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Leonardo García Alarcón|Judas Maccabaeus

Judas Maccabaeus

Georg Friedrich Händel

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For English-speaking audiences who don't mind their Handel sung by sometimes heavily accented non-native speakers, this version of Judas Maccabaeus is hard to beat. Argentinean conductor Leonardo García Alarcón leads the exemplary ensembles Choeur de Chambre de Namur and Les Agrémens in an exceptionally spirited account of the score that effectively erases any taint of its reputation as starchy favorite of amateur Victorian choral societies. His rhythms are crisp and his tempos impetuous, as is appropriate for the martial subject matter, but his phrasing is also gorgeously shapely and the lyrical numbers are rendered with sumptuous sensuality and flexibility. The brilliance of the performance is amplified by the very resonant and richly ample sound quality, which allows the voices, both choral and solos, to be heard to their best advantage, bright yet warm, with a ringing, exhilarating clarity. The soloists are absolutely first-rate. As Simon, Argentinean baritone Alejandro Meerapfel has the most pronounced accent, but the suppleness and discipline of his singing, as well as his expertise in the conventions of Baroque style, are an incentive to overlook his oddly placed vowels. Accent is somewhat less an issue with Japanese tenor Makoto Sakurada, whose gleaming, nuanced, heroic voice is a marvel in the title role. Argentinean singers soprano Maria Soledad de la Rosa and mezzo-soprano Mariana Rewerski have glorious, soaring voices that are beautifully matched, and their transporting duets are among the high points of the performance. These are all artists to watch out for. The live recording picks up some ancillary noises, particularly surprisingly loud page turns, but that seems like a minor quibble given the quality of the otherwise extraordinarily engaging performance. Highly recommended.

© TiVo

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Judas Maccabaeus

Leonardo García Alarcón

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Judas Maccabaeus (Georg Friedrich Händel)

1
Overture
00:05:27

Les Agrémens - Leonardo Garcia Alarcon, conductor

2
Act I. Chorus : Mourn ye afflicted children
00:03:35

Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

3
Act I. Recitative : Well may your sorrows
00:01:22

Mariana Rewerski, mezzo-soprano - Maria Soledad de la Rosa, soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

4
Act I. Duet : From this dread scene
00:02:19

Mariana Rewerski, mezzo-soprano - Maria Soledad de la Rosa, soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

5
Act I. Chorus : For Sion lamentation make
00:02:13

Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

6
Act I. Recitative : Not vain is all this storm of grief
00:00:56

Alejandro Meerapfel, baritone - Les Agrémens - Leonardo Garcia Alarcon, conductor

7
Act I. Air : Pious orgies, pious airs
00:03:29

Alejandro Meerapfel, baritone - Les Agrémens - Leonardo Garcia Alarcon, conductor

8
Act I. Chorus : O Father
00:02:04

Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

9
Act I. Accompagnato : I feel the deity
00:00:57

Alejandro Meerapfel, baritone - Les Agrémens - Leonardo Garcia Alarcon, conductor

10
Act I. Air : Arm Ye brave
00:02:39

Alejandro Meerapfel, baritone - Les Agrémens - Leonardo Garcia Alarcon, conductor

11
Act I. Chorus : We come, in bright array
00:01:00

Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

12
Act I. Recitative : Tis well, my friends
00:00:42

Makoto Sakurada, tenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

13
Act I. Air : Call forth thy powers
00:01:44

Makoto Sakurada, tenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

14
Act I. Recitative : To Heaven's almighty King
00:00:29

Maria Soledad de la Rosa, soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

15
Act I. Air : O liberty
00:02:01

Maria Soledad de la Rosa, soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

16
Act I; Duet : Come ever smiling liberty
00:00:50

Maria Soledad de la Rosa, soprano - Mariana Rewerski, mezzo-soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

17
Act I. Chorus : Lead on lead on
00:00:54

Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

18
Act I. Recitative : So will'd my father
00:01:05

Makoto Sakurada, tenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

19
Act I. Chorus : Disdainful of danger
00:01:34

Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

20
Act I. Recitative : Ambition
00:00:16

Makoto Sakurada, tenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

21
Act I. Air : No Unhallow'd desire
00:01:57

Makoto Sakurada, tenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

22
Act I. Chorus : Hear us O Lord
00:03:39

Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

23
Act II. Chorus : Fall'n is the foe
00:03:06

Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

24
Act II. Recitative : Victorious hero
00:00:45

Mariana Rewerski, mezzo-soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

25
Act II. Air : So rapid thy course is
00:04:13

Mariana Rewerski, mezzo-soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

26
Act II. Recitative : Well may we hope
00:00:20

Mariana Rewerski, mezzo-soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

27
Act II. Duet : Sion now
00:05:19

Mariana Rewerski, mezzo-soprano - Maria Soledad de la Rosa, soprano - Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

28
Act II. Recitative : Oh let eternal honours
00:00:35

Maria Soledad de la Rosa, soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

29
Act II. Air : From mighty kings
00:06:19

Maria Soledad de la Rosa, soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

30
Act II. Duet : Hail, hail
00:02:06

Mariana Rewerski, mezzo-soprano - Maria Soledad de la Rosa, soprano - Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

31
Act II. Recitative : Thanks to my brethren
00:00:41

Makoto Sakurada, tenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

32
Act II. Air : How vain is man
00:04:40

Makoto Sakurada, tenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

33
Act II. Recitative : O Judas
00:00:49

Fabian Schofrin, countertenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

34
Act II. Air : Ah wretched
00:05:46

Maria Soledad de la Rosa, soprano - Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

35
Act II. Recitative : Be comforted
00:00:44

Alejandro Meerapfel, baritone - Les Agrémens - Leonardo Garcia Alarcon, conductor

36
Act II. Air : The Lord worketh wonders
00:02:41

Alejandro Meerapfel, baritone - Les Agrémens - Leonardo Garcia Alarcon, conductor

37
Act II. Recitative : My arms
00:00:22

Makoto Sakurada, tenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

38
Act II. Air : Sound an alarm
00:03:44

Makoto Sakurada, tenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

39
Act II. Solemn march during the circumvention of the ark of the Covenant
00:01:17

Les Agrémens - Leonardo Garcia Alarcon, conductor

40
Act II. Recitative : Enough To Heaven
00:00:46

Alejandro Meerapfel, baritone - Les Agrémens - Leonardo Garcia Alarcon, conductor

41
Act II. Air : With pious hearts
00:02:12

Alejandro Meerapfel, baritone - Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

42
Act II. Recitative : Ye worshippers no more in Sion
00:01:14

Mariana Rewerski, mezzo-soprano - Maria Soledad de la Rosa, soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

43
Act II. Duet : Oh never bow we down
00:05:27

Mariana Rewerski, mezzo-soprano - Maria Soledad de la Rosa, soprano - Chœur de Chambre de Namur - Les Agrémens - Leonardo Garcia Alarcon, conductor

44
Act III. Introdution
00:01:32

Les Agrémens - Leonardo Garcia Alarcon, conductor

45
Act III. Air : Father of Heaven
00:06:01

Fabian Schofrin, countertenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

46
Act III. Accompagnato : See see yon flames Oh grant it
00:01:03

Mariana Rewerski, mezzo-soprano - Maria Soledad de la Rosa, soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

47
Act III. Air : So shall the lute
00:03:46

Maria Soledad de la Rosa, soprano - Les Agrémens - Leonardo Garcia Alarcon, conductor

48
Act III. Recitative : From Capharsalama
00:00:42

Fabian Schofrin, countertenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

49
Act III. Air : Cease thy anguish
00:02:42

Fabian Schofrin, countertenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

50
Act III. Recitative : Yet more Nicanor
00:00:38

Fabian Schofrin, countertenor - Les Agrémens - Leonardo Garcia Alarcon, conductor

Album review

For English-speaking audiences who don't mind their Handel sung by sometimes heavily accented non-native speakers, this version of Judas Maccabaeus is hard to beat. Argentinean conductor Leonardo García Alarcón leads the exemplary ensembles Choeur de Chambre de Namur and Les Agrémens in an exceptionally spirited account of the score that effectively erases any taint of its reputation as starchy favorite of amateur Victorian choral societies. His rhythms are crisp and his tempos impetuous, as is appropriate for the martial subject matter, but his phrasing is also gorgeously shapely and the lyrical numbers are rendered with sumptuous sensuality and flexibility. The brilliance of the performance is amplified by the very resonant and richly ample sound quality, which allows the voices, both choral and solos, to be heard to their best advantage, bright yet warm, with a ringing, exhilarating clarity. The soloists are absolutely first-rate. As Simon, Argentinean baritone Alejandro Meerapfel has the most pronounced accent, but the suppleness and discipline of his singing, as well as his expertise in the conventions of Baroque style, are an incentive to overlook his oddly placed vowels. Accent is somewhat less an issue with Japanese tenor Makoto Sakurada, whose gleaming, nuanced, heroic voice is a marvel in the title role. Argentinean singers soprano Maria Soledad de la Rosa and mezzo-soprano Mariana Rewerski have glorious, soaring voices that are beautifully matched, and their transporting duets are among the high points of the performance. These are all artists to watch out for. The live recording picks up some ancillary noises, particularly surprisingly loud page turns, but that seems like a minor quibble given the quality of the otherwise extraordinarily engaging performance. Highly recommended.

© TiVo

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