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Editors|In This Light And On This Evening

In This Light And On This Evening

Editors

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After two albums, England's premier post-punk revivalists Editors were at a crossroads. Their debut was a commanding snapshot of a young band whose emotional urgency outweighed its slavish devotion to the sounds of late-'70s/early-'80s Manchester -- there was no getting around singer Tom Smith's similarity to Ian Curtis -- but the power and passion of the songs trumped any "British Interpol" accusations. The follow-up found the band falling victim to the dread sophomore jinx, turning out a lackluster rehash of the same ideas as the debut. Ironically, it sold better than the first. Whether or not the band recognized they had come to a musical dead-end despite their booming sales, they were apparently wise enough to know it was time for a change in direction, and they decided to take a rather drastic left turn for their third outing. They've by and large ditched the guitars in favor of synthesizers, for a sound that's more New Order/Ultravox sleek than post-punk scrappy. If you open your mind up wide enough, you can draw a parallel to Van Halen's 1984 -- the sound of a guitar band getting its synth on but retaining its musical identity. While the shift to an electronic approach opens up more possibilities for the band in terms of dynamics, arrangements, and melodic contours -- there's a noticeable slant towards catchy refrains rather than billowing atmosphere -- this is still very obviously an Editors album. Smith's Curtis-like tones still boom out authoritatively, and the ominous intensity of old is a constant presence. And while it seems they will probably never equal the majesty of their debut, Editors have dug themselves out of their artistic cul de sac at least long enough to plan their next move.
© J. Allen /TiVo

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In This Light And On This Evening

Editors

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1
In This Light and on This Evening
00:04:22

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

2
Bricks and Mortar
00:06:22

Editors, MainArtist - Russell Leetch, Composer - Cenzo Townshend, MixingEngineer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

3
Papillon
00:05:26

Editors, MainArtist - Russell Leetch, Composer - Cenzo Townshend, MixingEngineer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

4
You Don't Know Love
00:04:40

Editors, MainArtist - Russell Leetch, Composer - Cenzo Townshend, MixingEngineer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

5
The Big Exit
00:04:46

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

6
The Boxer
00:04:42

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

7
Like Treasure
00:04:53

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

8
Eat Raw Meat = Blood Drool Explicit
00:04:55

Editors, MainArtist - Russell Leetch, Composer - Cenzo Townshend, MixingEngineer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

9
Walk the Fleet Road
00:03:44

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

DISC 2

1
This House Is Full of Noise (Bonus Track)
00:06:23

Ben Hillier, Producer, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

2
I Want a Forest (Bonus Track)
00:04:00

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

3
My Life as a Ghost (Bonus Track) Explicit
00:04:34

Ben Hillier, Producer, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

4
Human (Bonus Track)
00:03:14

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

5
For the Money (Bonus Track)
00:05:51

Ben Hillier, MixingEngineer - Editors, MainArtist - Russell Leetch, Composer - Flood, Producer - Rob Kirwan, MixingEngineer - Chris Urbanowicz, Composer - Ed Lay, Composer - Tom Smith, Composer

2010 Play It Again Sam 2010 Kitchenware Records. Released under exclusive license by [PIAS] Recordings

Album review

After two albums, England's premier post-punk revivalists Editors were at a crossroads. Their debut was a commanding snapshot of a young band whose emotional urgency outweighed its slavish devotion to the sounds of late-'70s/early-'80s Manchester -- there was no getting around singer Tom Smith's similarity to Ian Curtis -- but the power and passion of the songs trumped any "British Interpol" accusations. The follow-up found the band falling victim to the dread sophomore jinx, turning out a lackluster rehash of the same ideas as the debut. Ironically, it sold better than the first. Whether or not the band recognized they had come to a musical dead-end despite their booming sales, they were apparently wise enough to know it was time for a change in direction, and they decided to take a rather drastic left turn for their third outing. They've by and large ditched the guitars in favor of synthesizers, for a sound that's more New Order/Ultravox sleek than post-punk scrappy. If you open your mind up wide enough, you can draw a parallel to Van Halen's 1984 -- the sound of a guitar band getting its synth on but retaining its musical identity. While the shift to an electronic approach opens up more possibilities for the band in terms of dynamics, arrangements, and melodic contours -- there's a noticeable slant towards catchy refrains rather than billowing atmosphere -- this is still very obviously an Editors album. Smith's Curtis-like tones still boom out authoritatively, and the ominous intensity of old is a constant presence. And while it seems they will probably never equal the majesty of their debut, Editors have dug themselves out of their artistic cul de sac at least long enough to plan their next move.
© J. Allen /TiVo

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