Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Waldemar Kmentt|Idomeneo, Così fan tutte, Iphigenie auf Tauris, Fidelio, Cenerentola, Faust, Hoffmanns Erzählungen, Verkaufte Braut, Jenufa & Rake's Progress

Idomeneo, Così fan tutte, Iphigenie auf Tauris, Fidelio, Cenerentola, Faust, Hoffmanns Erzählungen, Verkaufte Braut, Jenufa & Rake's Progress

Waldemar Kmentt

Available in
16-Bit CD Quality 44.1 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Idomeneo, Così fan tutte, Iphigenie auf Tauris, Fidelio, Cenerentola, Faust, Hoffmanns Erzählungen, Verkaufte Braut, Jenufa & Rake's Progress

Waldemar Kmentt

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 80 million songs with an unlimited streaming plan.

Listen to this playlist and more than 80 million songs with our unlimited streaming plans.

From $10.83/month

Idomeneo re di Creta, K. 366 (Wolfgang Amadeus Mozart)

1
Qual mi conturba i sensi equivoca favella? ...
Waldemar Kmentt
00:07:25

Waldemar Kmentt, Performer - Orchester der Wiener Staatsoper, Orchestra - Jaroslav Krombholc, Conductor - Wolfgang Amadeus Mozart, Composer - Giovanni Battista Varesco, Lyricist

(C) 2016 Orfeo (P) 2016 Orfeo

Cosi fan tutte, K. 588 (Sung in German) (Wolfgang Amadeus Mozart)

2
Nein, nein Dorabella, vermochte das nie
Karl Dönch
00:07:48

Karl Dönch, Performer - Orchester der Wiener Staatsoper, Orchestra - Karl Böhm, Conductor - Waldemar Kmentt, Performer - Walter Berry, Performer - Hilde Gueden, Performer - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist

(C) 2016 Orfeo (P) 2016 Orfeo

3
Seinen Armen eil'ich entgegen
Waldemar Kmentt
00:04:17

Waldemar Kmentt, Performer - Walter Berry, Performer - Hilde Gueden, Performer - Karl Dönch, Performer - Orchester der Wiener Staatsoper, Orchestra - Karl Böhm, Conductor - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Lyricist

(C) 2016 Orfeo (P) 2016 Orfeo

Iphigenia auf Tauris

4
Nur ein Wunsch
Waldemar Kmentt
00:03:31

Waldemar Kmentt, Performer - Orchester der Wiener Staatsoper, Orchestra - Horst Stein, Conductor - Christoph Willibald Gluck, Composer - Johann Baptist von Alxinger, Lyricist

(C) 2016 Orfeo (P) 2016 Orfeo

Fidelio, Op. 72 (Ludwig van Beethoven)

5
Jetzt, Schatzchen, jetzt sind wir allein
Karl Böhm
00:05:01

Karl Böhm, Conductor - Waldemar Kmentt, Performer - Orchester der Wiener Staatsoper, Orchestra - Ludwig van Beethoven, Composer - Jean Nicolas Bouilly, Lyricist

(C) 2016 Orfeo (P) 2016 Orfeo

La cenerentola (Gioachino Rossini)

6
Holdes, geliebtes Zeichen (Sung in German)
Waldemar Kmentt
00:03:18

Waldemar Kmentt, Performer - Wiener staatsopernchor, Choir - Orchester der Wiener Staatsoper, Orchestra - Alberto Erede, Conductor - Jacopo Ferretti, Lyricist - Gioachino Rossini, Composer

(C) 2016 Orfeo (P) 2016 Orfeo

Faust (Sung in French) (Charles Gounod)

7
Quel trouble inconnu - Salut! demeure chaste et pure
Waldemar Kmentt
00:06:14

Waldemar Kmentt, Performer - Wilma Lipp, Performer - Hermann Uhde, Performer - Orchester der Wiener Staatsoper, Orchestra - Georges Prêtre, Conductor - Michel Carré, Lyricist - Jules Barbier, Lyricist - Charles Gounod, Composer

(C) 2016 Orfeo (P) 2016 Orfeo

8
Il se fait tard
Georges Prêtre
00:10:07

Georges Prêtre, Conductor - Waldemar Kmentt, Performer - Wilma Lipp, Performer - Hermann Uhde, Performer - Orchester der Wiener Staatsoper, Orchestra - Michel Carré, Lyricist - Jules Barbier, Lyricist - Charles Gounod, Composer

(C) 2016 Orfeo (P) 2016 Orfeo

Les contes d'Hoffmann (Sung in German) (Jacques Offenbach)

9
Prologue - Ja. vom Kleinzack! - Es war einmal am Hof von Eisenack
Waldemar Kmentt
00:05:50

Waldemar Kmentt, Performer - Anja Silja, Performer - Kurt Equiluz, Performer - Wiener staatsopernchor, Choir - Orchester der Wiener Staatsoper, Orchestra - Josef Krips, Conductor - Jules Barbier, Lyricist - Jacques Offenbach, Composer

(C) 2016 Orfeo (P) 2016 Orfeo

10
Sie wollen gehn? -Hab' alles versplett
Waldemar Kmentt
00:06:20

Waldemar Kmentt, Performer - Anja Silja, Performer - Kurt Equiluz, Performer - Wiener staatsopernchor, Choir - Orchester der Wiener Staatsoper, Orchestra - Josef Krips, Conductor - Jules Barbier, Lyricist - Jacques Offenbach, Composer

(C) 2016 Orfeo (P) 2016 Orfeo

Die verkaufte Braut (Bedrich Smetana)

11
Wart nur, wart, bis die Augen dir aufgehn
Orchester der Wiener Staatsoper
00:03:55

Orchester der Wiener Staatsoper, Orchestra - Jaroslav Krombholc, Conductor - Waldemar Kmentt, Performer - Anonymous, Lyricist - Bedrich Smetana, Composer

(C) 2016 Orfeo (P) 2016 Orfeo

Jenufa, JW I/4 (Leoš Janáček)

12
Siehst du, Laca (Sung in German)
Waldemar Kmentt
00:03:22

Waldemar Kmentt, Performer - Sena Jurinac, Performer - Orchester der Wiener Staatsoper, Orchestra - Jaroslav Krombholc, Conductor - Leoš Janáček, Composer

(C) 2016 Orfeo (P) 2016 Orfeo

The Rake's Progress

13
Mach doch dein Lied, o London, neu! (Sung in German)
Waldemar Kmentt
00:06:11

Waldemar Kmentt, Performer - Orchester der Wiener Staatsoper, Orchestra - Oskar Danon, Conductor - Wystan Hugh Auden, Lyricist - Igor Stravinsky, Composer - Chester Kallman, Lyricist

(C) 2016 Orfeo (P) 2016 Orfeo

Ariadne auf Naxos, Op. 60, TrV 228a (Richard Strauss)

14
Mein Herr Haushofmeister!
Waldemar Kmentt
00:03:33

Waldemar Kmentt, Performer - Peter Weber, Performer - Orchester der Wiener Staatsoper, Orchestra - Horst Stein, Conductor - Hugo von Hofmannsthal, Lyricist - Richard Strauss, Composer

(C) 2016 Orfeo (P) 2016 Orfeo

Der Rosenkavalier, Op. 59, TrV 227 (Richard Strauss)

15
Di rigori armato il seno
Orchester der Wiener Staatsoper
00:03:02

Orchester der Wiener Staatsoper, Orchestra - Leonard Bernstein, Conductor - Waldemar Kmentt, Performer - Hugo von Hofmannsthal, Lyricist - Richard Strauss, Composer

(C) 2016 Orfeo (P) 2016 Orfeo

About the album

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...

Back To Black

Amy Winehouse

Back To Black Amy Winehouse

SOUR

Olivia Rodrigo

SOUR Olivia Rodrigo

A Star Is Born Soundtrack

Lady Gaga

Day Breaks

Norah Jones

Day Breaks Norah Jones
More on Qobuz
By Waldemar Kmentt

Mahler : Das Lied von der Erde (Live)

Waldemar Kmentt

Boccaccio

Waldemar Kmentt

Boccaccio Waldemar Kmentt

Eugen d'Albert - Tiefland [1952], Vol. 2

Waldemar Kmentt

Das kleine Zweimaleins - Elfriede Ott & Waldemar Kmentt

Waldemar Kmentt

You may also like...

Weber: Der Freischütz

René Jacobs

Weber: Der Freischütz René Jacobs

Tchaikovsky: The Nutcracker - Symphony No. 4

Valery Gergiev

Rameau: Platée

Les Arts Florissants

Rameau: Platée Les Arts Florissants

Wolfgang Amadeus Mozart : Le Nozze di Figaro

Teodor Currentzis

Richard Wagner : Der Ring des Nibelungen

Sir Georg Solti

In your panoramas...
Undervalued: a Look Back on Female Composers

From Sappho of Mytilene to Kaija Saariaho and Clara Schumann, several women have managed to break through the macho codes of the milieu and become composers. While the classical music landscape has been largely dominated by men in recent centuries, the work of their female colleagues, whether pioneers or contemporaries, is just as fascinating. Here we put eleven undervalued figures of female composition in the spotlight.

Beethoven: Fidelio's Big Adventure

Based on a story from France during the Revolutionary Terror (the story of an intrepid young woman who disguised herself as a man to save her husband from the dungeon), Beethoven's unique opera has had a turbulent life, and has been reworked here and there over the years. New proof of the German composer's musical genius, Fidelio also permitted him to write a musical setting for a libretto that matched his political beliefs.

Maria Callas "dal vivo"

Breathtaking in its range, Maria Callas’s recorded legacy becomes all the more astonishing when we consider that her studio opera recordings were all made within the space of just over a decade: she recorded no fewer than 24 complete works between 1952 and 1960 (and most of them between 1953 and 1957). Soon after moving to Paris, she added Carmen and a second Tosca to the list, in 1964 and 1965 respectively. Her complete studio recordings, including a series of celebrated recital discs, all painstakingly remastered from the original tapes, were released in a luxury box set by Warner Classics in 2014. This is our reproduction, with the kind permission of Warner Music, of Michel Roubinet’s introductory text in the album booklet ‘Maria Callas Live’.

In the news...