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Isasi Quartet|Marteau: Complete Works for String Quartet, Vol. 3

Marteau: Complete Works for String Quartet, Vol. 3

Karine Deshayes, Isasi Quartet

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In contrast to his first two quartets, the third quartet, which Marteau composed towards the end of the First World War, is of a completely different nature and presents itself as a strongly biographical work, to which Marteau wrote in 1918: "My new String Quartet No. 3 was composed under the impression of the terrible events of which my wife was the innocent victim. There are sections of life, parts of the soul, which express themselves in this piece. The Scherzo is a Viennese mood piece, memories of the city in which we felt so comfortable and happy". But he also processed in this largely melancholy quartet that he was no longer in demand or wanted as a violinist.

The present programme is supplemented with the Acht Lieder mit Begleitung von Streichquartett, Op. 10 speak, written in 1905. In these songs Marteau is far ahead of his time, because it is the first string quartet of its kind in which the human voice also has its say. Until then, the string quartet was considered the royal genre of pure, abstract and absolute music. Marteau is the first composer to establish completely new connections between the strings and the voice, which is very fascinating and has not yet been properly appreciated by music history. © CPO

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Marteau: Complete Works for String Quartet, Vol. 3

Isasi Quartet

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String Quartet No. 3 in C Major, Op. 17 (Henri Marteau)

1
I. Comodo
Isasi Quartet
00:10:11

Henri Marteau, Composer - Isasi Quartet, Ensemble, MainArtist

(C) 2022 CPO (P) 2022 CPO

2
II. Hymne an den Schmerz. Molto adagio
Isasi Quartet
00:10:31

Henri Marteau, Composer - Isasi Quartet, Ensemble, MainArtist

(C) 2022 CPO (P) 2022 CPO

3
III. Scherzo. Allegro
Isasi Quartet
00:06:34

Henri Marteau, Composer - Isasi Quartet, Ensemble, MainArtist

(C) 2022 CPO (P) 2022 CPO

4
IV. Finale. Adagio - Allegro
Isasi Quartet
00:09:12

Henri Marteau, Composer - Isasi Quartet, Ensemble, MainArtist

(C) 2022 CPO (P) 2022 CPO

8 Lieder, Op. 10 (Henri Marteau)

5
No. 1, An Agnes
Karine Deshayes
00:03:48

Henri Marteau, Composer - Nikolaus Lenau, Lyricist - Karine Deshayes, Artist, MainArtist - Isasi Quartet, Ensemble, MainArtist

(C) 2022 CPO (P) 2022 CPO

6
No. 2, Thranentropfen
Karine Deshayes
00:02:24

Henri Marteau, Composer - Karine Deshayes, Artist, MainArtist - Isasi Quartet, Ensemble, MainArtist - Agnes Marteau, Lyricist

(C) 2022 CPO (P) 2022 CPO

7
No. 3, Als die Liebe kam
Karine Deshayes
00:02:58

Henri Marteau, Composer - Karine Deshayes, Artist, MainArtist - Isasi Quartet, Ensemble, MainArtist - Agnes Marteau, Lyricist

(C) 2022 CPO (P) 2022 CPO

8
No. 4, In den Garten meiner Seele
Karine Deshayes
00:02:55

Henri Marteau, Composer - Karine Deshayes, Artist, MainArtist - Isasi Quartet, Ensemble, MainArtist - Agnes Marteau, Lyricist

(C) 2022 CPO (P) 2022 CPO

9
No. 5, Liebeslied
Karine Deshayes
00:01:35

Henri Marteau, Composer - Karine Deshayes, Artist, MainArtist - Isasi Quartet, Ensemble, MainArtist - Agnes Marteau, Lyricist

(C) 2022 CPO (P) 2022 CPO

10
No. 6, Sonnenlied
Karine Deshayes
00:02:08

Henri Marteau, Composer - Karine Deshayes, Artist, MainArtist - Isasi Quartet, Ensemble, MainArtist - Agnes Marteau, Lyricist

(C) 2022 CPO (P) 2022 CPO

11
No. 7, Träume
Karine Deshayes
00:04:42

Henri Marteau, Composer - Karine Deshayes, Artist, MainArtist - Isasi Quartet, Ensemble, MainArtist - Agnes Marteau, Lyricist

(C) 2022 CPO (P) 2022 CPO

12
No. 8, Herbst
Karine Deshayes
00:02:44

Henri Marteau, Composer - Karine Deshayes, Artist, MainArtist - Isasi Quartet, Ensemble, MainArtist - Agnes Marteau, Lyricist

(C) 2022 CPO (P) 2022 CPO

Album review

In contrast to his first two quartets, the third quartet, which Marteau composed towards the end of the First World War, is of a completely different nature and presents itself as a strongly biographical work, to which Marteau wrote in 1918: "My new String Quartet No. 3 was composed under the impression of the terrible events of which my wife was the innocent victim. There are sections of life, parts of the soul, which express themselves in this piece. The Scherzo is a Viennese mood piece, memories of the city in which we felt so comfortable and happy". But he also processed in this largely melancholy quartet that he was no longer in demand or wanted as a violinist.

The present programme is supplemented with the Acht Lieder mit Begleitung von Streichquartett, Op. 10 speak, written in 1905. In these songs Marteau is far ahead of his time, because it is the first string quartet of its kind in which the human voice also has its say. Until then, the string quartet was considered the royal genre of pure, abstract and absolute music. Marteau is the first composer to establish completely new connections between the strings and the voice, which is very fascinating and has not yet been properly appreciated by music history. © CPO

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