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René Jacobs|Mozart: Die Zauberflöte (Famous Scenes)

Mozart: Die Zauberflöte (Famous Scenes)

Daniel Behle, Marlis Petersen, Daniel Schmutzhard, Sunhae Im, RIAS Kammerchor, Akademie für Alte Musik Berlin

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In almost 20 years, since the release of the much-acclaimed Cosi fan tutte in 1999 (with Gens, Fink, Güra), René Jacobs has recorded the entirety of Mozart’s great operas, a feat considered as one of the most important discographical achievements of the beginning of the 20th century for its theatrical force, volcanic intensity of direction and vocal quality.


Among this renewed collection, the recording of Die Zauberflöte is most Mozartian in nature: after the discovery of a new interpretation of his Da Ponte trilogy and a profoundly reimagined approach to two other opera serias (Idomeneo and La Clémence de Titus), Jacobs works to sensitively combine an array of perspectives in The Magic Flute, going well beyond the Masonic elements and integrating a range of theatrical genres.


This sometimes rather sombre work contains a rather welcome light to it! Anna-Kristiina Kaappola’s Queen of the nightis beautiful although less virtuoso than the former Cristina Deutekom’s rendition or the radiant “double” Pamina/Papageno by Marlis Petersn and Daniel Schmutzhard. © Qobuz


“[…] Jacobs wanted a stripped down Flute, one that is de-romanticised […] and here, he works in a disc-oriented, hyper-theatrical mindset. The work displays an energy capable of charming a traditional Viennese audience (the work was created in Vienna’s Theater auf der Wieden) without losing any of its philosophical and Masonic airs […]. The interpretation includes a subtle study of dialogues: how to move from song to spoken word (the scenes with the Ladies of the Night are particularly revelatory), how to weave them into the music with the help of a loquacious and blunt pianoforte […] A masterfully captivating work in which multiple listens are required to extract all its riches […] (Diapason, novembre 2010/Michel Parouty)

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Mozart: Die Zauberflöte (Famous Scenes)

René Jacobs

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Die Zauberflöte, K.620 (Wolfgang Amadeus Mozart)

1
Ouvertüre
René Jacobs
00:06:01

René Jacobs, Conductor, Primary - Akademie für Alte Musik Berlin, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2010

2
1. Auftritt. Nr. 1 Introduktion. Tamino : "Zu Hilfe! Zu Hilfe!" (Tamino, die drei Damen)
Daniel Behle
00:06:28

Daniel Behle, Performer, Primary - Anna Grevelius, Performer, Primary - René Jacobs, Conductor, Primary - Inga Kalna, Performer, Primary - Akademie für Alte Musik Berlin, Primary - Isabelle Druet, Performer, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2014

3
2. Auftritt. Nr. 2 Arie, Papageno : "Der Vogelfänger bin ich ja" (Papageno, Tamino)
Daniel Schmutzhard
00:02:15

Daniel Schmutzhard, Performer, Primary - Akademie für Alte Musik Berlin, Primary - René Jacobs, Conductor, Primary - Daniel Behle, Performer, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2014

4
5. Auftritt. Tamino : "Ihr Götter! Was ist das!" - Nr. 4 Rezitativ und Arie Königin : "O zittre nicht" - 7. Auftritt. Tamino : "Ist's denn auch Wirklichkeit" (Tamino, Papageno)
Daniel Behle
00:05:09

Daniel Behle, Performer, Primary - Akademie für Alte Musik Berlin, Primary - Daniel Schmutzhard, Performer, Primary - René Jacobs, Conductor, Primary - Anna-Kristiina Kaappola, Performer, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2014

5
7. Auftritt. Nr. 5. Quintett, Papageno : "Hm! Hm! Hm!"
Daniel Schmutzhard
00:05:51

Daniel Schmutzhard, Performer, Primary - Daniel Behle, Performer, Primary - René Jacobs, Conductor, Primary - Akademie für Alte Musik Berlin, Primary - Inga Kalna, Performer, Primary - Isabelle Druet, Performer, Primary - Anna Grevelius, Performer, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2014

6
15. Auftritt. Drei Knaben : "Zum Ziele führt dich diese Bahn" (Drei Knaben, Tamino)
René Jacobs
00:01:14

René Jacobs, Conductor, Primary - Akademie für Alte Musik Berlin, Primary - Alois Mühlbacher, Primary - Daniel Behle, Primary, Soloist - Christoph Schlögl, Primary - Philipp Pötzlberger, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi 2014

7
15. Auftritt. Tamino : "Die Weisheitslehre dieser Knaben" (Tamino, Priester)
Daniel Behle
00:05:42

Daniel Behle, Performer, Primary - René Jacobs, Conductor, Primary - Konstantin Wolff, Performer, Primary - Akademie für Alte Musik Berlin, Primary - Joachim Buhrmann, Performer, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2014

8
15. Auftritt. Tamino : "Wie stark ist nicht dein Zauberton"
René Jacobs
00:02:39

René Jacobs, Conductor, Primary - Akademie für Alte Musik Berlin, Primary - Daniel Behle, Primary, Soloist - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi 2014

9
16. Auftritt. Beide : "Schnelle Füße, rascher Mut" (Papageno, Pamina)
René Jacobs
00:01:03

René Jacobs, Conductor, Primary - Daniel Schmutzhard, Primary, Soloist - Marlis Petersen, Primary, Soloist - Akademie für Alte Musik Berlin, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi 2014

10
17. Auftritt. Monostatos : "Ha, hab ich euch noch erwischt" (Papageno, Pamina, Monostatos)
Daniel Schmutzhard
00:02:26

Daniel Schmutzhard, Performer, Primary - René Jacobs, Conductor, Primary - Marlis Petersen, Performer, Primary - Akademie für Alte Musik Berlin, Primary - Kurt Azesberger, Performer, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2014

11
1. Auftritt. Nr. 9 Marsch der Priester
Akademie für Alte Musik Berlin
00:02:36

Akademie für Alte Musik Berlin, Primary - René Jacobs, Conductor, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2010

12
1. Auftritt. Nr. 10 Arie, mit Chor Sarastro : "O Isis und Osiris"
René Jacobs
00:02:10

René Jacobs, Conductor, Primary - Marcos Fink, Primary, Soloist - Akademie für Alte Musik Berlin, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi 2014

13
7. Auftritt. Monostatos : "Ha, da find' ich ja die spröche Schöne!"
René Jacobs
00:01:49

René Jacobs, Conductor, Primary - Kurt Azesberger, Primary, Soloist - Akademie für Alte Musik Berlin, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi 2014

14
7. Auftritt. Nr. 13 Arie, Monostatos : "Alles fühlt der Liebe Freuden"
Kurt Azesberger
00:02:03

Kurt Azesberger, Performer, Primary - René Jacobs, Conductor, Primary - Akademie für Alte Musik Berlin, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2014

15
7. Auftritt. Nr. 14 Arie, Königin : "Der Hölle Rache kocht in meinem Herzen"
René Jacobs
00:02:55

René Jacobs, Conductor, Primary - Akademie für Alte Musik Berlin, Primary - Anna-Kristiina Kaappola, Primary, Soloist - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi 2014

16
7. Auftritt. Nr. 15 Arie, Sarastro : "In diesen heil'gen Hallen"
Marcos Fink
00:03:15

Marcos Fink, Performer, Primary - René Jacobs, Conductor, Primary - Akademie für Alte Musik Berlin, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2014

17
17. Auftritt. Nr. 17 Arie, Pamina : "Ach ich fühl's"
Daniel Behle
00:04:40

Daniel Behle, Performer, Primary - Akademie für Alte Musik Berlin, Primary - René Jacobs, Conductor, Primary - Daniel Schmutzhard, Performer, Primary - Marlis Petersen, Performer, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2014

18
20. Auftritt. Nr. 17 & Nr. 18 Chor : "O Isis und Osiris" (Chor der Priester)
Rias Kammerchor
00:02:13

Rias Kammerchor, Primary - René Jacobs, Conductor, Primary - Akademie für Alte Musik Berlin, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2010

19
28. Auftritt. Nr. 17 Zwei geharnischte Männer : "Der, welcher wandert diese Straße" (Zwei Männer, Tamino)
Magnus Staveland
00:04:22

Magnus Staveland, Performer, Primary - René Jacobs, Conductor, Primary - Daniel Behle, Performer, Primary - Konstantin Wolff, Performer, Primary - Akademie für Alte Musik Berlin, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2014

20
28. Auftritt. Nr. 17 Pamina : "Tamino, halt" (Pamina, Tamino, die Geharnischten)
René Jacobs
00:04:32

René Jacobs, Conductor, Primary - Akademie für Alte Musik Berlin, Primary - Daniel Behle, Primary, Soloist - Konstantin Wolff, Primary, Soloist - Magnus Staveland, Primary - Marlis Petersen, Primary, Soloist - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi 2014

21
28. Auftritt. Nr. 17 Pamina und Tamino: "Wir wandelten durch Feuergluten" (Pamina, Tamino)
Marlis Petersen
00:03:25

Marlis Petersen, Performer, Primary - Akademie für Alte Musik Berlin, Primary - René Jacobs, Conductor, Primary - Daniel Behle, Performer, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2014

22
29. Auftritt. Duetto, Papageno, Weib : "Pa - Pa - Pa"
Daniel Schmutzhard
00:02:59

Daniel Schmutzhard, Performer, Primary - René Jacobs, Conductor, Primary - Akademie für Alte Musik Berlin, Primary - Sunhae Im, Performer, Primary - Wolfgang Amadeus Mozart, Composer

2014 harmonia mundi harmonia mundi 2014

Album review

In almost 20 years, since the release of the much-acclaimed Cosi fan tutte in 1999 (with Gens, Fink, Güra), René Jacobs has recorded the entirety of Mozart’s great operas, a feat considered as one of the most important discographical achievements of the beginning of the 20th century for its theatrical force, volcanic intensity of direction and vocal quality.


Among this renewed collection, the recording of Die Zauberflöte is most Mozartian in nature: after the discovery of a new interpretation of his Da Ponte trilogy and a profoundly reimagined approach to two other opera serias (Idomeneo and La Clémence de Titus), Jacobs works to sensitively combine an array of perspectives in The Magic Flute, going well beyond the Masonic elements and integrating a range of theatrical genres.


This sometimes rather sombre work contains a rather welcome light to it! Anna-Kristiina Kaappola’s Queen of the nightis beautiful although less virtuoso than the former Cristina Deutekom’s rendition or the radiant “double” Pamina/Papageno by Marlis Petersn and Daniel Schmutzhard. © Qobuz


“[…] Jacobs wanted a stripped down Flute, one that is de-romanticised […] and here, he works in a disc-oriented, hyper-theatrical mindset. The work displays an energy capable of charming a traditional Viennese audience (the work was created in Vienna’s Theater auf der Wieden) without losing any of its philosophical and Masonic airs […]. The interpretation includes a subtle study of dialogues: how to move from song to spoken word (the scenes with the Ladies of the Night are particularly revelatory), how to weave them into the music with the help of a loquacious and blunt pianoforte […] A masterfully captivating work in which multiple listens are required to extract all its riches […] (Diapason, novembre 2010/Michel Parouty)

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