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Joe Henderson|Inner Urge (The Rudy Van Gelder Edition)

Inner Urge (The Rudy Van Gelder Edition)

Joe Henderson

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This early recording by Joe Henderson is not only one of the finest of all of his recordings, but is also a high point for 1960s jazz. At this point in his career, Henderson was a full-time member of Horace Silver's combo and did not yet have a steady band in his hire. He is joined on Inner Urge by veterans of other combos: McCoy Tyner and Elvin Jones from John Coltrane's unit and Sonny Rollins sideman Bob Cranshaw. The presence of these luminaries aside, Inner Urge is home to two of Henderson's best (and best-loved) compositions: "Inner Urge" and "Isotope." The leader's solo on the title track is a marvelous thing, full of melody as well as anarchic bursts of sound, which is in perfect keeping with the spirit of the song's probing, searching theme. The other musicians support Henderson nicely as well as turning in some strong solos of their own. Tyner especially sounds fantastic on this record. Although not the equal of the leader in terms of the quality of his lines or the overall sense of composition of his solos, his performance is at least the rival of Henderson's in terms of raw kinetic power. The other great song on "Inner Urge," the Monk-ish "Isotope," is another ideal showcase for Henderson's total command of his instrument. The remaining tracks on Inner Urge are also fantastic, especially the wailing cry of "El Barrio" and the Henderson-altered head to "Night and Day," but the first side, even if taken alone, is by itself enough to guarantee this album as perhaps the best Henderson recorded in his long and illustrious career, and stands easily alongside the best records of the era.
© Daniel Gioffre /TiVo

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Inner Urge (The Rudy Van Gelder Edition)

Joe Henderson

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1
Inner Urge (Rudy Van Gelder Edition; 2004 Digital Remaster)
00:11:58

Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Joe Henderson, Composer, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (P) 2004 Capitol Records, Inc. ℗ 2004 Blue Note Records

2
Isotope (Rudy Van Gelder Edition / 2004 Digital Remaster)
00:09:15

Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Joe Henderson, Composer, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (P) 2004 Capitol Records, Inc. ℗ 2004 Blue Note Records

3
El Barrio (Rudy Van Gelder Edition / 2004 Digital Remaster)
00:07:14

Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Joe Henderson, Composer, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (P) 2004 Capitol Records, Inc. ℗ 2004 Blue Note Records

4
You Know I Care (Rudy Van Gelder Edition / 2004 Digital Remaster)
00:07:21

Michael Cuscuna, Producer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Duke Pearson, Composer - Joe Henderson, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (P) 2004 Capitol Records, Inc. ℗ 2004 Blue Note Records

5
Night And Day (Rudy Van Gelder Edition / 2004 Digital Remaster)
00:07:24

Cole Porter, ComposerLyricist - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Joe Henderson, MainArtist

Blue Note (R) is a registered trademark of Capitol Records, Inc. (P) 2004 Capitol Records, Inc. ℗ 2004 Blue Note Records

Album Description

This early recording by Joe Henderson is not only one of the finest of all of his recordings, but is also a high point for 1960s jazz. At this point in his career, Henderson was a full-time member of Horace Silver's combo and did not yet have a steady band in his hire. He is joined on Inner Urge by veterans of other combos: McCoy Tyner and Elvin Jones from John Coltrane's unit and Sonny Rollins sideman Bob Cranshaw. The presence of these luminaries aside, Inner Urge is home to two of Henderson's best (and best-loved) compositions: "Inner Urge" and "Isotope." The leader's solo on the title track is a marvelous thing, full of melody as well as anarchic bursts of sound, which is in perfect keeping with the spirit of the song's probing, searching theme. The other musicians support Henderson nicely as well as turning in some strong solos of their own. Tyner especially sounds fantastic on this record. Although not the equal of the leader in terms of the quality of his lines or the overall sense of composition of his solos, his performance is at least the rival of Henderson's in terms of raw kinetic power. The other great song on "Inner Urge," the Monk-ish "Isotope," is another ideal showcase for Henderson's total command of his instrument. The remaining tracks on Inner Urge are also fantastic, especially the wailing cry of "El Barrio" and the Henderson-altered head to "Night and Day," but the first side, even if taken alone, is by itself enough to guarantee this album as perhaps the best Henderson recorded in his long and illustrious career, and stands easily alongside the best records of the era.
© Daniel Gioffre /TiVo

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