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Codona|Codona 3

Codona 3

Codona

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The third Codona album is a sublimely beautiful release. The silent stillness of the exquisite opening to "Goshakabuchi" gives way to seemingly not much more than wisps of vibration in the air, but then Don Cherry's trumpet enters in full cry and Collin Walcott's dulcimer and other stringed things lead into a bracing and exciting section driven by Nana Vasconcelos' various percussive devices. The whole record is kind of like King Crimson's Larks' Tongues in Aspic without the wattage and with a little more introspection, and is a joyously stunning last testament for Walcott, who died not long after these recordings were completed.

© Bruce Eder /TiVo

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Codona 3

Codona

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1
Goshakabuchi
00:10:55

Traditional, Composer - Don Cherry, Trumpet, AssociatedPerformer - Nana Vasconcelos, Percussion, AssociatedPerformer - Manfred Eicher, Producer - Collin Walcott, Arranger, Sitar, Work Arranger, AssociatedPerformer - Codona, MainArtist - Martin Wieland, Recording Engineer, StudioPersonnel

℗ 1983 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

2
Hey Da Ba Doom
00:07:12

Don Cherry, Trumpet, AssociatedPerformer - Nana Vasconcelos, Percussion, AssociatedPerformer - Manfred Eicher, Producer - Collin Walcott, Composer, Sitar, AssociatedPerformer - Codona, MainArtist - Martin Wieland, Recording Engineer, StudioPersonnel

℗ 1983 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

3
Travel By Night
00:05:48

Don Cherry, Trumpet, AssociatedPerformer - Nana Vasconcelos, Percussion, AssociatedPerformer - Manfred Eicher, Producer - Collin Walcott, Composer, Sitar, AssociatedPerformer - Codona, MainArtist - Martin Wieland, Recording Engineer, StudioPersonnel

℗ 1983 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

4
Lullaby
00:03:40

Don Cherry, Trumpet, AssociatedPerformer - Nana Vasconcelos, Percussion, AssociatedPerformer - Manfred Eicher, Producer - Collin Walcott, Composer, Sitar, AssociatedPerformer - Codona, MainArtist - Martin Wieland, Recording Engineer, StudioPersonnel

℗ 1983 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

5
Trayra Boia
00:05:19

Don Cherry, Trumpet, AssociatedPerformer - Nana Vasconcelos, Composer, Percussion, AssociatedPerformer - Manfred Eicher, Producer - Collin Walcott, Sitar, AssociatedPerformer - Codona, MainArtist - Denise Milan, Author - Martin Wieland, Recording Engineer, StudioPersonnel

℗ 1983 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

6
Clicky Clacky
00:04:08

Don Cherry, Composer, Trumpet, AssociatedPerformer - Nana Vasconcelos, Percussion, AssociatedPerformer - Manfred Eicher, Producer - Collin Walcott, Sitar, AssociatedPerformer - Codona, MainArtist - Martin Wieland, Recording Engineer, StudioPersonnel

℗ 1983 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

7
Inner Organs
00:09:20

Don Cherry, Composer, Trumpet, AssociatedPerformer - Nana Vasconcelos, Percussion, AssociatedPerformer - Manfred Eicher, Producer - Collin Walcott, Sitar, AssociatedPerformer - Codona, MainArtist - Martin Wieland, Recording Engineer, StudioPersonnel

℗ 1983 ECM Records GmbH, under exclusive license to Universal Music Classics & Jazz - a division of Universal Music GmbH

Album review

The third Codona album is a sublimely beautiful release. The silent stillness of the exquisite opening to "Goshakabuchi" gives way to seemingly not much more than wisps of vibration in the air, but then Don Cherry's trumpet enters in full cry and Collin Walcott's dulcimer and other stringed things lead into a bracing and exciting section driven by Nana Vasconcelos' various percussive devices. The whole record is kind of like King Crimson's Larks' Tongues in Aspic without the wattage and with a little more introspection, and is a joyously stunning last testament for Walcott, who died not long after these recordings were completed.

© Bruce Eder /TiVo

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