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Belcea Quartet - Janáček & Ligeti : Quartets

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Janáček & Ligeti : Quartets

Belcea Quartet

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Formed in 1994 at the Royal College of Music in London, the Belcea Quartet already has an impressive discography, including the complete Beethoven string quartets. For this new recording, the ensemble has chosen three quartets by two iconic composers of the 20th century: Leos Janáček and György Ligeti. Fifteen years after their first recording for Zig-Zag, and after some changes in personnel, they have decided to record again the two string quartets by Janáček. The First Quartet was inspired by Leon Tolstoy’s famous novella, The Kreutzer Sonata: the four-movement work follows the narrative, including its culminating murder. The Second Quartet is subtitled Intimate Letters, in homage to Kamila Stösslova, with whom the composer had an important relationship expressed through letters, one that influenced both his life and his music. Finally, the First Quartet by Ligeti, subtitled Métamorphoses nocturnes because of its particular form. The composer described the work as a sort of theme and variations, but not with a specific theme that is then subsequently varied: rather, it is a single musical thought appearing under constantly new guises – for this reason the word ‘metamophoses’ is more appropriate than ‘variations’. © Alpha Classics

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Janáček & Ligeti : Quartets

Belcea Quartet

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String Quartet No. 1 "Kreutzer Sonata" (Leoš Janáček)

1
I. Adagio con moto 00:04:20

Leos Janácek, Composer - Belcea Quartet, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Alpha Classics / Outhere Music France

2
II. Con moto 00:04:59

Leos Janácek, Composer - Belcea Quartet, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Alpha Classics / Outhere Music France

3
III. Con moto - Vivace - Andante - Tempo I 00:04:37

Leos Janácek, Composer - Belcea Quartet, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Alpha Classics / Outhere Music France

4
IV. Con moto 00:05:53

Leos Janácek, Composer - Belcea Quartet, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Alpha Classics / Outhere Music France

String Quartet No. 2 "Intimate letters" (Leoš Janáček)

5
I. Andante - Con moto - Allegro 00:06:38

Leos Janácek, Composer - Belcea Quartet, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Alpha Classics / Outhere Music France

6
II. Adagio - Vivace 00:06:13

Leos Janácek, Composer - Belcea Quartet, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Alpha Classics / Outhere Music France

7
III. Moderato - Andante - Adagio 00:05:31

Leos Janácek, Composer - Belcea Quartet, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Alpha Classics / Outhere Music France

8
IV. Allegro - Andante - Adagio 00:08:49

Leos Janácek, Composer - Belcea Quartet, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Alpha Classics / Outhere Music France

String Quartet No. 1 "Métamorphoses Nocturnes" (György Ligeti)

9
String Quartet No. 1 "Métamorphoses Nocturnes" 00:23:28

Gyorgy Ligeti, Composer - Belcea Quartet, MainArtist

2019 Alpha Classics / Outhere Music France 2019 Alpha Classics / Outhere Music France

Album Description

Formed in 1994 at the Royal College of Music in London, the Belcea Quartet already has an impressive discography, including the complete Beethoven string quartets. For this new recording, the ensemble has chosen three quartets by two iconic composers of the 20th century: Leos Janáček and György Ligeti. Fifteen years after their first recording for Zig-Zag, and after some changes in personnel, they have decided to record again the two string quartets by Janáček. The First Quartet was inspired by Leon Tolstoy’s famous novella, The Kreutzer Sonata: the four-movement work follows the narrative, including its culminating murder. The Second Quartet is subtitled Intimate Letters, in homage to Kamila Stösslova, with whom the composer had an important relationship expressed through letters, one that influenced both his life and his music. Finally, the First Quartet by Ligeti, subtitled Métamorphoses nocturnes because of its particular form. The composer described the work as a sort of theme and variations, but not with a specific theme that is then subsequently varied: rather, it is a single musical thought appearing under constantly new guises – for this reason the word ‘metamophoses’ is more appropriate than ‘variations’. © Alpha Classics

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