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Riccardo Chailly|Messa per Rossini

Messa per Rossini

Scala Orchestra & Chorus, Riccardo Chailly

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Messa per Rossini is a Requiem Mass resulting from the assembly of thirteen parts written by thirteen different composers. Shortly after Rossini's death in 1868, Verdi addressed Ricordi: "To honour the memory of Rossini I would wish the most distinguished Italian composers to compose a Requiem Mass to be performed on the anniversary of his death. I would like no foreign hand, no hand alien to art, no matter how powerful, to lend his assistance. In that case, I would withdraw at once from the association. If I were in the good graces of the Holy Father, I would beg him to allow, at least this once, women to take part in the performance of this music, but since I am not, it would be best to find a person more suitable than I to achieve this end." The composition was completed in the summer of 1869, but the hearing was cancelled... due to sinister political disputes. Verdi resumed his own contribution, the Libera me conclusive, in a revised form for his own Requiem; the comparison of the two movements, the original for Rossini and the definitive for Verdi's Requiem, is a fascinating exploration of the Verdian laboratory and evolution. The other twelve composers have hardly passed the test of posterity, but it is extremely interesting to see what was then being done in the Italian sacred domain. The Mass for Rossini, which had fallen into oblivion, was only rediscovered in the 1970s and (re)created in 1988. Here we find Riccardo Chailly at the helm with the La Scala of Milan orchestra and choir as well as four leading Italian soloists. © SM/Qobuz

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Messa per Rossini

Riccardo Chailly

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Messa per Rossini (Antonio Buzzolla)

1
I. Requiem - Kyrie (by Antonio Buzzola)
Coro Del Teatro Alla Scala Di Milano
00:09:03

Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Antonio Buzzolla, Composer

℗ 2018 Decca Music Group Limited

2
II. Dies irae (by Antonio Bazzini)
Coro Del Teatro Alla Scala Di Milano
00:05:21

Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Antonio Bazzini, Composer

℗ 2018 Decca Music Group Limited

3
III. Tuba mirum (by Carlo Pedrotti)
Simone Piazzola
00:05:15

Simone Piazzola, Baritone - Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Carlo Pedrotti, Composer

℗ 2018 Decca Music Group Limited

4
IV. Quid sum miser (by Antonio Cagnoni)
María José Siri
00:05:35

Veronica Simeoni, Mezzo-Soprano - María José Siri, Soprano - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Antonio Cagnoni, Composer

℗ 2018 Decca Music Group Limited

5
V. Recordare Jesu pie (by Federico Ricci)
María José Siri
00:07:15

María José Siri, Soprano - Veronica Simeoni, Mezzo-Soprano - Simone Piazzola, Baritone - Riccardo Zanellato, Bass - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Federico Ricci, Composer

℗ 2018 Decca Music Group Limited

6
VI. Ingemisco (by Alessandro Nini)
Giorgio Berrugi
00:10:48

Giorgio Berrugi, Tenor - Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Alessandro Nini, Composer

℗ 2018 Decca Music Group Limited

7
VII. Confutatis (by Raimondo Boucheron)
Riccardo Zanellato
00:09:24

Riccardo Zanellato, Bass - Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Raimondo Boucheron, Composer

℗ 2018 Decca Music Group Limited

8
VIII. Lacrimosa - Amen (by Carlo Coccia)
Coro Del Teatro Alla Scala Di Milano
00:07:01

Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Carlo Coccia, Composer

℗ 2018 Decca Music Group Limited

9
IX. Offertorio (by Gaetano Gaspari)
María José Siri
00:08:14

María José Siri, Soprano - Giorgio Berrugi, Tenor - Simone Piazzola, Baritone - Riccardo Zanellato, Bass - Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Gaetano Gaspari, Composer

℗ 2018 Decca Music Group Limited

10
X. Sanctus (by Pietro Platania)
María José Siri
00:07:27

María José Siri, Soprano - Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Pietro Platania, Composer

℗ 2018 Decca Music Group Limited

11
XI. Agnus Dei (by Lauro Rossi)
Veronica Simeoni
00:05:01

Veronica Simeoni, Mezzo-Soprano - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Lauro Rossi, Composer

℗ 2018 Decca Music Group Limited

12
XII. Lux aeterna (by Teodulo Mabellini)
Giorgio Berrugi
00:07:38

Giorgio Berrugi, Tenor - Simone Piazzola, Baritone - Riccardo Zanellato, Bass - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Teodulo Mabellini, Composer

℗ 2018 Decca Music Group Limited

13
XIII. Libera me, Domine (by Giuseppe Verdi)
María José Siri
00:12:34

María José Siri, Soprano - Coro del Teatro Carlo Felice - Orchestra del Teatro alla Scala di Milano - Riccardo Chailly, Conductor - Giuseppe Verdi, Composer

℗ 2018 Decca Music Group Limited

Album review

Messa per Rossini is a Requiem Mass resulting from the assembly of thirteen parts written by thirteen different composers. Shortly after Rossini's death in 1868, Verdi addressed Ricordi: "To honour the memory of Rossini I would wish the most distinguished Italian composers to compose a Requiem Mass to be performed on the anniversary of his death. I would like no foreign hand, no hand alien to art, no matter how powerful, to lend his assistance. In that case, I would withdraw at once from the association. If I were in the good graces of the Holy Father, I would beg him to allow, at least this once, women to take part in the performance of this music, but since I am not, it would be best to find a person more suitable than I to achieve this end." The composition was completed in the summer of 1869, but the hearing was cancelled... due to sinister political disputes. Verdi resumed his own contribution, the Libera me conclusive, in a revised form for his own Requiem; the comparison of the two movements, the original for Rossini and the definitive for Verdi's Requiem, is a fascinating exploration of the Verdian laboratory and evolution. The other twelve composers have hardly passed the test of posterity, but it is extremely interesting to see what was then being done in the Italian sacred domain. The Mass for Rossini, which had fallen into oblivion, was only rediscovered in the 1970s and (re)created in 1988. Here we find Riccardo Chailly at the helm with the La Scala of Milan orchestra and choir as well as four leading Italian soloists. © SM/Qobuz

Details of the original recording : Recording Location: Teatro alla Scala, Milan, 8–15 November 2017 (Live Recording)

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