Categories:
Cart 0

Your cart is empty

Collegium 1704 - Missa 1724

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Missa 1724

Vaclav Luks, Collegium Vocale 1704, Collegium 1704

Digital booklet

Available in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Select Audio Quality

To be elegible for this price, subscribe to Sublime+

The name of the composer Jan Dismas Zelenka (1679-1745) was nothing more than a footnote in a few scholarly dictionaries, before the great oboist Heinz Holliger discovered – and in 1972, along with Maurice Bourgue, recorded – all his sonatas in trios for two oboes and continuo. A great composer who had been swallowed up over the years was suddenly revealed. Following this discovery, many musicians and musicologists have been working steadily to excavate the music of an author who became the most important Czech composer of the baroque period.
As was often the case with composers of his time, Zelenka's catalogue runs to a considerable size, consisting mainly of religious music, with twenty-three Masses and three Requiems. Bach knew his peer and respected him, although their music is very different: one with its Lutheran origins and the other with a fervent Catholicism which brings the Czech's work a passionate charge and a more emotional expression than the austerity of the Leipzig master.
At the head of his Collegium Vocale 1704, Václav Luks is continuing his work around Zelenka, this time bringing us an imaginary mass based on various psalms composed around the year 1724. It is a showcase for works which are original both in terms of their expressive power (with bold chromatisms) and their varied instrumentation featuring trombones and a rich continuo. © François Hudry/Qobuz

More info

Missa 1724

Collegium 1704

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

Copy the following link to share it

You are currently listening to samples.

Listen to over 50 million songs with an unlimited streaming plan.

Listen to this album and more than 50 million songs with your unlimited streaming plans.

Kyrie, Sanctus & Agnus Dei, ZWV 26 (Jan Dismas Zelenka)

1
Ia. Kyrie eleison I
00:00:43

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

2
Ib. Christe eleison
00:02:24

Jan Dismas Zelenka, Composer - Aldona Bartnik, Artist, MainArtist - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Václav Čížek, Artist - Tomáš Šelc, Artist - Kamila Mazalová, Artist

(C) 2020 Accent (P) 2020 Accent

3
Ic. Kyrie eleison II
00:02:49

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

Gloria, ZWV 30 (Jan Dismas Zelenka)

4
I. Gloria
00:05:32

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Kamila Mazalová, Artist - Lucía Caihuela, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

5
II. Laudamus te
00:03:47

Jan Dismas Zelenka, Composer - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Václav Čížek, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

6
III. Gratias agimus tibi
00:04:41

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Jeanne Mendoche, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

7
IV. Qui tollis
00:02:46

Jan Dismas Zelenka, Composer - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Aneta Petrasová, Artist - Jeanne Mendoche, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

8
V. Qui sedes
00:01:18

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

9
VI. Quoniam tu solus Sanctus
00:02:25

Jan Dismas Zelenka, Composer - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Tomáš Šelc, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

10
VII. Cum Sancto Spiritu
00:03:55

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

Credo, ZWV 32 (Jan Dismas Zelenka)

11
I. Credo
00:02:02

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

12
II. Et incarnatus est
00:01:19

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

13
III. Crucifixus
00:01:23

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

14
IV. Et resurrexit
00:02:54

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

Kyrie, Sanctus & Agnus Dei, ZWV 26 (Jan Dismas Zelenka)

15
IIa. Sanctus
00:01:57

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

16
IIb. Osanna
00:01:44

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

17
IIc. Benedictus
00:01:24

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

18
IIIa. Agnus Dei
00:01:01

Jan Dismas Zelenka, Composer - Unknown Artist, Artist - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

19
IIIb. Dona nobis pacem
00:02:37

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble, MainArtist

(C) 2020 Accent (P) 2020 Accent

Salve Regina, ZWV 137 (Jan Dismas Zelenka)

20
Salve Regina, ZWV 137
00:07:20

Jan Dismas Zelenka, Composer - Collegium Vocale 1704, Ensemble - Vaclav Luks, Conductor - Collegium 1704, Ensemble - Benjamin Glaubitz, Artist - Tomáš Šelc, Artist - Aneta Petrasová, Artist - Lucía Caihuela, Artist, MainArtist

(C) 2020 Accent (P) 2020 Accent

Album Description

The name of the composer Jan Dismas Zelenka (1679-1745) was nothing more than a footnote in a few scholarly dictionaries, before the great oboist Heinz Holliger discovered – and in 1972, along with Maurice Bourgue, recorded – all his sonatas in trios for two oboes and continuo. A great composer who had been swallowed up over the years was suddenly revealed. Following this discovery, many musicians and musicologists have been working steadily to excavate the music of an author who became the most important Czech composer of the baroque period.
As was often the case with composers of his time, Zelenka's catalogue runs to a considerable size, consisting mainly of religious music, with twenty-three Masses and three Requiems. Bach knew his peer and respected him, although their music is very different: one with its Lutheran origins and the other with a fervent Catholicism which brings the Czech's work a passionate charge and a more emotional expression than the austerity of the Leipzig master.
At the head of his Collegium Vocale 1704, Václav Luks is continuing his work around Zelenka, this time bringing us an imaginary mass based on various psalms composed around the year 1724. It is a showcase for works which are original both in terms of their expressive power (with bold chromatisms) and their varied instrumentation featuring trombones and a rich continuo. © François Hudry/Qobuz

About the album

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...
Moanin' Art Blakey & The Jazz Messengers
Second Helping Lynyrd Skynyrd
More on Qobuz
By Collegium 1704
You may also like...
Sleeper's Prayer: Choral Music from North America Choir of Merton College, Oxford
Ēriks Ešenvalds: The Doors of Heaven Portland State University Chamber Choir
Matthaüs-Passion [Recording 2000] Dorothea Röschmann, Bernarda Fink, Elisabeth von Magnus, Christoph Prégardien, Michael Schade, Oliver Widmer, Nikolaus Harnoncourt & Concentus musicus
In your panoramas...
Gounod: the Romantic, the Mystic

A major artisan of the renaissance in French music in the second half of the 19th century, alongside his elder colleague Berlioz, whom he admired, and his followers Bizet, Saint-Saëns, and Massenet, who were inspired by his faith in Art, Charles Gounod (1818-1893), a mystic and a charmer, a romantic in search of a new classicism, owed his fame to a few masterpieces, which have overshadowed his daring. A flourishing discography allows us to discover the diversity of his music: instrumental, vocal, religious, and lyrical.

Five centuries of British choirs, five decades for the King's Singers

More than four thousand choirs are alive and well in the UK: the foundation of the quintessentially British musical tradition

Orfeo Orchestra: 18th Century French Baroque, Resurrected

Orfeo Orchestra (conducted by György Vashegyi), a prolific performer of French baroque music since its birth, has been honoured in recent years by both Palazetto Bru Zane and the Centre de Musique Baroque de Versailles (CMBV) with invitations to record a series of explorations of French lyrical music – both baroque and classical.

In the news...