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Keith Jarrett|Expectations

Expectations

Keith Jarrett

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This was the first real indication to the world that Keith Jarrett was an ambitious, multi-talented threat to be reckoned with, an explosion of polystylistic music that sprawled over two LPs (now squeezed onto a single CD). Using his classic quartet (Dewey Redman, Charlie Haden, Paul Motian) as a base, Jarrett occasionally adds the biting rock-edged electric guitar of Sam Brown and always-intriguing percussionist Airto Moreira, and indulges in some pleasant string and brass arrangements of his own, along with some grinding organ smears and acceptable soprano sax. Jarrett again turns his early rampant eclecticism loose -- from earthy gospel-tinged soul-jazz to the freewheeling atonal avant-garde -- yet this time he does it with an exuberance and expansiveness that puts his previous solo work in the shade. "Common Mama," a spicy Latin workout with brass punctuations, "Take Me Back," driving soul jazz with streaks of electric jazz-rock, and the lengthy, nearly free "Nomads" are the most invigorating tracks.
© Richard S. Ginell /TiVo

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Expectations

Keith Jarrett

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1
Vision (Album Version)
00:00:47

John Jackson, Assistant Producer - Seth Rothstein, Director - L. Yates, 2nd Engineer - Tim Geelan, Edited By - Tim Geelan, Mixing Engineer - Tim Geelan, Recording Engineer - Mark Wilder, Mastering Engineer - Various, Performer - Howard Fritzson, Director - Steve Berkowitz, A&R Director - Keith Jarrett, Piano - K. Jarrett, Composer - K. Jarrett, Lyricist - Patti Matheny, A&R Coordinator - Darren Salmieri, A&R Coordinator - George Avakian, Producer

(P) 1972 Sony Music Entertainment Inc.

2
Common Mama (Album Version)
00:08:11

Seth Rothstein, Director - John Jackson, Assistant Producer - L. Yates, 2nd Engineer - Tim Geelan, Edited By - Tim Geelan, Mixing Engineer - Tim Geelan, Recording Engineer - Mark Wilder, Mastering Engineer - Airto Moreira, Percussion - Airto Moreira, Brass - Various, Performer - Paul Motian, Drums - Howard Fritzson, Director - Dewey Redman, Tenor Saxophone - Steve Berkowitz, A&R Director - Keith Jarrett, Tambourine - Keith Jarrett, Piano - Keith Jarrett, Soprano Saxophone - K. Jarrett, Composer - K. Jarrett, Lyricist - Patti Matheny, A&R Coordinator - Darren Salmieri, A&R Coordinator - Charlie Haden, Bass - George Avakian, Producer

(P) 1972 Sony Music Entertainment Inc.

3
The Magician In You (Album Version)
00:06:52

John Jackson, Assistant Producer - Seth Rothstein, Director - L. Yates, 2nd Engineer - Tim Geelan, Edited By - Tim Geelan, Mixing Engineer - Tim Geelan, Recording Engineer - Mark Wilder, Mastering Engineer - Various, Performer - Paul Motian, Drums - Howard Fritzson, Director - Dewey Redman, Congas - Steve Berkowitz, A&R Director - Keith Jarrett, Guitar - Keith Jarrett, Piano - K. Jarrett, Composer - K. Jarrett, Lyricist - Patti Matheny, A&R Coordinator - Darren Salmieri, A&R Coordinator - Charlie Haden, Bass - George Avakian, Producer

(P) 1972 Sony Music Entertainment Inc.

4
Roussillion (Album Version)
00:05:21

John Jackson, Assistant Producer - Seth Rothstein, Director - L. Yates, Recording Engineer - Tim Geelan, Edited By - Tim Geelan, Mixing Engineer - Tim Geelan, Recording Engineer - Mark Wilder, Mastering Engineer - K. JARRET, Composer - K. JARRET, Lyricist - Various, Performer - Paul Motian, Drums - Howard Fritzson, Director - Dewey Redman, Tenor Saxophone - Steve Berkowitz, A&R Director - Keith Jarrett, Piano - Keith Jarrett, Soprano Saxophone - Patti Matheny, A&R Coordinator - Darren Salmieri, A&R Coordinator - Charlie Haden, Bass - George Avakian, Producer

(P) 1972 Sony Music Entertainment Inc.

5
Expectations (Album Version)
00:04:25

John Jackson, Assistant Producer - Seth Rothstein, Director - L. Yates, 2nd Engineer - Tim Geelan, Edited By - Tim Geelan, Mixing Engineer - Tim Geelan, Recording Engineer - Mark Wilder, Mastering Engineer - Paul Motian, Drums - Howard Fritzson, Director - Steve Berkowitz, A&R Director - Keith Jarrett, Piano - Keith Jarrett, Performer - K. Jarrett, Composer - K. Jarrett, Lyricist - Patti Matheny, A&R Coordinator - Darren Salmieri, A&R Coordinator - Charlie Haden, Bass - George Avakian, Producer

(P) 1972 Sony Music Entertainment Inc.

6
Take Me Back (Album Version)
00:09:29

Seth Rothstein, Director - John Jackson, Assistant Producer - L. Yates, 2nd Engineer - Tim Geelan, Edited By - Tim Geelan, Mixing Engineer - Tim Geelan, Recording Engineer - Mark Wilder, Mastering Engineer - Airto Moreira, Percussion - Various, Performer - Paul Motian, Drums - Howard Fritzson, Director - Steve Berkowitz, A&R Director - Keith Jarrett, Tambourine - Keith Jarrett, Piano - Keith Jarrett, Soprano Saxophone - K. Jarrett, Composer - K. Jarrett, Lyricist - Patti Matheny, A&R Coordinator - Sam Brown, Guitar - Darren Salmieri, A&R Coordinator - Charlie Haden, Bass - George Avakian, Producer

(P) 1972 Sony Music Entertainment Inc.

7
The Circular Letter (For J.K.) (Album Version)
00:05:03

L. Yates, Recording Engineer - Tim Geelan, Edited By - Tim Geelan, Mixing Engineer - Tim Geelan, Recording Engineer - Airto Moreira, Percussion - Mark Wilder, Mastering Engineer - George Avakian, Producer - Darren Salmieri, A&R Coordinator - K. Jarrett, Composer - K. Jarrett, Lyricist - Various, Performer - Keith Jarrett, Soprano Saxophone - Howard Fritzson, Director - Seth Rothstein, Director - Sam Brown, Guitar - John Jackson, Assistant Producer - Patti Matheny, A&R Coordinator - Charlie Haden, Bass - Paul Motian, Drums - Steve Berkowitz, A&R Director - Dewy Redman, Tenor Saxophone

(P) 1972 Sony Music Entertainment Inc.

DISC 2

1
Nomads (Album Version)
00:17:19

Seth Rothstein, Director - John Jackson, Assistant Producer - L. Yates, 2nd Engineer - Tim Geelan, Edited By - Tim Geelan, Mixing Engineer - Tim Geelan, Recording Engineer - Mark Wilder, Mastering Engineer - Airto Moreira, Percussion - Airto Moreira, Brass - Various, Performer - Paul Motian, Drums - Howard Fritzson, Director - Steve Berkowitz, A&R Director - Keith Jarrett, Tambourine - Keith Jarrett, Piano - Keith Jarrett, Organ - K. Jarrett, Composer - K. Jarrett, Lyricist - Patti Matheny, A&R Coordinator - Sam Brown, Guitar - Darren Salmieri, A&R Coordinator - Charlie Haden, Bass - George Avakian, Producer

(P) 1972 Sony Music Entertainment Inc.

2
Sundance (Album Version)
00:04:26

Seth Rothstein, Director - John Jackson, Assistant Producer - L. Yates, Recording Engineer - Tim Geelan, Edited By - Tim Geelan, Mixing Engineer - Tim Geelan, Recording Engineer - Mark Wilder, Mastering Engineer - Airto Moreira, Percussion - Various, Performer - Paul Motian, Drums - Howard Fritzson, Director - Dewey Redman, Tenor Saxophone - Steve Berkowitz, A&R Director - Keith Jarrett, Composer - Keith Jarrett, Lyricist - Keith Jarrett, Piano - Keith Jarrett, Soprano Saxophone - Patti Matheny, A&R Coordinator - Sam Brown, Guitar - Darren Salmieri, A&R Coordinator - Charlie Haden, Bass - George Avakian, Producer

(P) 1972 Sony Music Entertainment Inc.

3
Bring Back The Time When (If) (Album Version)
00:09:49

Seth Rothstein, Director - John Jackson, Assistant Producer - L. Yates, 2nd Engineer - Tim Geelan, Edited By - Tim Geelan, Mixing Engineer - Tim Geelan, Recording Engineer - Mark Wilder, Mastering Engineer - Airto Moreira, Percussion - Various, Performer - Paul Motian, Drums - Howard Fritzson, Director - Dewey Redman, Tenor Saxophone - Steve Berkowitz, A&R Director - Keith Jarrett, Tambourine - Keith Jarrett, Piano - Keith Jarrett, Soprano Saxophone - K. Jarrett, Composer - K. Jarrett, Lyricist - Patti Matheny, A&R Coordinator - Darren Salmieri, A&R Coordinator - Charlie Haden, Bass - George Avakian, Producer

(P) 1972 Sony Music Entertainment Inc.

4
There Is A Road (God's River) (Album Version)
00:05:32

John Jackson, Assistant Producer - Seth Rothstein, Director - L. Yates, 2nd Engineer - Tim Geelan, Edited By - Tim Geelan, Mixing Engineer - Tim Geelan, Recording Engineer - Mark Wilder, Mastering Engineer - Various, Performer - Howard Fritzson, Director - Steve Berkowitz, A&R Director - Keith Jarrett, Piano - K. Jarrett, Composer - K. Jarrett, Lyricist - Patti Matheny, A&R Coordinator - Sam Brown, Guitar - Darren Salmieri, A&R Coordinator - Charlie Haden, Bass - George Avakian, Producer

(P) 1972 Sony Music Entertainment Inc.

Album Description

This was the first real indication to the world that Keith Jarrett was an ambitious, multi-talented threat to be reckoned with, an explosion of polystylistic music that sprawled over two LPs (now squeezed onto a single CD). Using his classic quartet (Dewey Redman, Charlie Haden, Paul Motian) as a base, Jarrett occasionally adds the biting rock-edged electric guitar of Sam Brown and always-intriguing percussionist Airto Moreira, and indulges in some pleasant string and brass arrangements of his own, along with some grinding organ smears and acceptable soprano sax. Jarrett again turns his early rampant eclecticism loose -- from earthy gospel-tinged soul-jazz to the freewheeling atonal avant-garde -- yet this time he does it with an exuberance and expansiveness that puts his previous solo work in the shade. "Common Mama," a spicy Latin workout with brass punctuations, "Take Me Back," driving soul jazz with streaks of electric jazz-rock, and the lengthy, nearly free "Nomads" are the most invigorating tracks.
© Richard S. Ginell /TiVo

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Keith Jarrett’s American Quartet

At the start of his busy career Keith Jarrett spent seven years carrying out all manner of crazy experiments with his American Quartet. Between the years of 1971 and 1976, the pianist, alongside Charlie Haden, Paul Motian and Dewey Redman ran some kind of mad laboratory in which the genres of hard bop, free-jazz, world and avant-garde would all come together. A spontaneous and interesting time worth rediscovering.

ECM in 10 Albums

“The most beautiful sound next to silence.” That’s been ECM’s motto for the past fifty years. Manfred Eicher, the charismatic founder of the Munich label, seems to live in a parallel universe. And jazz sounds different on planet ECM. It is often thanks to this label that artists such as Keith Jarrett, Charles Lloyd, Jan Garbarek, Chick Corea have recorded their best records. Even more so than with Blue Note or Impulse! Limiting the whole history of this extraordinary label to just 10 records would be mission impossible. So, these 10 albums will tell not “the” story but “a” story of ECM.

Female Jazz Singers: 10 New Names to Know

When it comes to jazz singers, Billie, Ella, Sarah, and Nina may be firm favourites, but this vocal style is sprinkled with an array of exceptional singers ready to make their mark on this legendary genre. Can we still call it jazz? Or is it just that jazz as we know it is changing? Either way, it doesn’t make these vocalists any less incredible. So, without further ado, here are ten women who are making an impact on the world of jazz.

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