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Anne-Sophie Mutter|Hommage à Penderecki

Hommage à Penderecki

Anne-Sophie Mutter

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All these Penderecki works have been commissioned by Anne-Sophie Mutter and are duly dedicated to her (as well as to double bass player Roman Patkoló in the case of the 2010 Duo concertante for violin and double bass), this is thus doing them justice to gather them under the same helm. We go crescendo, from La Follia for solo violin from 2013, a series of variations, up to the Violin Sonata No. 2, « Metamorphosen » from 1995—conducted here by the composer himself—to the already mentioned Duo concertante and the Sonata for violin and piano from 1999. As so many composers from his era—let’s remember he was born in 1933—Penderecki has taken the “backward path”, starting as a composer in the path underlined by serialism, before straying away from it to come back to a much more melodic language, almost tonal and even sometimes Post-Romantic. For such a talented violinist as Anne-Sophie Mutter, fed with beauty and virtuosity, these works represent both an endless renewal and a constant challenge, while allowing her to develop her sonority and her passionate lyricism. Let’s note that these Metamorphosen have been recorded in 1997, and the partition’s ink had barely had time to dry. Incidentally, the other recordings have all been close to the writing date, underlining the emotional and artistic closeness of the two characters. © SM/Qobuz

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Hommage à Penderecki

Anne-Sophie Mutter

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La Follia Per Violino Solo (Krzysztof Penderecki)

1
Andante
00:01:23

Anne-Sophie Mutter, Violin, - Krzysztof PENDERECKI, Composer

℗ 2014 Deutsche Grammophon GmbH, Berlin

2
Var. I Tempo I
00:00:49

Anne-Sophie Mutter, Violin, - Krzysztof PENDERECKI, Composer

℗ 2014 Deutsche Grammophon GmbH, Berlin

3
Var. II Allegro giocoso alla polacca
00:00:35

Anne-Sophie Mutter, Violin, - Krzysztof PENDERECKI, Composer

℗ 2014 Deutsche Grammophon GmbH, Berlin

4
Var. III Adagio, ma non troppo
00:01:26

Anne-Sophie Mutter, Violin, - Krzysztof PENDERECKI, Composer

℗ 2014 Deutsche Grammophon GmbH, Berlin

5
Var. IV Tempo I
00:00:51

Anne-Sophie Mutter, Violin, - Krzysztof PENDERECKI, Composer

℗ 2014 Deutsche Grammophon GmbH, Berlin

6
Var. V Allegro con brio
00:00:27

Anne-Sophie Mutter, Violin, - Krzysztof PENDERECKI, Composer

℗ 2014 Deutsche Grammophon GmbH, Berlin

7
Var. VI Tempo I
00:00:58

Anne-Sophie Mutter, Violin, - Krzysztof PENDERECKI, Composer

℗ 2014 Deutsche Grammophon GmbH, Berlin

8
Var. VII Allegretto
00:00:47

Anne-Sophie Mutter, Violin, - Krzysztof PENDERECKI, Composer

℗ 2014 Deutsche Grammophon GmbH, Berlin

9
Var. VIII Adagio tanquillo
00:01:05

Anne-Sophie Mutter, Violin, - Krzysztof PENDERECKI, Composer

℗ 2014 Deutsche Grammophon GmbH, Berlin

10
Var. IX Tempo I - più mosso - poco pesante - Tempo I
00:03:40

Anne-Sophie Mutter, Violin, - Krzysztof PENDERECKI, Composer

℗ 2014 Deutsche Grammophon GmbH, Berlin

11
Penderecki: Duo concertante
00:05:16

Anne-Sophie Mutter, Violin - Krzysztof PENDERECKI, Composer - Roman Patkoló, Double Bass

℗ 2011 Deutsche Grammophon GmbH, Berlin

Sonata No. 2 per violino e pianoforte (Krzysztof Penderecki)

12
I. Larghetto
00:04:39

Lambert Orkis, Piano - Anne-Sophie Mutter - Krzysztof PENDERECKI, Composer

℗ 2018 Deutsche Grammophon GmbH, Berlin

13
II. Allegretto scherzando
00:04:09

Lambert Orkis, Piano - Anne-Sophie Mutter - Krzysztof PENDERECKI, Composer

℗ 2018 Deutsche Grammophon GmbH, Berlin

14
III. Notturno
00:10:50

Lambert Orkis, Piano - Anne-Sophie Mutter - Krzysztof PENDERECKI, Composer

℗ 2018 Deutsche Grammophon GmbH, Berlin

15
IV. Allegro
00:08:57

Lambert Orkis, Piano - Anne-Sophie Mutter - Krzysztof PENDERECKI, Composer

℗ 2018 Deutsche Grammophon GmbH, Berlin

16
V. Andante
00:04:17

Lambert Orkis, Piano - Anne-Sophie Mutter - Krzysztof PENDERECKI, Composer

℗ 2018 Deutsche Grammophon GmbH, Berlin

Metamorphosen, Konzert für Violine und Orchester Nr. 2 (Krzysztof Penderecki)

17
I. Allegro ma non troppo
00:14:22

London Symphony Orchestra - Anne-Sophie Mutter, Violin - Krzysztof PENDERECKI, Composer, Conductor

℗ 1997 Deutsche Grammophon GmbH, Berlin

18
II. Allegretto
00:03:21

London Symphony Orchestra - Anne-Sophie Mutter, Violin - Krzysztof PENDERECKI, Composer, Conductor

℗ 1997 Deutsche Grammophon GmbH, Berlin

19
III. Molto
00:04:32

London Symphony Orchestra - Anne-Sophie Mutter, Violin - Krzysztof PENDERECKI, Composer, Conductor

℗ 1997 Deutsche Grammophon GmbH, Berlin

20
IV. Vivace
00:02:06

London Symphony Orchestra - Anne-Sophie Mutter, Violin - Krzysztof PENDERECKI, Composer, Conductor

℗ 1997 Deutsche Grammophon GmbH, Berlin

21
V. Scherzando
00:05:07

London Symphony Orchestra - Anne-Sophie Mutter, Violin - Krzysztof PENDERECKI, Composer, Conductor

℗ 1997 Deutsche Grammophon GmbH, Berlin

22
VI. Andante con moto
00:08:34

London Symphony Orchestra - Anne-Sophie Mutter, Violin - Krzysztof PENDERECKI, Composer, Conductor

℗ 1997 Deutsche Grammophon GmbH, Berlin

Album Description

All these Penderecki works have been commissioned by Anne-Sophie Mutter and are duly dedicated to her (as well as to double bass player Roman Patkoló in the case of the 2010 Duo concertante for violin and double bass), this is thus doing them justice to gather them under the same helm. We go crescendo, from La Follia for solo violin from 2013, a series of variations, up to the Violin Sonata No. 2, « Metamorphosen » from 1995—conducted here by the composer himself—to the already mentioned Duo concertante and the Sonata for violin and piano from 1999. As so many composers from his era—let’s remember he was born in 1933—Penderecki has taken the “backward path”, starting as a composer in the path underlined by serialism, before straying away from it to come back to a much more melodic language, almost tonal and even sometimes Post-Romantic. For such a talented violinist as Anne-Sophie Mutter, fed with beauty and virtuosity, these works represent both an endless renewal and a constant challenge, while allowing her to develop her sonority and her passionate lyricism. Let’s note that these Metamorphosen have been recorded in 1997, and the partition’s ink had barely had time to dry. Incidentally, the other recordings have all been close to the writing date, underlining the emotional and artistic closeness of the two characters. © SM/Qobuz

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