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Petula Clark - C'est Ma Chanson

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C'est Ma Chanson

Petula Clark

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It's doubtful that any future singer will ever record as many songs as Petula Clark has in her career -- the number of just her English language recordings is many hundreds, and then there are the many hundreds more of French-language discs, and that doesn't end the list. C'est Ma Chanson is a collection of 18 of her better French language songs, done for the Vogue label between 1961 ("Romeo") and 1967 ("C'Est Ma Chanson"). The amazing thing is that she doesn't sound like the same singer that exploded out of England during this period; whether emoting to the boundless passions of "Chariot" (better-known in America as "I Will Follow Him") or turning in a torch-song version of "Needles and Pins" (here sung as "La Nuit N'En Finit Plus"), she has a completely different enunciation here than she does on her English recordings for Pye Records from the same period. Much of the material ("Elle Et Finie," "O O Sheriff" etc.) is more closely associated with France than America. Whatever the origins of the material, Clark throws herself into it with a bracing, vibrant abandon that is even more startling than the power she brings to her English-language material. Highlights include a stunningly sensual rendition of "Petite Fleur," but Clark even acquits herself decently on potentially lethal numbers like "Hello Dolly." "Downtown" also shows up here, incidentally, as "Dans Le Temps," sung differently enough to make it worth hearing.
© Bruce Eder /TiVo

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C'est Ma Chanson

Petula Clark

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1
Chariot
00:02:34

J. Plante, Composer - J. Plante, Lyricist - Unknown, Producer - Stole, Composer - Stole, Lyricist - Delroma, Composer - Delroma, Lyricist - Petula Clark, Vocal

(P) 1962 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

2
La nuit n'en finit plus
00:02:55

Plante, Composer - Plante, Lyricist - Bond, Composer - Bond, Lyricist - Unknown, Producer - Petula Clark, Performer - J. Nitzche, Composer - J. Nitzche, Lyricist

(P) 1963 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

3
Coeur blessé (Torture) Slow
00:02:17

G. Aber, Composer - G. Aber, Lyricist - P. Knight, Arranger - Loudermilk, Composer - Loudermilk, Lyricist - Unknown, Producer - Petula Clark, Performer

(P) 1962 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

4
Ceux Qui Ont Un Coeur
00:03:06

Unknown, Producer - Burt Bacharach, Composer - Burt Bacharach, Lyricist - David, Composer - David, Lyricist - Ralph Bernet, Composer - Ralph Bernet, Lyricist - Petula Clark, Performer

(P) 1964 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

5
Marin
00:02:44

P. Knight, Arranger - charfenberger, Lyricist - Unknown, Producer - Brousolle, Lyricist - Bush, Composer - Leslie West, Lyricist - Petula Clark, Performer

(P) 1961 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

6
Romeo
00:02:40

Unknown, Producer - Brousolle, Composer - Brousolle, Lyricist - Stole, Composer - Stole, Lyricist - Petula Clark, Performer

(P) 1963 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

7
C'est le refrain de ma vie
00:03:56

Harvel, Composer - Harvel, Lyricist - Layani, Composer - Layani, Lyricist - Jeannot, Composer - Jeannot, Lyricist - Unknown, Producer - J. Artey, Arranger - Petula Clark, Performer

(P) 1970 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

8
Elle Est Finie (La Belle Histoire) Slow Twist
00:02:37

G. Aber, Composer - G. Aber, Lyricist - P. Knight, Arranger - Unknown, Producer - Delanoe, Composer - Delanoe, Lyricist - Petula Clark, Performer - Petula Clark, Lyricist - Petula Clark, Composer

(P) 1963 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

9
La Dernière Valse The Last Waltz
00:03:16

L. Reed, Composer - L. Reed, Lyricist - Hubert Ithier, Composer - Hubert Ithier, Lyricist - B. Mason, Composer - B. Mason, Lyricist - Sonny Burke, Producer - Petula Clark, Performer - Ernie Freeman, Arranger - Ernie Freeman, Conductor

(P) 1967 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

10
Petite Fleur
00:02:13

Sidney Bechet, Composer - Unknown, Producer - Fernand Bonifay, Adaptor - Fernand Bonifay, Lyricist - Petula Clark, Performer

(P) 1964 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

11
Hello Dolly
00:02:14

T. Hatch, Arranger - Jerry Herman, Composer - Jerry Herman, Lyricist - Unknown, Producer - P. Delanoe, Composer - P. Delanoe, Lyricist - Petula Clark, Performer

(P) 1964 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

12
Tout Le Monde Veut Aller Au Ciel Mais Personne Ne Veut Mourir Everybody Wants To Go To Heaven But Nobody Wants To Die
00:02:32

G. Aber, Composer - G. Aber, Lyricist - Jean Kluger, Composer - Jean Kluger, Lyricist - Unknown, Producer - Cy Coben, Composer - Cy Coben, Lyricist - Petula Clark, Performer

(P) 1966 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

13
O O Sheriff
00:02:23

T. Hatch, Arranger - S. Gainsbourg, Composer - S. Gainsbourg, Lyricist - Unknown, Producer - Petula Clark, Performer

(P) 1964 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

14
Les Colimaçons
00:02:40

Unknown, Producer - P. Delanoe, Composer - P. Delanoe, Lyricist - Petula Clark, Composer - Petula Clark, Performer - Petula Clark, Lyricist

(P) 1962 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

15
La gadoue
00:02:55

T. Hatch, Arranger - S. Gainsbourg, Composer - S. Gainsbourg, Lyricist - Unknown, Producer - Petula Clark, Performer

(P) 1965 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

16
Dans Le Temps Downtown
00:02:56

G. Aber, Composer - G. Aber, Lyricist - T. Hatch, Composer - T. Hatch, Lyricist - Petula Clark, Performer

(P) 1965 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

17
Je Me Sens Bien Auprès De Toi
00:02:24

V. Murtagh, Composer - V. Murtagh, Lyricist - P. Knight, Composer - P. Knight, Lyricist - P. Knight, Arranger - E. Murtag, Composer - E. Murtag, Lyricist - J. Plante, Composer - J. Plante, Lyricist - R. Adams, Composer - R. Adams, Lyricist - Unknown, Producer - Petula Clark, Performer

(P) 1961 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

18
C'est ma chanson
00:03:13

Chaplin, Composer - Chaplin, Lyricist - E. Freeman, Arranger - Unknown, Producer - Delanoe, Composer - Delanoe, Lyricist - Petula Clark, Performer

(P) 1967 BMG Rights Management SARL under exclusive license to Sony Music Entertainment France SAS

Album Description

It's doubtful that any future singer will ever record as many songs as Petula Clark has in her career -- the number of just her English language recordings is many hundreds, and then there are the many hundreds more of French-language discs, and that doesn't end the list. C'est Ma Chanson is a collection of 18 of her better French language songs, done for the Vogue label between 1961 ("Romeo") and 1967 ("C'Est Ma Chanson"). The amazing thing is that she doesn't sound like the same singer that exploded out of England during this period; whether emoting to the boundless passions of "Chariot" (better-known in America as "I Will Follow Him") or turning in a torch-song version of "Needles and Pins" (here sung as "La Nuit N'En Finit Plus"), she has a completely different enunciation here than she does on her English recordings for Pye Records from the same period. Much of the material ("Elle Et Finie," "O O Sheriff" etc.) is more closely associated with France than America. Whatever the origins of the material, Clark throws herself into it with a bracing, vibrant abandon that is even more startling than the power she brings to her English-language material. Highlights include a stunningly sensual rendition of "Petite Fleur," but Clark even acquits herself decently on potentially lethal numbers like "Hello Dolly." "Downtown" also shows up here, incidentally, as "Dans Le Temps," sung differently enough to make it worth hearing.
© Bruce Eder /TiVo

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