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Gilberto Gil|Gilberto Gil (1969)

Gilberto Gil (1969)

Gilberto Gil

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It's not only ironic that the record with Gilberto Gil's first major hit ("Aquele Abraço") is also his most experimental album; it also speaks to the diversity of Brazil's emerging pop superstar. Beginning with the loose-jointed groove-pop of "Cérebro Eletrónico" (the album's subtitle), this second of three straight self-titled LPs includes a few Carnival-styled pop songs, as on his previous album. Most of the experimentation comes at the end of side two with "2001" and "Objeto Semi-Identificado," both of which are filled with odd tape-music portions, spoken-word elements, and a reliance on studio trickery rarely seen on any Western pop albums. Even the pop songs are produced with an eye toward noise; the tropicalia anthem "Volks Volkswagen Blue" features a few psychedelic guitar lines breaking into distortion, and a small but devastatingly brassy horn section punctuating the melody. It's a very disjointed album, not quite as consistently entertaining as last year's entry, but definitely a masterpiece of forward-looking pop.
© John Bush /TiVo

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Gilberto Gil (1969)

Gilberto Gil

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1
Cérebro Eletrônico
00:03:31

Gilberto Gil, Composer, Writer, MainArtist

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

2
Volks Volkswagen Blues
00:03:39

Gilberto Gil, Composer, Writer, MainArtist

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

3
Aquele Abraço
00:05:22

Gilberto Gil, Composer, Writer, MainArtist

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

4
17 Léguas e Meia
00:04:13

Carlos Barroso, Composer, Writer - Gilberto Gil, MainArtist - Humberto Teixeira, Composer, Writer

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

5
A Voz do Vivo
00:03:45

Gilberto Gil, MainArtist - CAetano Veloso, Composer, Writer

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

6
Vitrines
00:03:34

Gilberto Gil, Composer, Writer, MainArtist

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

7
Dois Mil e Um
00:04:31

Tom Zé, Composer, Writer - Rita Lee, Composer, Writer - Gilberto Gil, MainArtist

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

8
Futurível
00:05:44

Gilberto Gil, Composer, Writer, MainArtist

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

9
Objeto Semi-Identificado
00:05:14

Gilberto Gil, Writer, MainArtist - Rogerio Duarte, Writer - Rogerio Duprat, Composer

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

10
Omã Iaõ (Bonus Track)
00:04:25

Gilberto Gil, Composer, Writer, MainArtist

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

11
Aquele Abraço (Bonus Track)
00:06:57

Gilberto Gil, Composer, Writer, MainArtist

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

12
Com Medo, Com Pedro (Bonus Track)
00:04:21

Gilberto Gil, Composer, Writer, MainArtist

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

13
Cultura e Civilização (Bonus Track)
00:16:20

Gilberto Gil, Composer, Writer, MainArtist

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

14
Queremos Guerra (Bonus Track)
00:03:17

Jorge Ben Jor, Composer, Writer - Gilberto Gil, MainArtist

© 1969 Gege Produções Artísticas ℗ 1969 Gege Produções Artísticas

Album review

It's not only ironic that the record with Gilberto Gil's first major hit ("Aquele Abraço") is also his most experimental album; it also speaks to the diversity of Brazil's emerging pop superstar. Beginning with the loose-jointed groove-pop of "Cérebro Eletrónico" (the album's subtitle), this second of three straight self-titled LPs includes a few Carnival-styled pop songs, as on his previous album. Most of the experimentation comes at the end of side two with "2001" and "Objeto Semi-Identificado," both of which are filled with odd tape-music portions, spoken-word elements, and a reliance on studio trickery rarely seen on any Western pop albums. Even the pop songs are produced with an eye toward noise; the tropicalia anthem "Volks Volkswagen Blue" features a few psychedelic guitar lines breaking into distortion, and a small but devastatingly brassy horn section punctuating the melody. It's a very disjointed album, not quite as consistently entertaining as last year's entry, but definitely a masterpiece of forward-looking pop.
© John Bush /TiVo

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