Your cart is empty

Black Stone Cherry - Black to Blues, Vol. 2

Mes favoris
Cet élément a bien été ajouté / retiré de vos favoris.
Black to Blues, Vol. 2
Black Stone Cherry
- Released on 11/1/19 by Mascot Records
- Main artist: Black Stone Cherry
- Genre: Blues

Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
If it ain’t broke don’t fix it. Black Stone Cherry adopted this very principle when they started making music again in 2017 with their EP Black to Blues. Here, we are given another welcome dose of covers that stem from their blues, soul and rhythm’n’blues influences. We sure have no reason to complain when the Kentucky group master their subject so well that some tracks seem to have been written precisely for them. From the opening Big Legged Woman by Freddie King, it is obvious that this groove is to be one of the recurring themes throughout the album. This 1972 track is packed with feeling strengthened by the guest Yates McKendree’s piano. But this is nothing compared to Robert Johnson’s desperate Me and The Devil Blues which is made incredibly danceable with McKendree again on the piano. Otis Rush’s All Your Love (I Miss Loving) was a heavy influence on the late Peter Green’s Black Magic Woman, but the version popularized by Santana is closer to it than that of Fleetwood Mac. It’s interesting consider how similar these tracks are. Howlin Wolf’s Down in The Bottom is a necessary reminder that Black Stone Cherry was originally a hard rock band: this interpretation immediately brings New-York band Raging Slab to mind as it treads the line between boogie and hard rock with its wild Hammond organs. Elmore James’ Early One Morning undergoes a hell of a makeover and Chris Robertson’s singing sounds strikingly like Eddie Veddie from Pearl Jam even though the music style is completely different. Their version of Death Letter Blues by Son House is similarly quirky as the song’s minimalism is done away with in favour of some typically American hard rock teeming with emotion. Six tracks that span 25 minutes: it’s short but is enough to provide you with your daily fix of hard rock. The unmistakable pleasure that Black Stone Cherry had in making these interpretations is there for all to see. A real success! © Charlélie Arnaud/Qobuz
More infoBlack to Blues, Vol. 2
Black Stone Cherry
You are currently listening to samples.
Listen to over 70 million songs with an unlimited streaming plan.
Listen to this album and more than 70 million songs with your unlimited streaming plans.
1 month free, then $14.99/ month

Black Stone Cherry, MainArtist - Esrael Tolbert, Composer
© 2019 Mascot Label Group/Mascot Records ℗ 2019 Mascot Label Group/Mascot Records
Robert Johnson, Composer - Black Stone Cherry, MainArtist
© 2019 Mascot Label Group/Mascot Records ℗ 2019 Mascot Label Group/Mascot Records
Otis Rush, Composer - Black Stone Cherry, MainArtist
© 2019 Mascot Label Group/Mascot Records ℗ 2019 Mascot Label Group/Mascot Records
WILLIE DIXON, Composer - Black Stone Cherry, MainArtist
© 2019 Mascot Label Group/Mascot Records ℗ 2019 Mascot Label Group/Mascot Records
Marshall Sehorn, Composer - ELMORE JAMES, Composer - Black Stone Cherry, MainArtist
© 2019 Mascot Label Group/Mascot Records ℗ 2019 Mascot Label Group/Mascot Records
Black Stone Cherry, MainArtist - Eddie J. House Jr., Composer
© 2019 Mascot Label Group/Mascot Records ℗ 2019 Mascot Label Group/Mascot Records
Album Description
If it ain’t broke don’t fix it. Black Stone Cherry adopted this very principle when they started making music again in 2017 with their EP Black to Blues. Here, we are given another welcome dose of covers that stem from their blues, soul and rhythm’n’blues influences. We sure have no reason to complain when the Kentucky group master their subject so well that some tracks seem to have been written precisely for them. From the opening Big Legged Woman by Freddie King, it is obvious that this groove is to be one of the recurring themes throughout the album. This 1972 track is packed with feeling strengthened by the guest Yates McKendree’s piano. But this is nothing compared to Robert Johnson’s desperate Me and The Devil Blues which is made incredibly danceable with McKendree again on the piano. Otis Rush’s All Your Love (I Miss Loving) was a heavy influence on the late Peter Green’s Black Magic Woman, but the version popularized by Santana is closer to it than that of Fleetwood Mac. It’s interesting consider how similar these tracks are. Howlin Wolf’s Down in The Bottom is a necessary reminder that Black Stone Cherry was originally a hard rock band: this interpretation immediately brings New-York band Raging Slab to mind as it treads the line between boogie and hard rock with its wild Hammond organs. Elmore James’ Early One Morning undergoes a hell of a makeover and Chris Robertson’s singing sounds strikingly like Eddie Veddie from Pearl Jam even though the music style is completely different. Their version of Death Letter Blues by Son House is similarly quirky as the song’s minimalism is done away with in favour of some typically American hard rock teeming with emotion. Six tracks that span 25 minutes: it’s short but is enough to provide you with your daily fix of hard rock. The unmistakable pleasure that Black Stone Cherry had in making these interpretations is there for all to see. A real success! © Charlélie Arnaud/Qobuz
About the album
- 1 disc(s) - 6 track(s)
- Total length: 00:25:41
- Main artist: Black Stone Cherry
- Composer: Various Composers
- Label: Mascot Records
- Genre: Blues
-
24-Bit 44.1 kHz - Stereo
© 2019 Mascot Label Group/Mascot Records ℗ 2019 Mascot Label Group/Mascot Records
Improve this page
Why buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.







Playlists




Rock’n’roll isn’t dead. But you can count the pioneers of the genre who are still alive on two fingers: Jerry Lee Lewis and Wanda Jackson. They’re 84 and 82. Lewis was a wild rocker signed with Sun Records who made history by igniting his instrument and transforming church music, country and boogie-woogie into wicked rock'n'roll. Jackson was a country singer who had a brilliant career alongside Elvis. Going from Little Richard to Chuck Berry, not forgetting Johnny Cash, Carl Perkins, Bo Diddley, Bill Haley, Elvis Presley, Gene Vincent, Eddie Cochran, Buddy Holly and Hank Williams, Qobuz pays tribute to the precursors of rock.
If we’re not living it right now—and there’s a solid argument that we might be—then when?
The title may sound like a nebulous marketing ploy, and yet for about twenty years, Americana had been summarizing this blend of rock, country, blues and rhythm ‘n’ blues. And like in every big family, you’ll find almost every type of person: the rebellious daughter, the cultivated uncle, the agitated father, the driven cousin, etc.