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François-Xavier Roth|Mahler: Symphony No. 4

Mahler: Symphony No. 4

François-Xavier Roth, Les Siècles, Sabine Devieilhe

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After a period-instrument reading of the Symphony No. 1 that received unanimous acclaim from the critics, François-Xavier Roth and Les Siècles return to Mahler. Joined by the luminous voice of Sabine Devieilhe for the famous finale, they offer us their vision of the Fourth Symphony, which in its own way marks the composer’s transition to modernity, and reveal unsuspected colours and instrumental balances. We still have much to learn about the polyphonic transparency possible within Mahler’s big orchestra! © harmonia mundi

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Mahler: Symphony No. 4

François-Xavier Roth

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Symphony No. 4 in G major (Gustav Mahler)

1
I. Bedächtig, nicht eilen
00:15:42

Gustav Mahler, Composer - Les Siècles, MainArtist, MusicalEnsemble - François-Xavier Roth, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi / Les Siècles

2
II. In gemächlicher Bewegung, ohne Hast
00:09:37

Gustav Mahler, Composer - Les Siècles, MainArtist, MusicalEnsemble - François-Xavier Roth, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi / Les Siècles

3
III. Ruhevoll, poco adagio
00:20:56

Gustav Mahler, Composer - Les Siècles, MainArtist, MusicalEnsemble - François-Xavier Roth, Conductor, MainArtist

2022 harmonia mundi 2022 harmonia mundi / Les Siècles

4
IV. Wir geniessen die himmlischen Freuden. Sehr behaglich
00:08:30

Gustav Mahler, Composer - Les Siècles, MainArtist, MusicalEnsemble - François-Xavier Roth, Conductor, MainArtist - Sabine Devieilhe, MainArtist, SopranoSolo

2022 harmonia mundi 2022 harmonia mundi / Les Siècles

Album Description

After a period-instrument reading of the Symphony No. 1 that received unanimous acclaim from the critics, François-Xavier Roth and Les Siècles return to Mahler. Joined by the luminous voice of Sabine Devieilhe for the famous finale, they offer us their vision of the Fourth Symphony, which in its own way marks the composer’s transition to modernity, and reveal unsuspected colours and instrumental balances. We still have much to learn about the polyphonic transparency possible within Mahler’s big orchestra! © harmonia mundi

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