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Marc Albrecht - Erich Wolfgang Korngold : Symphonie - Much ado about nothing

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Erich Wolfgang Korngold : Symphonie - Much ado about nothing

Marc Albrecht

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Premiered in 1954 with poor results due to insufficient rehearsal time, Erich Wolfgang Korngold's Symphony in F sharp didn't become part of the concert repertoire until the 1970s, when it was finally received by audiences as a neglected masterpiece. A late work in the post-Romantic vein that is full of drama and lyricism, the symphony showed Korngold's resistance to avant-garde twelve-tone composition and the international serial school, which he regarded as disastrous to music. However, his score crosses into modern territory with its sharp dissonances, angular melodies, and hard percussive edge, yet it remains true to the composer's richly chromatic but recognizably tonal methods. This 2010 performance by Marc Albrecht and the Orchestre Philharmonique de Strasbourg is especially vivid and bold sounding, thanks to the great hybrid SACD presentation by PentaTone, which omits no details and gives the symphony a depth and sonic splendor that other recordings fall short in reproducing. The symphony is backed with Korngold's incidental music for Much Ado About Nothing, composed in 1918 for the Shakespeare play and then organized into the symphonic suite heard here. The tone is lighter than the symphony, and the influence of Richard Strauss is quite strong in this youthful piece, even to the point of overt allusions to Till Eulenspiegels lustige Streiche in the overture. While this is enjoyable filler, the symphony provides the best reason to listen, and anyone who loves Korngold's music should become familiar with it through this exceptional recording.
© TiVo

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Erich Wolfgang Korngold : Symphonie - Much ado about nothing

Marc Albrecht

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Symphony in F-Sharp Major, Op. 40 (Erich Wolfgang Korngold)

1
I. Moderato, ma energico
00:14:59

Marc Albrecht, Conductor - Marc Albrecht, Conductor

2010 PentaTone 2010 PentaTone

2
II. Scherzo: Allegro molto - Trio: Molto meno (Tranquillo)
00:10:04

Marc Albrecht, Conductor - Marc Albrecht, Conductor

2010 PentaTone 2010 PentaTone

3
III. Adagio, Lento
00:15:27

Marc Albrecht, Conductor - Marc Albrecht, Conductor

2010 PentaTone 2010 PentaTone

4
IV. Finale: Allegro
00:10:42

Marc Albrecht, Conductor - Marc Albrecht, Conductor

2010 PentaTone 2010 PentaTone

Much Ado about Nothing Suite, Op. 11 (Erich Wolfgang Korngold)

5
I. Overture
00:05:26

Marc Albrecht, Conductor - Marc Albrecht, Conductor

2010 PentaTone 2010 PentaTone

6
II. Madchen im Brautgemach (Bridal Morning)
00:03:40

Marc Albrecht, Conductor - Marc Albrecht, Conductor

2010 PentaTone 2010 PentaTone

7
III. Holzapfel und Schlehwein (Marsch der Wache)
00:02:38

Marc Albrecht, Conductor - Marc Albrecht, Conductor

2010 PentaTone 2010 PentaTone

8
IV. Intermezzo (Gartenszene)
00:02:13

Marc Albrecht, Conductor - Marc Albrecht, Conductor

2010 PentaTone 2010 PentaTone

9
V. Hornpipe
00:02:27

Marc Albrecht, Conductor - Marc Albrecht, Conductor

2010 PentaTone 2010 PentaTone

Album Description

Premiered in 1954 with poor results due to insufficient rehearsal time, Erich Wolfgang Korngold's Symphony in F sharp didn't become part of the concert repertoire until the 1970s, when it was finally received by audiences as a neglected masterpiece. A late work in the post-Romantic vein that is full of drama and lyricism, the symphony showed Korngold's resistance to avant-garde twelve-tone composition and the international serial school, which he regarded as disastrous to music. However, his score crosses into modern territory with its sharp dissonances, angular melodies, and hard percussive edge, yet it remains true to the composer's richly chromatic but recognizably tonal methods. This 2010 performance by Marc Albrecht and the Orchestre Philharmonique de Strasbourg is especially vivid and bold sounding, thanks to the great hybrid SACD presentation by PentaTone, which omits no details and gives the symphony a depth and sonic splendor that other recordings fall short in reproducing. The symphony is backed with Korngold's incidental music for Much Ado About Nothing, composed in 1918 for the Shakespeare play and then organized into the symphonic suite heard here. The tone is lighter than the symphony, and the influence of Richard Strauss is quite strong in this youthful piece, even to the point of overt allusions to Till Eulenspiegels lustige Streiche in the overture. While this is enjoyable filler, the symphony provides the best reason to listen, and anyone who loves Korngold's music should become familiar with it through this exceptional recording.
© TiVo

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