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Originally recorded in an Italian villa in 1992, this release covered German solo vocal music ranging over much of the 17th century, most of it with the melancholy tone suggested by the album's title. Its release by Spain's Glossa label in 2009 was likely due to the fact that it includes music that even by then remained unfamiliar. The biggest attraction is the sextet of songs, and songs are what they are, by Adam Krieger, the founder of the Leipzig Collegium Musicum inherited by Bach decades later. Some are secular, some sacred, and they sound very little like Schütz, Schein, or the comparable Italian works of the period; they're free in shape, rather light-hearted, and apparently written for the entertainment of aristocratic amateurs. The rest of the program isn't especially cohesive, with diversions into Schütz and into the various uses of the viola da gamba, and countertenor Claudio Cavina has since gained serious competition in these repertories. The sound is hollow and murky, but despite all this, the Krieger pieces are gems that deserve a place in collections of music of the 17th century.
© TiVo
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Der Liebe Macht herrscht Tag und Nacht (Adam Krieger)
Adam Krieger, Composer - Roberto Gini, Conductor - Claudio Cavina, Artist, MainArtist - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
Ihr bleibet nicht Bestand verpflicht (Adam Krieger)
Adam Krieger, Composer - Roberto Gini, Conductor - Claudio Cavina, Artist, MainArtist - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
Der Unbestand ist ihr verwandt (Adam Krieger)
Adam Krieger, Composer - Roberto Gini, Conductor - Claudio Cavina, Artist, MainArtist - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
Christ, unser Herr, zum Jordan kam (Johann Hermann Schein)
Johann Hermann Schein, Composer - Roberto Gini, Conductor - Roberto Balconi, Artist - Claudio Cavina, Artist, MainArtist - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
Symphoniae sacrae I, Op. 6 (Excerpts) (Heinrich Schütz)
Heinrich Schütz, Composer - Roberto Gini, Conductor - Roberto Balconi, Artist - Claudio Cavina, Artist, MainArtist - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
Heinrich Schütz, Composer - Roberto Gini, Conductor - Roberto Balconi, Artist - Claudio Cavina, Artist, MainArtist - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
La affettuosa (Johann Erasmus Kindermann)
Roberto Gini, Conductor - Claudio Cavina, Artist, MainArtist - Johann Erasmus Kindermann, Composer - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
Jubilate Domino, omnis terra, BuxWV64 (Dieterich Buxtehude)
Dieterich Buxtehude, Composer - Roberto Gini, Conductor - Claudio Cavina, Artist, MainArtist - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
Muss der Tod denn auch entbinden, BuxWV 76b (Dieterich Buxtehude)
Dieterich Buxtehude, Composer - Roberto Gini, Conductor - Claudio Cavina, Artist, MainArtist - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
Es war aber an der Stätte, da er gekreuzigt ward - O Traurigkeit, o Herzeleid (Christian Geist)
Roberto Gini, Conductor - Claudio Cavina, Artist, MainArtist - Christian Geist, Composer - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
Verliebt sein macht große Pein (Adam Krieger)
Adam Krieger, Composer - Roberto Gini, Conductor - Claudio Cavina, Artist, MainArtist - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
Der hat gesiegt, den Gott vergnügt (Adam Krieger)
Adam Krieger, Composer - Roberto Gini, Conductor - Claudio Cavina, Artist, MainArtist - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
Adonis' Tod bringt mich in Not (Adam Krieger)
Adam Krieger, Composer - Roberto Gini, Conductor - Claudio Cavina, Artist, MainArtist - Concerto delle Viole, Ensemble
(C) 2020 Glossa (P) 2020 Glossa
Album review
Originally recorded in an Italian villa in 1992, this release covered German solo vocal music ranging over much of the 17th century, most of it with the melancholy tone suggested by the album's title. Its release by Spain's Glossa label in 2009 was likely due to the fact that it includes music that even by then remained unfamiliar. The biggest attraction is the sextet of songs, and songs are what they are, by Adam Krieger, the founder of the Leipzig Collegium Musicum inherited by Bach decades later. Some are secular, some sacred, and they sound very little like Schütz, Schein, or the comparable Italian works of the period; they're free in shape, rather light-hearted, and apparently written for the entertainment of aristocratic amateurs. The rest of the program isn't especially cohesive, with diversions into Schütz and into the various uses of the viola da gamba, and countertenor Claudio Cavina has since gained serious competition in these repertories. The sound is hollow and murky, but despite all this, the Krieger pieces are gems that deserve a place in collections of music of the 17th century.
© TiVo
About the album
- 1 disc(s) - 13 track(s)
- Total length: 01:11:09
- Main artists: Claudio Cavina Concerto delle Viole Roberto Balconi Gini Roberto
- Composer: Various Composers
- Label: Glossa
- Genre: Classical
(C) 2020 Glossa (P) 2020 Glossa
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