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New Order - Low-Life

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Low-Life

New Order

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Low-Life

New Order

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1
Love Vigilantes
00:04:19

Gillian Gilbert, Producer, Guitar, Programmer, Writer, Synthesizer - Stephen Morris, Producer, Drums, Programmer, Writer, Synthesizer - New Order, MainArtist - BERNARD SUMNER, Producer, Guitar, Programmer, Vocals, Writer, Synthesizer - PETER HOOK, Producer, Bass Guitar, Programmer, Writer, Synthesizer - Michael Johnson, Engineer

© 1985 Warner Records 90 Ltd ℗ 1985 Warner Music UK Ltd

2
The Perfect Kiss
00:04:49

Gillian Gilbert, Producer, Guitar, Programmer, Writer, Synthesizer - Stephen Morris, Producer, Drums, Programmer, Writer, Synthesizer - New Order, MainArtist - BERNARD SUMNER, Producer, Guitar, Programmer, Vocals, Writer, Synthesizer - PETER HOOK, Producer, Bass Guitar, Programmer, Writer, Synthesizer - Michael Johnson, Engineer

© 1985 Warner Records 90 Ltd ℗ 1985 Warner Music UK Ltd

3
This Time of Night
00:04:45

Gillian Gilbert, Producer, Guitar, Programmer, Writer, Synthesizer - Stephen Morris, Producer, Drums, Programmer, Writer, Synthesizer - New Order, MainArtist - BERNARD SUMNER, Producer, Guitar, Programmer, Vocals, Writer, Synthesizer - PETER HOOK, Producer, Bass Guitar, Programmer, Writer, Synthesizer - Michael Johnson, Engineer

© 1985 Warner Records 90 Ltd ℗ 1985 Warner Music UK Ltd

4
Sunrise
00:06:01

Gillian Gilbert, Producer, Guitar, Programmer, Writer, Synthesizer - Stephen Morris, Producer, Drums, Programmer, Writer, Synthesizer - New Order, MainArtist - BERNARD SUMNER, Producer, Guitar, Programmer, Vocals, Writer, Synthesizer - PETER HOOK, Producer, Bass Guitar, Programmer, Writer, Synthesizer - Michael Johnson, Engineer

© 1985 Warner Records 90 Ltd ℗ 1985 Warner Music UK Ltd

5
Elegia
00:04:56

Gillian Gilbert, Producer, Guitar, Programmer, Writer, Synthesizer - Stephen Morris, Producer, Drums, Programmer, Writer, Synthesizer - New Order, MainArtist - BERNARD SUMNER, Producer, Guitar, Programmer, Vocals, Writer, Synthesizer - PETER HOOK, Producer, Bass Guitar, Programmer, Writer, Synthesizer - Michael Johnson, Engineer

© 1985 Warner Records 90 Ltd ℗ 1985 Warner Music UK Ltd

6
Sooner Than You Think
00:05:12

Gillian Gilbert, Producer, Guitar, Programmer, Writer, Synthesizer - Stephen Morris, Producer, Drums, Programmer, Writer, Synthesizer - New Order, MainArtist - BERNARD SUMNER, Producer, Guitar, Programmer, Vocals, Writer, Synthesizer - PETER HOOK, Producer, Bass Guitar, Programmer, Writer, Synthesizer - Michael Johnson, Engineer

© 1985 Warner Records 90 Ltd ℗ 1985 Warner Music UK Ltd

7
Sub-culture
00:04:58

Gillian Gilbert, Producer, Guitar, Programmer, Writer, Synthesizer - Stephen Morris, Producer, Drums, Programmer, Writer, Synthesizer - New Order, MainArtist - BERNARD SUMNER, Producer, Guitar, Programmer, Vocals, Writer, Synthesizer - PETER HOOK, Producer, Bass Guitar, Programmer, Writer, Synthesizer - Michael Johnson, Engineer

© 1985 Warner Records 90 Ltd ℗ 1985 Warner Music UK Ltd

8
Face Up
00:05:07

Gillian Gilbert, Producer, Guitar, Programmer, Writer, Synthesizer - Stephen Morris, Producer, Drums, Programmer, Writer, Synthesizer - New Order, MainArtist - BERNARD SUMNER, Producer, Guitar, Programmer, Vocals, Writer, Synthesizer - PETER HOOK, Producer, Bass Guitar, Programmer, Writer, Synthesizer - Michael Johnson, Engineer

© 1985 Warner Records 90 Ltd ℗ 1985 Warner Music UK Ltd

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New Order: From Darkness to Dance-floor

How does one Mancunian group move from perhaps the gloomiest band of the punk era to a master of the dance-floor? In the early eighties, straight out of Joy Division’s ashes, New Order marked one of the first successful unions of rock’n’roll and dance music. A perfect soundtrack for a morose, Thatcherite England.

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It’s been forty years since the singer from Joy Division took his own life, but the shadow of his death still hangs over post-punk, new wave and rock history. In just two albums, the cult band from Manchester turned grey skies, depression and urban industrialisation into beautiful music thanks to their charismatic leader, who is just as influential today.

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“If punk was about getting rid of hippies, then I'm getting rid of grunge.” It was with this sentence from Damon Albarn in 1993 that England invaded the stage previously dominated by Nirvana and Seattle grunge. Britpop is deeply linked to politics and local identity and emerged just as Tony Blair and New Labour were entering the scene. English romanticism was once again becoming attractive compared to the American identity, which was considered too hollow in the UK. Make way for “Cool Britannia”.

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