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Bob Dylan - John Wesley Harding

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John Wesley Harding

Bob Dylan

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Bob Dylan returned from exile with John Wesley Harding, a quiet, country-tinged album that split dramatically from his previous three. A calm, reflective album, John Wesley Harding strips away all of the wilder tendencies of Dylan's rock albums -- even the then-unreleased Basement Tapes he made the previous year -- but it isn't a return to his folk roots. If anything, the album is his first serious foray into country, but only a handful of songs, such as "I'll Be Your Baby Tonight," are straight country songs. Instead, John Wesley Harding is informed by the rustic sound of country, as well as many rural myths, with seemingly simple songs like "All Along the Watchtower," "I Dreamed I Saw St. Augustine," and "The Wicked Messenger" revealing several layers of meaning with repeated plays. Although the lyrics are somewhat enigmatic, the music is simple, direct, and melodic, providing a touchstone for the country-rock revolution that swept through rock in the late '60s. ~ Stephen Thomas Erlewine

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John Wesley Harding

Bob Dylan

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1
John Wesley Harding (Album Version) 00:03:00

B. Dylan, Composer - B. Dylan, Lyricist - Bob Dylan, Harmonica - Bob Dylan, Performer - Bob Dylan, Piano - Bob Dylan, Vocal - Bob Johnston, Producer - Charles McCoy, Bass

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

2
As I Went out One Morning (Album Version) 00:02:52

B. Dylan, Composer - B. Dylan, Lyricist - Bob Dylan, Harmonica - Bob Dylan, Performer - Bob Dylan, Piano - Bob Dylan, Vocal - Bob Johnston, Producer - Charles McCoy, Bass - Kenny Buttrey, Drums

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

3
I Dreamed I Saw St. Augustine (Album Version) 00:03:55

B. Dylan, Composer - B. Dylan, Lyricist - Bob Dylan, Harmonica - Bob Dylan, Performer - Bob Dylan, Piano - Bob Dylan, Vocal - Bob Johnston, Producer - Charles McCoy, Bass - Kenny Buttrey, Drums

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

4
All Along the Watchtower (Album Version) 00:02:34

B. Dylan, Composer - B. Dylan, Lyricist - Bob Dylan, Harmonica - Bob Dylan, Performer - Bob Dylan, Piano - Bob Dylan, Vocal - Bob Johnston, Producer - Charles McCoy, Bass - Kenny Buttrey, Drums

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

5
The Ballad of Frankie Lee and Judas Priest (Album Version) 00:05:35

B. Dylan, Composer - B. Dylan, Lyricist - Bob Dylan, Harmonica - Bob Dylan, Performer - Bob Dylan, Piano - Bob Dylan, Vocal - Bob Johnston, Producer - Charles McCoy, Bass - Kenny Buttrey, Drums

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

6
Drifter's Escape (Album Version) 00:02:48

B. Dylan, Composer - B. Dylan, Lyricist - Bob Dylan, Harmonica - Bob Dylan, Performer - Bob Dylan, Piano - Bob Dylan, Vocal - Bob Johnston, Producer - Charles McCoy, Bass - Kenny Buttrey, Drums

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

7
Dear Landlord (Album Version) 00:03:18

B. Dylan, Composer - B. Dylan, Lyricist - Bob Dylan, Harmonica - Bob Dylan, Performer - Bob Dylan, Piano - Bob Dylan, Vocal - Bob Johnston, Producer - Charles McCoy, Bass - Kenny Buttrey, Drums

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

8
I Am a Lonesome Hobo (Album Version) 00:03:24

B. Dylan, Composer - B. Dylan, Lyricist - Bob Dylan, Harmonica - Bob Dylan, Performer - Bob Dylan, Piano - Bob Dylan, Vocal - Bob Johnston, Producer - Charles McCoy, Bass - Kenny Buttrey, Drums

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

9
I Pity the Poor Immigrant (Album Version) 00:04:16

B. Dylan, Composer - B. Dylan, Lyricist - Bob Dylan, Harmonica - Bob Dylan, Performer - Bob Dylan, Piano - Bob Dylan, Vocal - Bob Johnston, Producer - Charles McCoy, Bass - Kenny Buttrey, Drums

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

10
The Wicked Messenger (Album Version) 00:02:05

B. Dylan, Composer - B. Dylan, Lyricist - Bob Dylan, Harmonica - Bob Dylan, Performer - Bob Dylan, Piano - Bob Dylan, Vocal - Bob Johnston, Producer - Charles McCoy, Bass - Kenny Buttrey, Drums

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

11
Down Along the Cove (Album Version) 00:02:25

B. Dylan, Composer - B. Dylan, Lyricist - Bob Dylan, Harmonica - Bob Dylan, Performer - Bob Dylan, Piano - Bob Dylan, Vocal - Bob Johnston, Producer - Charles McCoy, Bass - Kenny Buttrey, Drums - Pete Drake, Steel Guitar

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

12
I'll Be Your Baby Tonight (Album Version) 00:02:38

Bob Dylan, Composer - Bob Dylan, Harmonica - Bob Dylan, Lyricist - Bob Dylan, Performer - Bob Dylan, Piano - Bob Dylan, Vocal - Bob Johnston, Producer - Charles McCoy, Bass - Kenny Buttrey, Drums - Pete Drake, Steel Guitar

Originally released 1967. All rights reserved by Columbia Records, a division of Sony Music Entertainment

Album Description

Bob Dylan returned from exile with John Wesley Harding, a quiet, country-tinged album that split dramatically from his previous three. A calm, reflective album, John Wesley Harding strips away all of the wilder tendencies of Dylan's rock albums -- even the then-unreleased Basement Tapes he made the previous year -- but it isn't a return to his folk roots. If anything, the album is his first serious foray into country, but only a handful of songs, such as "I'll Be Your Baby Tonight," are straight country songs. Instead, John Wesley Harding is informed by the rustic sound of country, as well as many rural myths, with seemingly simple songs like "All Along the Watchtower," "I Dreamed I Saw St. Augustine," and "The Wicked Messenger" revealing several layers of meaning with repeated plays. Although the lyrics are somewhat enigmatic, the music is simple, direct, and melodic, providing a touchstone for the country-rock revolution that swept through rock in the late '60s. ~ Stephen Thomas Erlewine

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