00:06:12

Robert Schumann, Composer - Copyright Control, MusicPublisher - London Symphony Orchestra, Orchestra, MainArtist - John Eliot Gardiner, Conductor, MainArtist

2020 London Symphony Orchestra Ltd 2020 London Symphony Orchestra Ltd

2
II. Scherzo. Vivo
00:04:48

Robert Schumann, Composer - Copyright Control, MusicPublisher - London Symphony Orchestra, Orchestra, MainArtist - John Eliot Gardiner, Conductor, MainArtist

2020 London Symphony Orchestra Ltd 2020 London Symphony Orchestra Ltd

3
Finale. Allegro molto vivace
00:06:08

Robert Schumann, Composer - Copyright Control, MusicPublisher - London Symphony Orchestra, Orchestra, MainArtist - John Eliot Gardiner, Conductor, MainArtist

2020 London Symphony Orchestra Ltd 2020 London Symphony Orchestra Ltd

Album Description

Sir John Eliot Gardiner and the London Symphony Orchestra bring their survey of Schumann's symphonic works to a close with the Overture, Scherzo & Finale. Dating from 1841, Schumann's Overture, Scherzo & Finale was originally conceived as a symphony, or 'symphonette' as he liked to call it, but having no slow movement he eventually republished it as this three-movement work. The work begins with a graceful and delicate Overture, which quickly transforms into a stormy Scherzo. The lyrical trio section that follows provides a welcome contrast before the fast, fugato style Finale brings the work to a rousing close. © LSO Live

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