Your cart is empty

Agnes Obel - It's Happening Again

Mes favoris
Cet élément a bien été ajouté / retiré de vos favoris.
It's Happening Again
Agnes Obel
- Released on 11/18/16 by Play It Again Sam
- Main artist: Agnes Obel
- Genre: Pop/Rock Rock Alternative & Indie
Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
It's Happening Again
Agnes Obel
You are currently listening to samples.
Listen to over 70 million songs with an unlimited streaming plan.
Listen to this album and more than 70 million songs with your unlimited streaming plans.
1 month free, then $14.99/ month

Agnes Obel, Composer, MainArtist
2016 Agnes Obel under exclusive license to Play It Again Sam 2016 Agnes Obel under exclusive license to Play It Again Sam
About the album
- 1 disc(s) - 1 track(s)
- Total length: 00:04:20
- Main artist: Agnes Obel
- Composer: Agnes Obel
- Label: Play It Again Sam
- Genre: Pop/Rock Rock Alternative & Indie
-
16-Bit CD Quality 44.1 kHz - Stereo
2016 Agnes Obel under exclusive license to Play It Again Sam 2016 Agnes Obel under exclusive license to Play It Again Sam
Improve this page
Why buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.





Playlists





“If punk was about getting rid of hippies, then I'm getting rid of grunge.” It was with this sentence from Damon Albarn in 1993 that England invaded the stage previously dominated by Nirvana and Seattle grunge. Britpop is deeply linked to politics and local identity and emerged just as Tony Blair and New Labour were entering the scene. English romanticism was once again becoming attractive compared to the American identity, which was considered too hollow in the UK. Make way for “Cool Britannia”.
Since the Tuareg group Tinariwen released their first official album in 2002, entitled “The Radio Tisdas Sessions”, their guitar-soaked electric music has become a category of rock - one that is recognised and respected from Bamako to Los Angeles. This international success has allowed many musicians from the Sahara to get their music heard. And Western rockers have often been attracted to this poetic music emanating from the sand dunes and rocky expanses.
The two faces of shoegaze, the rock current that lit up England in the early 90s, couldn’t be more fundamentally opposed: a fierce battle between violent guitars and silky vocals. From its precursors like the Cocteau Twins and Jesus & Mary Chain, to its godfathers My Bloody Valentine, Ride and Slowdive, shoegaze is always on the move and many of their heirs still strum their guitars and create electric sounds.