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Trentemøller - Lost Reworks

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Lost Reworks

Trentemøller

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With his early work being club-aimed music that was still musically rich enough for headphone listening, Danish producer Trentemøller came on like a composition student with a dark streak, plus a love of progressive house music and techno. His debut album, 2006's The Last Resort, was a deep, dark, and delicious overabundance of bass and reverb, thumping away like Berlin or Detroit techno but then layering melodies that touched upon pop, all while the producer side of the artist dropped every glitchy trick in the book. It would seem like he was showing off if those plentiful edits and layers-upon-layers didn't work, but when he went indie pop and soundtrack-esque on 2010's The Great White Yonder, the results varied. The album jumped from indie song to house-music-all-night-long with a Duane Eddy-styled guitar rave-up in the middle, and while this third effort does essentially the same thing (the rave-up now replaced with a twangy, dusty, "Personal Jesus"-type cut called "Trails"), Lost is where all the pieces fall into place. Blame the superior songwriting or the natural flow of the compositions as the indie group Low join for "The Dream," a song that's wistful and ruminates about life on the level of a beloved Pink Floyd deep track."Gravity," with Jana Hunter, suggests the soaring My Bloody Valentine anchored by the tick-tock of Kraftwerk, although the swaying melody and the swollen melancholy are entirely Trentemøller. "Candy Tongue," with Marie Fisker, is a gentle mix of electro and acoustic that plays to the producer's love of wonder and mystery, while both "Come Undone" with Kazu Makino and "Deceive" with Sune Rose Wagner border on house music for Goths, even if they come with a refinement the electro-industrial crowd rarely offers. As on his previous effort, the instrumental numbers cross over from clubland with the great "Still on Fire" thumping its majestic New Order-like bass, while "Morphine" flirts with drone and world music on a cut that feels like a dangerous journey to buy the drug, but "Hazed" and the hidden coda that complete that album bring reminders of The Last Resort's endless, echoing nightscape. It's an ironic title for an album that's so sure, and even if his early fans frown as their dancing shoes collect dust, complaining about what doesn't happen on Lost seems silly when compared to the wonderful and intoxicating things that actually do. ~ David Jeffries

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Lost Reworks

Trentemøller

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1
River of Life (Trentemøller Remix) 00:05:27

Trentemøller, Performer, Remixer - Anders Trentemøller, Composer, Producer - Sara Savery, Lyricist - Tobias Wilner, Lyricist - Ghost Society, Performer

2014 In My Room

2
Come Undone (Toydrum Remix) 00:05:16

Trentemøller, Performer - Anders Trentemøller, Composer, Producer - Kazu Makino, Lyricist - Toydrum, Remixer

2014 In My Room

3
Candy Tongue (Jenny Wilson Version) 00:05:31

Trentemøller, Performer - Anders Trentemøller, Composer, Producer - Marie Fisker, Lyricist - Johannes Berglund, Producer - Jenny Wilson, Producer, Remixer

2014 In My Room

4
Come Undone (Trentemøller Remix) 00:03:49

Trentemøller, Performer, Remixer - Anders Trentemøller, Composer, Producer - Kazu Makino, Lyricist

2014 In My Room

5
Deceive (Trentemøller's Lost & Found Remix) 00:05:16

Trentemøller, Performer, Remixer - Anders Trentemøller, Composer, Lyricist, Producer - Sune Rose Wagner, Lyricist

2014 In My Room

6
River of Life (T.O.M. And His Computer Remix) 00:05:21

Trentemøller, Performer - Anders Trentemøller, Composer, Producer - Sara Savery, Lyricist - Tobias Wilner, Lyricist - Ghost Society, Performer - TOM and his Computer, Remixer

2014 In My Room

7
Deceive (Unkwon Remix) 00:04:30

Trentemøller, Performer - Sune Rose Wagner of The Raveonettes, Performer - Anders Trentemøller, Composer, Lyricist, Producer - Sune Rose Wagner, Lyricist - Unkwon, Remixer

2014 In My Room

8
Gravity (Pinkunoizu Remix) 00:07:58

Trentemøller, Performer - Jana Hunter of Lower Dens, Performer - Anders Trentemøller, Composer, Producer - Jana Hunter, Lyricist - Pinkunoizu, Remixer

2013 In My Room

9
Deceive (Trentemøller Club Mix) 00:08:03

Trentemøller, Performer, Remixer - Sune Rose Wagner of The Raveonettes, Performer - Anders Trentemøller, Composer, Lyricist, Producer - Sune Rose Wagner, Lyricist

2014 In My Room

10
Come Undone (Toydrum Instrumental Remix) 00:05:16

Trentemøller, Performer - Anders Trentemøller, Composer, Producer - Toydrum, Remixer

2014 In My Room

Album Description

With his early work being club-aimed music that was still musically rich enough for headphone listening, Danish producer Trentemøller came on like a composition student with a dark streak, plus a love of progressive house music and techno. His debut album, 2006's The Last Resort, was a deep, dark, and delicious overabundance of bass and reverb, thumping away like Berlin or Detroit techno but then layering melodies that touched upon pop, all while the producer side of the artist dropped every glitchy trick in the book. It would seem like he was showing off if those plentiful edits and layers-upon-layers didn't work, but when he went indie pop and soundtrack-esque on 2010's The Great White Yonder, the results varied. The album jumped from indie song to house-music-all-night-long with a Duane Eddy-styled guitar rave-up in the middle, and while this third effort does essentially the same thing (the rave-up now replaced with a twangy, dusty, "Personal Jesus"-type cut called "Trails"), Lost is where all the pieces fall into place. Blame the superior songwriting or the natural flow of the compositions as the indie group Low join for "The Dream," a song that's wistful and ruminates about life on the level of a beloved Pink Floyd deep track."Gravity," with Jana Hunter, suggests the soaring My Bloody Valentine anchored by the tick-tock of Kraftwerk, although the swaying melody and the swollen melancholy are entirely Trentemøller. "Candy Tongue," with Marie Fisker, is a gentle mix of electro and acoustic that plays to the producer's love of wonder and mystery, while both "Come Undone" with Kazu Makino and "Deceive" with Sune Rose Wagner border on house music for Goths, even if they come with a refinement the electro-industrial crowd rarely offers. As on his previous effort, the instrumental numbers cross over from clubland with the great "Still on Fire" thumping its majestic New Order-like bass, while "Morphine" flirts with drone and world music on a cut that feels like a dangerous journey to buy the drug, but "Hazed" and the hidden coda that complete that album bring reminders of The Last Resort's endless, echoing nightscape. It's an ironic title for an album that's so sure, and even if his early fans frown as their dancing shoes collect dust, complaining about what doesn't happen on Lost seems silly when compared to the wonderful and intoxicating things that actually do. ~ David Jeffries

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