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Norah Jones - Day Breaks

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Day Breaks

Norah Jones

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Norah Jones took liberty with her blockbuster success to set out on a musical walkabout, spending a good portion of the decade following 2004's Feels Like Home experimenting, either on her own albums or on a variety of collaborations. Day Breaks, released four years after the atmospheric adult alternative pop of the Danger Mouse-produced Little Broken Hearts, finds Jones returning home to an extent: it, like her 2002 debut Come Away with Me, is a singer/songwriter album with roots in pop and jazz, divided between originals and sharply selected covers. Such similarities are immediately apparent, but Day Breaks is much slyer than a mere revival. That term suggests a slight air of desperation, but Jones comes from a place of confidence on Day Breaks, happy to demonstrate everything she's learned over the years. Often, these tricks are deliberately sly: she'll pair her torchy original "And Then There Was You" with a woozy, bluesy cover of Neil Young's "Don't Be Denied" that winds up evoking Come Away with Me, then follow that up with the dense, nocturnal rhythms of "Day Breaks." She threads in versions of Horace Silver's "Peace" and Duke Ellington's "African Flower" while inviting saxophonist Wayne Shorter and organist Lonnie Smith in to play -- moves that signal that there's a strong, elastic jazz undercurrent to Day Breaks that means this record breathes more than her debut. Such a sense of quiet adventure gives the record depth, but what gives it resonance are the exquisitely sculpted songs. Jones' originals feel as elegant as time-honored standards, and all her covers feel fresh. The former speak to her craft, the latter to her gifts as a stylist, and the two combine to turn Day Breaks into a satisfying testament to her ever-evolving musicianship.
© Stephen Thomas Erlewine /TiVo

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Day Breaks

Norah Jones

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1
Burn
00:04:38

Tom Elmhirst, Mixer, StudioPersonnel - Wayne Shorter, Soprano Saxophone, AssociatedPerformer - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ted Tuthill, Recording Engineer, StudioPersonnel - Eli Wolf, Producer - Vicente Archer, Upright Bass, AssociatedPerformer - Brian Blade, Drums, AssociatedPerformer - Adam Tilzer, Asst. Recording Engineer, StudioPersonnel - Pete Remm, Hammond B3, AssociatedPerformer - Joe Visciano, Assistant Mixer, StudioPersonnel - Brandon Bost, Asst. Recording Engineer, StudioPersonnel - Sarah Oda, Producer, Co-Producer, ComposerLyricist

℗ 2016 Blue Note Records

2
Tragedy
00:04:14

Tom Elmhirst, Mixer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Danny Sadownick, Percussion, AssociatedPerformer - Ted Tuthill, Recording Engineer, StudioPersonnel - Eli Wolf, Producer - Vicente Archer, Upright Bass, Electric Bass, AssociatedPerformer - Brian Blade, Drums, AssociatedPerformer - Tony Scherr, Electric Guitar, AssociatedPerformer - Adam Tilzer, Asst. Recording Engineer, StudioPersonnel - Pete Remm, Hammond B3, AssociatedPerformer - Cameron Alexander, Asst. Recording Engineer, StudioPersonnel - Joe Visciano, Assistant Mixer, StudioPersonnel - Brandon Bost, Asst. Recording Engineer, StudioPersonnel - Owen Mulholland, Asst. Recording Engineer, StudioPersonnel - Sarah Oda, Producer, Co-Producer, ComposerLyricist - Jeff Citron, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Blue Note Records

3
Flipside
00:03:41

Tom Elmhirst, Mixer, StudioPersonnel - Norah Jones, Producer, Keyboards, Piano, Vocals, Hammond B3, MainArtist, AssociatedPerformer, ComposerLyricist - Danny Sadownick, Percussion, AssociatedPerformer - Ted Tuthill, Recording Engineer, StudioPersonnel - Eli Wolf, Producer - Vicente Archer, Upright Bass, Electric Bass, AssociatedPerformer - Brian Blade, Drums, AssociatedPerformer - Dr. Lonnie Smith, Hammond B3, AssociatedPerformer - Pete Remm, Hammond B3, AssociatedPerformer - Cameron Alexander, Asst. Recording Engineer, StudioPersonnel - Joe Visciano, Assistant Mixer, StudioPersonnel - Brandon Bost, Asst. Recording Engineer, StudioPersonnel - Owen Mulholland, Asst. Recording Engineer, StudioPersonnel - Sarah Oda, Producer, Co-Producer - Jeff Citron, Asst. Recording Engineer, StudioPersonnel - Peter Remm, ComposerLyricist

℗ 2016 Blue Note Records

4
It's A Wonderful Time For Love
00:03:54

Tom Elmhirst, Mixer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ted Tuthill, Recording Engineer, StudioPersonnel - Eli Wolf, Producer - Vicente Archer, Upright Bass, AssociatedPerformer - Brian Blade, Drums, AssociatedPerformer - Cameron Alexander, Asst. Recording Engineer, StudioPersonnel - Joe Visciano, Assistant Mixer, StudioPersonnel - Brandon Bost, Asst. Recording Engineer, StudioPersonnel - Owen Mulholland, Asst. Recording Engineer, StudioPersonnel - Sarah Oda, Producer, Co-Producer, ComposerLyricist - Jeff Citron, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Blue Note Records

5
And Then There Was You
00:03:05

Tom Elmhirst, Mixer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ted Tuthill, Recording Engineer, StudioPersonnel - Eli Wolf, Producer - Vicente Archer, Upright Bass, AssociatedPerformer - Brian Blade, Drums, AssociatedPerformer - Katie Kresek, Violin, AssociatedPerformer - Dave Eggar, String Arranger, Cello, AssociatedPerformer - Chuck Palmer, Conductor, String Arranger, Strings Conductor, AssociatedPerformer - Cameron Alexander, Asst. Recording Engineer, StudioPersonnel - Todd Low, Viola, AssociatedPerformer - Joe Visciano, Assistant Mixer, StudioPersonnel - Max Moston, Violin, AssociatedPerformer - Brandon Bost, Asst. Recording Engineer, StudioPersonnel - Owen Mulholland, Asst. Recording Engineer, StudioPersonnel - Sarah Oda, Producer, Co-Producer - Jeff Citron, Asst. Recording Engineer, StudioPersonnel - Tony Macelli, Upright Bass, AssociatedPerformer - Peter Remm, ComposerLyricist

℗ 2016 Blue Note Records

6
Don’t Be Denied
00:05:36

Karriem Riggins, Drums, AssociatedPerformer - NEIL YOUNG, ComposerLyricist - Leon Michels, Tenor Saxophone, AssociatedPerformer - Tom Elmhirst, Mixer, StudioPersonnel - Dave Guy, Trumpet, AssociatedPerformer - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer - Sasha Dobson, Background Vocalist, AssociatedPerformer - Catherine Popper, Background Vocalist, AssociatedPerformer - Ted Tuthill, Recording Engineer, StudioPersonnel - Eli Wolf, Producer - Vicente Archer, Upright Bass, AssociatedPerformer - Tony Scherr, Electric Guitar, Background Vocalist, AssociatedPerformer - Adam Tilzer, Asst. Recording Engineer, StudioPersonnel - J. Walter Hawkes, Trombone, AssociatedPerformer - Petter Ericson Stakee, Background Vocalist, AssociatedPerformer - Pete Remm, Hammond B3, AssociatedPerformer - Cameron Alexander, Asst. Recording Engineer, StudioPersonnel - Joe Visciano, Assistant Mixer, StudioPersonnel - Brandon Bost, Asst. Recording Engineer, StudioPersonnel - Owen Mulholland, Asst. Recording Engineer, StudioPersonnel - Sarah Oda, Producer, Co-Producer, Background Vocalist, AssociatedPerformer - Jeff Citron, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Blue Note Records

7
Day Breaks
00:03:57

Tom Elmhirst, Mixer, StudioPersonnel - Wayne Shorter, Soprano Saxophone, AssociatedPerformer - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ted Tuthill, Recording Engineer, StudioPersonnel - Eli Wolf, Producer - Vicente Archer, Electric Guitar, Electric Bass, AssociatedPerformer - Brian Blade, Drums, AssociatedPerformer - Adam Tilzer, Asst. Recording Engineer, StudioPersonnel - Katie Kresek, Violin, AssociatedPerformer - Dave Eggar, String Arranger, Cello, AssociatedPerformer - Chuck Palmer, Conductor, String Arranger, Second Conductor, AssociatedPerformer - Pete Remm, Electric Guitar, Hammond B3, AssociatedPerformer - Cameron Alexander, Asst. Recording Engineer, StudioPersonnel - Todd Low, Viola, AssociatedPerformer - Joe Visciano, Assistant Mixer, StudioPersonnel - Max Moston, Violin, AssociatedPerformer - Brandon Bost, Asst. Recording Engineer, StudioPersonnel - Dan Iead, Pedal Steel, AssociatedPerformer - Owen Mulholland, Asst. Recording Engineer, StudioPersonnel - Sarah Oda, Producer, Co-Producer - Jeff Citron, Asst. Recording Engineer, StudioPersonnel - Tony Macelli, Upright Bass, AssociatedPerformer - Peter Remm, ComposerLyricist

℗ 2016 Blue Note Records

8
Peace
00:05:14

Horace Silver, ComposerLyricist - Tom Elmhirst, Mixer, StudioPersonnel - Wayne Shorter, Soprano Saxophone, AssociatedPerformer - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer - Ted Tuthill, Recording Engineer, StudioPersonnel - Eli Wolf, Producer - Vicente Archer, Upright Bass, AssociatedPerformer - Brian Blade, Drums, AssociatedPerformer - Adam Tilzer, Asst. Recording Engineer, StudioPersonnel - Joe Visciano, Assistant Mixer, StudioPersonnel - Brandon Bost, Asst. Recording Engineer, StudioPersonnel - Sarah Oda, Producer, Co-Producer

℗ 2016 Blue Note Records

9
Once I Had A Laugh
00:03:13

Karriem Riggins, Drums, AssociatedPerformer - Leon Michels, Tenor Saxophone, AssociatedPerformer - Tom Elmhirst, Mixer, StudioPersonnel - Dave Guy, Trumpet, AssociatedPerformer - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ted Tuthill, Recording Engineer, StudioPersonnel - Eli Wolf, Producer - Vicente Archer, Upright Bass, AssociatedPerformer - Adam Tilzer, Asst. Recording Engineer, StudioPersonnel - J. Walter Hawkes, Trombone, AssociatedPerformer - Cameron Alexander, Asst. Recording Engineer, StudioPersonnel - Joe Visciano, Assistant Mixer, StudioPersonnel - Brandon Bost, Asst. Recording Engineer, StudioPersonnel - Owen Mulholland, Asst. Recording Engineer, StudioPersonnel - Sarah Oda, Producer, Co-Producer - Jeff Citron, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Blue Note Records

10
Sleeping Wild
00:03:08

Tom Elmhirst, Mixer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer - Ted Tuthill, Recording Engineer, StudioPersonnel - Eli Wolf, Producer - Vicente Archer, Upright Bass, AssociatedPerformer - Brian Blade, Drums, AssociatedPerformer - Katie Kresek, Violin, AssociatedPerformer - Dave Eggar, String Arranger, Cello, AssociatedPerformer - Chuck Palmer, Conductor, String Arranger, Strings Conductor, AssociatedPerformer - Cameron Alexander, Asst. Recording Engineer, StudioPersonnel - Todd Low, Viola, AssociatedPerformer - Joe Visciano, Assistant Mixer, StudioPersonnel - Max Moston, Violin, AssociatedPerformer - Brandon Bost, Asst. Recording Engineer, StudioPersonnel - Owen Mulholland, Asst. Recording Engineer, StudioPersonnel - Sarah Oda, Producer, Co-Producer, ComposerLyricist - Jeff Citron, Asst. Recording Engineer, StudioPersonnel - Tony Macelli, Upright Bass, AssociatedPerformer

℗ 2016 Blue Note Records

11
Carry On
00:02:48

Tom Elmhirst, Mixer, StudioPersonnel - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Ted Tuthill, Recording Engineer, StudioPersonnel - Eli Wolf, Producer - Vicente Archer, Upright Bass, AssociatedPerformer - Brian Blade, Drums, AssociatedPerformer - Dr. Lonnie Smith, Background Vocalist, AssociatedPerformer - Pete Remm, Hammond B3, AssociatedPerformer - Cameron Alexander, Asst. Recording Engineer, StudioPersonnel - Joe Visciano, Assistant Mixer, StudioPersonnel - Brandon Bost, Asst. Recording Engineer, StudioPersonnel - Owen Mulholland, Asst. Recording Engineer, StudioPersonnel - Sarah Oda, Producer, Co-Producer - Jeff Citron, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Blue Note Records

12
Fleurette Africaine (African Flower)
00:05:22

Duke Ellington, ComposerLyricist - Tom Elmhirst, Mixer, StudioPersonnel - Wayne Shorter, Soprano Saxophone, AssociatedPerformer - Norah Jones, Producer, Piano, Vocals, MainArtist, AssociatedPerformer - Ted Tuthill, Recording Engineer, StudioPersonnel - Eli Wolf, Producer - Vicente Archer, Upright Bass, AssociatedPerformer - Brian Blade, Drums, AssociatedPerformer - Adam Tilzer, Asst. Recording Engineer, StudioPersonnel - Joe Visciano, Assistant Mixer, StudioPersonnel - Brandon Bost, Asst. Recording Engineer, StudioPersonnel - Sarah Oda, Producer, Co-Producer

℗ 2016 Blue Note Records

Album Description

Norah Jones took liberty with her blockbuster success to set out on a musical walkabout, spending a good portion of the decade following 2004's Feels Like Home experimenting, either on her own albums or on a variety of collaborations. Day Breaks, released four years after the atmospheric adult alternative pop of the Danger Mouse-produced Little Broken Hearts, finds Jones returning home to an extent: it, like her 2002 debut Come Away with Me, is a singer/songwriter album with roots in pop and jazz, divided between originals and sharply selected covers. Such similarities are immediately apparent, but Day Breaks is much slyer than a mere revival. That term suggests a slight air of desperation, but Jones comes from a place of confidence on Day Breaks, happy to demonstrate everything she's learned over the years. Often, these tricks are deliberately sly: she'll pair her torchy original "And Then There Was You" with a woozy, bluesy cover of Neil Young's "Don't Be Denied" that winds up evoking Come Away with Me, then follow that up with the dense, nocturnal rhythms of "Day Breaks." She threads in versions of Horace Silver's "Peace" and Duke Ellington's "African Flower" while inviting saxophonist Wayne Shorter and organist Lonnie Smith in to play -- moves that signal that there's a strong, elastic jazz undercurrent to Day Breaks that means this record breathes more than her debut. Such a sense of quiet adventure gives the record depth, but what gives it resonance are the exquisitely sculpted songs. Jones' originals feel as elegant as time-honored standards, and all her covers feel fresh. The former speak to her craft, the latter to her gifts as a stylist, and the two combine to turn Day Breaks into a satisfying testament to her ever-evolving musicianship.
© Stephen Thomas Erlewine /TiVo

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