Freiburger Barockorchester - Gottfried von der Goltz Corelli : Concerti Grossi, Sinfonia to Santa Beatrice d'Este

Corelli : Concerti Grossi, Sinfonia to Santa Beatrice d'Este

Freiburger Barockorchester - Gottfried von der Goltz

Hi-Res 24-bit – 96.00 kHz

Includes: 1 Digital booklet

Released on November 2, 2018 by Aparté

Main artist: Gottfried von der Goltz

Genre: Classical > Chamber Music

Distinctions: 5 étoiles de Classica (December 2018)

Choose your download
Add to basket
Improve this album page

Streaming quality

MP3 (CBR at 320 kbps)

FLAC (16-bit/44.1 kHz)

1.45

Web Player
Display track details

Album : 1 disk - 30 tracks Total length : 01:10:19

    Sinfonia to Santa Beatrice d'Este in D Minor, WoO 1 (Arcangelo Corelli)
  1. 1 I. Grave

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  2. 2 II. Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  3. 3 III. Adagio assai

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  4. 4 IV. Largo assai

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  5. 5 V. Vivace

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  6. Concerto grosso No. 1 in D Major, Op. 6
  7. 6 I. Largo - Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  8. 7 II. Largo

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  9. 8 III. Allegro - Largo - Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  10. 9 IV. Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  11. Concerto grosso No. 2 in F Major, Op. 6
  12. 10 I. Vivace - Allegro - Adagio - Vivace - Allegro - Largo - Andante

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  13. 11 II. Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  14. 12 III. Grave - Andante largo

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  15. 13 IV. Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  16. Concerto grosso No. 3 in C Minor, Op. 6
  17. 14 I. Largo

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  18. 15 II. Allegro - Adagio

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  19. 16 III. Grave

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  20. 17 IV. Vivace

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  21. 18 V. Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  22. Concerto grosso No. 4 in D Major, Op. 6
  23. 19 I. Adagio - Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  24. 20 II. Adagio

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  25. 21 III. Vivace

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  26. 22 IV. Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  27. Concerto grosso No. 5 in B-Flat Major, Op. 6
  28. 23 I. Adagio - Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  29. 24 II. Adagio

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  30. 25 III. Allegro - Adagio

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  31. 26 IV. Largo - Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  32. Concerto grosso No. 7 in D Major, Op. 6
  33. 27 I. Vivace - Allegro - Adagio - Vivace - Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  34. 28 II. Andante - Largo

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  35. 29 III. Allegro

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer

  36. 30 IV. Vivace

    Freiburger Barockorchester - Gottfried von der Goltz, Conductor - Arcangelo Corelli, Composer Copyright : Aparté - Little Tribeca Little Tribeca

About

The Concertos Op. 6 by Corelli were his last published work (in 1714), which doesn't necessarily mean that these twelve concertos were all written in the composer's later period – at the time, collections would sometimes be made bringing together works from very varied periods in an artist's life. Here are six of the dozen, kicking off with the Sinfonia pour Santa Beatrice d'Este; the selection is moves towards "church" concertos, slow-fast-slow-fast, which differ from the "chamber" concertos, whose format tends to follow that of dance suites. Op. 6 contains eight “chamber” (including the famous Christmas Concerto, not included here) and four “church”.

This recording was made by the Freiburger Barockorchester, under Gottfried von der Goltz, and it differs quite radically from many previous recordings in one key sense: yes, the published score only includes strings, but we know that in Corelli's day it was standard practice to fill out orchestras with various wind instruments and continuos. The lists of players, and even the payrolls, which have survived to this day from the start of the 18th century show that oboes, bassoons, and even horns were added, and that's precisely what has happened here. The result is definitely a richer ensemble sound; and at the same time it's clear that the concertino (the three soloists) is still just two violins and a cello. It's the orchestra that's symphonising. This is sure to unsettle those who are used to more traditional recordings, even in the world of baroque. © SM/Qobuz

Hi-Res 24-bit – 96.00 kHz

Details of original recording:

Recording : Ensemblehaus Freiburg (Germany), 21,24-25 November, 2017

To discover

On the same theme

Label

Aparté

In 1989, Nicolas Bartholomew created Musica ISDN - which he is now detached from - a company dedicated to the recording and post-production of classical music. The company has since made hundreds of records and became, in the late 90s, one of the most prolific executive producers, serving a large number of phonographic publishers. In 1999, he founded Ambrosia - now owned by Naïve - a label he ran for ten years with enthusiasm by getting involved in the launching young talent. In 2008 he recreated the recording studio 'Little Tribeca', as well as a new label: Aparté.

See page Aparté Read the article

Genre

Chamber Music in the magazine

More articles

Genre

Classical in the magazine

More articles

News

More articles