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Sophie Dervaux|Impressions

Impressions

Sophie Dervaux & Sélim Mazari

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French bassoon or German bassoon (fagott): this was long a difficult choice to make, so different are the two instruments. They are distinct as much for their wood (Rio rosewood in France or varnished maple in Germany) as for their technique and their sound. The timbre of the French bassoon (let us remember the beginning of Stravinsky's Rite of Spring) is clearer and more precise than the German bassoon, which blends better with the orchestral mass. The conflict has now subsided and the German bassoon is the dominant instrument throughout the world, even in most French orchestras.

This universality of the fagott is illustrated by this recital by the French bassoonist Sophie Dervaux, first soloist of the Vienna Philharmonic Orchestra, using the German bassoon. With her compatriot Sélim Mazari at the piano, she offers a programme in which two original works, the Sonatas for bassoon and piano by Saint-Saëns and Koechlin, alternate with transcriptions of pieces by Reynaldo Hahn, Debussy, Ravel, Dutilleux and Roger Boutry.

A golden opportunity to discover an endearing instrument, whose tessitura, similar to that of a cello, can move and seduce just as much as a cello itself. Seen here, the bassoon is a far cry from the humourous or sarcastic connotations which have limited it for so long. © François Hudry/Qobuz

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Impressions

Sophie Dervaux

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1
Sonata for Bassoon and Piano in G Major, Op. 168: I. Allegro moderato 
00:02:46

CAMILLE SAINT-SAENS, Composer - Copyright Control, MusicPublisher - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

2
Sonata for Bassoon and Piano in G Major, Op. 168: II. Allegretto scherzando
00:03:25

CAMILLE SAINT-SAENS, Composer - Copyright Control, MusicPublisher - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

3
Sonata for Bassoon and Piano in G Major, Op. 168: III. Molto adagio
00:05:09

CAMILLE SAINT-SAENS, Composer - Copyright Control, MusicPublisher - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

4
Sonata for Bassoon and Piano in G Major, Op. 168: IV. Allegro moderato
00:00:57

CAMILLE SAINT-SAENS, Composer - Copyright Control, MusicPublisher - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

5
À Chloris (Arr. for Bassoon and Piano)
00:03:12

Copyright Control, MusicPublisher - Reynaldo Hahn, Composer - Carlo Colombo, Arranger - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

6
Pièce en forme d'Habanera (Arr. for Bassoon and Piano)
00:02:56

Maurice Ravel, Composer - Copyright Control, MusicPublisher - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Arranger, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

7
Trois mélodies, Op. 7, No. 1: Après un rêve (Arr. for Bassoon and Piano)
00:02:58

Gabriel Fauré, Composer - Copyright Control, MusicPublisher - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Arranger, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

8
Suite bergamasque, L.75: III. Clair de Lune (Arr. for Bassoon and Piano)
00:04:29

Claude Debussy, Composer - Copyright Control, MusicPublisher - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Arranger, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

9
Beau soir (Arr. for Bassoon and Piano)
00:02:47

Claude Debussy, Composer - Copyright Control, MusicPublisher - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Arranger, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

10
Sonata, Op. 71: I. Andante moderato - Allegro scherzando
00:02:55

Copyright Control, MusicPublisher - Charles Koechlin, Composer - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

11
Sonata, Op. 71: II. Nocturne
00:04:19

Copyright Control, MusicPublisher - Charles Koechlin, Composer - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

12
Sonata, Op. 71: III. Allegro
00:03:36

Copyright Control, MusicPublisher - Charles Koechlin, Composer - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

13
Sarabande et cortège
00:07:07

Alphonse Leduc Editions Musicales, MusicPublisher - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Bassoon, Artist, MainArtist - Henri Duttilleux, Composer

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

14
Interférences
00:08:15

Roger Boutry, Composer - Chappell Theatrales Prod, MusicPublisher - Sélim Mazari, Artist, MainArtist, Clavier - Sophie Dervaux, Bassoon, Artist, MainArtist

2021 Berlin Classics/Edel Germany GmbH 2021 Berlin Classics/Edel Germany GmbH

Album review

French bassoon or German bassoon (fagott): this was long a difficult choice to make, so different are the two instruments. They are distinct as much for their wood (Rio rosewood in France or varnished maple in Germany) as for their technique and their sound. The timbre of the French bassoon (let us remember the beginning of Stravinsky's Rite of Spring) is clearer and more precise than the German bassoon, which blends better with the orchestral mass. The conflict has now subsided and the German bassoon is the dominant instrument throughout the world, even in most French orchestras.

This universality of the fagott is illustrated by this recital by the French bassoonist Sophie Dervaux, first soloist of the Vienna Philharmonic Orchestra, using the German bassoon. With her compatriot Sélim Mazari at the piano, she offers a programme in which two original works, the Sonatas for bassoon and piano by Saint-Saëns and Koechlin, alternate with transcriptions of pieces by Reynaldo Hahn, Debussy, Ravel, Dutilleux and Roger Boutry.

A golden opportunity to discover an endearing instrument, whose tessitura, similar to that of a cello, can move and seduce just as much as a cello itself. Seen here, the bassoon is a far cry from the humourous or sarcastic connotations which have limited it for so long. © François Hudry/Qobuz

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