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Peter Gabriel|Peter Gabriel 2: Scratch  (Remastered Version)

Peter Gabriel 2: Scratch (Remastered Version)

Peter Gabriel

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The pairing sounds ideal -- the former front man of Genesis, as produced by the leading light of King Crimson. Unfortunately, Peter Gabriel's second album (like his first, eponymous) fails to meet those grandiose expectations, even though it seems to at first. "On the Air" and "D.I.Y." are stunning slices of modern rock circa 1978, bubbling with synths, insistent rhythms, and polished processed guitars, all enclosed in a streamlined production that nevertheless sounds as large as a stadium. Then, things begin to drift, at first in a pleasant way ("A Wonderful Day in a One-Way World" is surprisingly nimble), but by the end, it all seems a little formless. It's not that the music is overly challenging -- it's that the record is unfocused. There are great moments scattered throughout the record, yet it never captivates, either through intoxicating, messy creativity (as he did on his debut) or through cohesion (the way the third Peter Gabriel album, two years later, would). Certain songs work well on their own -- not just the opening numbers, but the mini-epic "White Shadow," the tight "Animal Magic," the tense yet catchy "Perspective," the reflective closer "Home Sweet Home" -- yet for all the tracks that work, they never work well together. Ironically, it holds together a bit better than its predecessor, yet it never reaches the brilliant heights of that record. In short, it's a transitional effort that's well worth the time of serious listeners, even it's still somewhat unsatisfying.

© Stephen Thomas Erlewine /TiVo

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Peter Gabriel 2: Scratch (Remastered Version)

Peter Gabriel

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1
On The Air
00:05:35

Peter Gabriel, MainArtist

© 2009 Peter Gabriel Ltd ℗ 2009 Peter Gabriel Ltd

2
D.I.Y.
00:02:34

Peter Gabriel, MainArtist

© 2009 Peter Gabriel Ltd ℗ 2009 Peter Gabriel Ltd

3
Mother Of Violence
00:03:26

Peter Gabriel, MainArtist

© 2009 Peter Gabriel Ltd ℗ 2009 Peter Gabriel Ltd

4
A Wonderful Day In A One-Way World
00:03:35

Peter Gabriel, MainArtist

© 2009 Peter Gabriel Ltd ℗ 2009 Peter Gabriel Ltd

5
White Shadow
00:05:19

Peter Gabriel, MainArtist

© 2009 Peter Gabriel Ltd ℗ 2009 Peter Gabriel Ltd

6
Indigo
00:03:32

Peter Gabriel, MainArtist

© 2009 Peter Gabriel Ltd ℗ 2009 Peter Gabriel Ltd

7
Animal Magic
00:03:29

Peter Gabriel, MainArtist

© 2009 Peter Gabriel Ltd ℗ 2009 Peter Gabriel Ltd

8
Exposure
00:04:18

Peter Gabriel, MainArtist

© 2009 Peter Gabriel Ltd ℗ 2009 Peter Gabriel Ltd

9
Flotsam And Jetsam
00:02:22

Peter Gabriel, MainArtist

© 2009 Peter Gabriel Ltd ℗ 2009 Peter Gabriel Ltd

10
Perspective
00:03:29

Peter Gabriel, MainArtist

© 2009 Peter Gabriel Ltd ℗ 2009 Peter Gabriel Ltd

11
Home Sweet Home
00:04:41

Peter Gabriel, MainArtist

© 2009 Peter Gabriel Ltd ℗ 2009 Peter Gabriel Ltd

Album review

The pairing sounds ideal -- the former front man of Genesis, as produced by the leading light of King Crimson. Unfortunately, Peter Gabriel's second album (like his first, eponymous) fails to meet those grandiose expectations, even though it seems to at first. "On the Air" and "D.I.Y." are stunning slices of modern rock circa 1978, bubbling with synths, insistent rhythms, and polished processed guitars, all enclosed in a streamlined production that nevertheless sounds as large as a stadium. Then, things begin to drift, at first in a pleasant way ("A Wonderful Day in a One-Way World" is surprisingly nimble), but by the end, it all seems a little formless. It's not that the music is overly challenging -- it's that the record is unfocused. There are great moments scattered throughout the record, yet it never captivates, either through intoxicating, messy creativity (as he did on his debut) or through cohesion (the way the third Peter Gabriel album, two years later, would). Certain songs work well on their own -- not just the opening numbers, but the mini-epic "White Shadow," the tight "Animal Magic," the tense yet catchy "Perspective," the reflective closer "Home Sweet Home" -- yet for all the tracks that work, they never work well together. Ironically, it holds together a bit better than its predecessor, yet it never reaches the brilliant heights of that record. In short, it's a transitional effort that's well worth the time of serious listeners, even it's still somewhat unsatisfying.

© Stephen Thomas Erlewine /TiVo

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