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Horace Silver|Blowin' The Blues Away

Blowin' The Blues Away

Horace Silver

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Blowin' the Blues Away is one of Horace Silver's all-time Blue Note classics, only upping the ante established on Finger Poppin' for tightly constructed, joyfully infectious hard bop. This album marks the peak of Silver's classic quintet with trumpeter Blue Mitchell, tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer Louis Hayes; it's also one of the pianist's strongest sets of original compositions, eclipsed only by Song for My Father and Horace Silver and the Jazz Messengers. The pacing of the album is impeccable, offering up enough different feels and slight variations on Silver's signature style to captivate the listener throughout. Two songs -- the warm, luminous ballad "Peace" and the gospel-based call-and-response swinger "Sister Sadie" -- became oft-covered standards of Silver's repertoire, and the madly cooking title cut wasn't far behind. And they embody what's right with the album in a nutshell -- the up-tempo tunes ("Break City") are among the hardest-swinging Silver had ever cut, and the slower changes of pace ("Melancholy Mood") are superbly lyrical, adding up to one of the best realizations of Silver's aesthetic. Also, two cuts ("Melancholy Mood" and the easy-swinging "The St. Vitus Dance") give Silver a chance to show off his trio chops, and "Baghdad Blues" introduces his taste for exotic, foreign-tinged themes. Through it all, Silver remains continually conscious of the groove, playing off the basic rhythms to create funky new time patterns. The typical high-impact economy of his and the rest of the band's statements is at its uppermost level, and everyone swings with exuberant commitment. In short, Blowin' the Blues Away is one of Silver's finest albums, and it's virtually impossible to dislike.

© Steve Huey /TiVo

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Blowin' The Blues Away

Horace Silver

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1
Blowin' The Blues Away (Remastered 1999/Rudy Van Gelder Edition)
00:04:44

Gene Taylor, AssociatedPerformer, Bass (Vocal) - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Horace Silver, Composer, Piano, MainArtist, AssociatedPerformer - Blue Mitchell, Trumpet, AssociatedPerformer - Louis Hayes, Drums, AssociatedPerformer - Junior Cook, Tenor Saxophone, AssociatedPerformer

(C) 1999 Blue Note Records ℗ 1999 Capitol Records, LLC

2
The St. Vitus Dance (Remastered 1999/Rudy Van Gelder Edition)
00:04:09

Gene Taylor, AssociatedPerformer, Bass (Vocal) - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Horace Silver, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Louis Hayes, Drums, AssociatedPerformer

(C) 1999 Blue Note Records ℗ 1999 Blue Note Records

3
Break City (Remastered 1999/Rudy Van Gelder Edition)
00:04:57

Gene Taylor, AssociatedPerformer, Bass (Vocal) - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Horace Silver, Composer, Piano, MainArtist, AssociatedPerformer - Blue Mitchell, Trumpet, AssociatedPerformer - Louis Hayes, Drums, AssociatedPerformer - Junior Cook, Tenor Saxophone, AssociatedPerformer

(C) 1999 Blue Note Records ℗ 1999 Blue Note Records

4
Peace (Remastered 1999/Rudy Van Gelder Edition)
00:06:02

Gene Taylor, AssociatedPerformer, Bass (Vocal) - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Horace Silver, Piano, MainArtist, AssociatedPerformer, ComposerLyricist - Blue Mitchell, Trumpet, AssociatedPerformer - Louis Hayes, Drums, AssociatedPerformer - Junior Cook, Tenor Saxophone, AssociatedPerformer

(C) 1999 Blue Note Records ℗ 1999 Capitol Records, LLC

5
Sister Sadie (Remastered 1999/Rudy Van Gelder Edition)
00:06:19

Gene Taylor, AssociatedPerformer, Bass (Vocal) - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Horace Silver, Composer, Piano, MainArtist, AssociatedPerformer - Blue Mitchell, Trumpet, AssociatedPerformer - Louis Hayes, Drums, AssociatedPerformer - Junior Cook, Tenor Saxophone, AssociatedPerformer

(C) 1999 Blue Note Records ℗ 1999 Capitol Records, LLC

6
Baghdad Blues (Remastered 1999/Rudy Van Gelder Edition)
00:04:53

Gene Taylor, AssociatedPerformer, Bass (Vocal) - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Horace Silver, Composer, Piano, MainArtist, AssociatedPerformer - Blue Mitchell, Trumpet, AssociatedPerformer - Louis Hayes, Drums, AssociatedPerformer - Junior Cook, Tenor Saxophone, AssociatedPerformer

(C) 1999 Blue Note Records ℗ 1999 Blue Note Records

7
Melancholy Mood (Remastered 1999/Rudy Van Gelder Edition)
00:07:08

Gene Taylor, AssociatedPerformer, Bass (Vocal) - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Horace Silver, Composer, Piano, MainArtist, AssociatedPerformer - Louis Hayes, Drums, AssociatedPerformer

(C) 1999 Blue Note Records ℗ 1999 Blue Note Records

8
How Did It Happen (Rudy Van Gelder Edition)
00:04:43

Gene Taylor, AssociatedPerformer, Bass (Vocal) - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Horace Silver, Piano, MainArtist, AssociatedPerformer - Blue Mitchell, Trumpet, AssociatedPerformer - Louis Hayes, Drums, AssociatedPerformer - Junior Cook, Tenor Saxophone, AssociatedPerformer - Don Newey, Composer

(C) 1999 Blue Note Records ℗ 1999 Blue Note Records

Album review

Blowin' the Blues Away is one of Horace Silver's all-time Blue Note classics, only upping the ante established on Finger Poppin' for tightly constructed, joyfully infectious hard bop. This album marks the peak of Silver's classic quintet with trumpeter Blue Mitchell, tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer Louis Hayes; it's also one of the pianist's strongest sets of original compositions, eclipsed only by Song for My Father and Horace Silver and the Jazz Messengers. The pacing of the album is impeccable, offering up enough different feels and slight variations on Silver's signature style to captivate the listener throughout. Two songs -- the warm, luminous ballad "Peace" and the gospel-based call-and-response swinger "Sister Sadie" -- became oft-covered standards of Silver's repertoire, and the madly cooking title cut wasn't far behind. And they embody what's right with the album in a nutshell -- the up-tempo tunes ("Break City") are among the hardest-swinging Silver had ever cut, and the slower changes of pace ("Melancholy Mood") are superbly lyrical, adding up to one of the best realizations of Silver's aesthetic. Also, two cuts ("Melancholy Mood" and the easy-swinging "The St. Vitus Dance") give Silver a chance to show off his trio chops, and "Baghdad Blues" introduces his taste for exotic, foreign-tinged themes. Through it all, Silver remains continually conscious of the groove, playing off the basic rhythms to create funky new time patterns. The typical high-impact economy of his and the rest of the band's statements is at its uppermost level, and everyone swings with exuberant commitment. In short, Blowin' the Blues Away is one of Silver's finest albums, and it's virtually impossible to dislike.

© Steve Huey /TiVo

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