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Cypress Hill|Black Sunday (Radio Version)

Black Sunday (Radio Version)

Cypress Hill

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Black Sunday made Cypress Hill's connection to rock & roll more explicit, with its heavy metal-like artwork and noisier, more dissonant samples (including, naturally, stoner icons Black Sabbath). It's a slightly darker affair than its groundbreaking predecessor, with the threats of violence more urgent and the pot obsession played to the hilt (after all, it was a crucial part of their widespread appeal). Apart from those subtle distinctions, the sound of Black Sunday is pretty much the same as Cypress Hill, refining the group's innovations into an accessible bid for crossover success. In fact, it's a little startling how often Black Sunday recycles musical ideas and even lyrical catch phrases from the endlessly inventive debut. And the rock-derived, verse-chorus song structures start to sound a little formulaic by the end of the record (how many choruses feature Sen Dog repeating part of whatever B Real just said?). But in spite of that, Black Sunday still sounds vital and lively, since the group has a surer sense of craft. Most of the tracks are fleshed out into structured songs, in contrast to the brief sketches that punctuated Cypress Hill. The album benefits immensely from the resulting clutch of excellent singles (and songs that could have been), and while a couple of tracks feel redundant and underdeveloped, Black Sunday is overall a consistent, engaging listen, especially the flawless first half or so. Unfortunately, it's also the group's last great album, thanks to the musical recycling operation that began here and would handicap much of their subsequent work.

© Steve Huey /TiVo

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Black Sunday (Radio Version)

Cypress Hill

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1
I Wanna Get High (Album Version)
00:02:50

Cypress Hill, Associated Performer, Main Artist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer, Producer - Larry Muggerud, Composer, Lyricist - Louis Freese, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Senen Reyes, Composer, Lyricist - Chris Schwartz, Executive Producer - Jason Roberts, Engineer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer

(P) 1993 SONY BMG MUSIC ENTERTAINMENT

2
I Ain't Goin' Out Like That
00:04:27

Cypress Hill, Associated Performer, Main Artist - Larry Muggerud, Composer, Lyricist - T-Ray, Producer - Louis Freese, Composer, Lyricist - Todd Ray, Composer, Lyricist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer - Tony Iommi, Composer, Lyricist - Terry Butler, Composer, Lyricist - Bill Ward, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Ozzy Osbourne, Composer, Lyricist - Jason Roberts, Engineer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer

(P) 1993 SONY BMG MUSIC ENTERTAINMENT

3
Insane in the Brain
00:03:30

Cypress Hill, Associated Performer, Main Artist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer, Producer - Larry Muggerud, Composer, Lyricist - Louis Freese, Composer, Lyricist - Senen Reyes, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Chris Schwartz, Executive Producer - Jason Roberts, Engineer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer

(P) 1993 Columbia Records, a division of Sony Music Entertainment

4
When the Ship Goes Down
00:03:13

Cypress Hill, Associated Performer, Main Artist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer, Producer - Larry Muggerud, Composer, Lyricist - Louis Freese, Composer, Lyricist - Senen Reyes, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Chris Schwartz, Executive Producer - Jason Roberts, Engineer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer

(P) 1993 Columbia Records, a division of Sony Music Entertainment

5
Lick a Shot
00:03:23

Cypress Hill, Associated Performer, Main Artist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer, Producer - Larry Muggerud, Composer, Lyricist - Louis Freese, Composer, Lyricist - Senen Reyes, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Chris Schwartz, Executive Producer - Jason Roberts, Engineer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer

(P) 1993 Columbia Records, a division of Sony Music Entertainment

6
Cock The Hammer (Album Version)
00:03:49

Cypress Hill, Associated Performer, Main Artist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer, Producer - Larry Muggerud, Composer, Lyricist - Louis Freese, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Senen Reyes, Composer, Lyricist - Chris Schwartz, Executive Producer - Jason Roberts, Engineer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer

(P) 1993 SONY BMG MUSIC ENTERTAINMENT

7
Lock Down (Album Version)
00:01:15

Cypress Hill, Associated Performer, Main Artist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer, Producer - Larry Muggerud, Composer, Lyricist - Louis Freese, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Senen Reyes, Composer, Lyricist - Chris Schwartz, Executive Producer - Jason Roberts, Engineer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer

(P) 1993 SONY BMG MUSIC ENTERTAINMENT

8
3 Lil' Putos
00:03:30

Cypress Hill, Associated Performer, Main Artist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer, Producer - Larry Muggerud, Composer, Lyricist - Louis Freese, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Senen Reyes, Composer, Lyricist - Chris Schwartz, Executive Producer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer - Jason Roberts, Engineer

(P) 1993 Columbia Records, a division of Sony Music Entertainment

9
Legalize It (Album Version)
00:00:47

Cypress Hill, Associated Performer, Main Artist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer, Producer - Larry Muggerud, Composer, Lyricist - Louis Freese, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Senen Reyes, Composer, Lyricist - Chris Schwartz, Executive Producer - Jason Roberts, Engineer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer

(P) 1993 SONY BMG MUSIC ENTERTAINMENT

10
Hits from the Bong
00:02:41

Cypress Hill, Associated Performer, Main Artist - Larry Muggerud, Composer, Lyricist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer, Producer - Louis Freese, Composer, Lyricist - Senen Reyes, Composer, Lyricist - John Hurley, Composer, Lyricist - Ronnie Wilkins, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Chris Schwartz, Executive Producer - Jason Roberts, Engineer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer

(P) 1993 SONY BMG MUSIC ENTERTAINMENT

11
What Go Around Come Around, Kid (Album Version)
00:03:43

Cypress Hill, Associated Performer, Main Artist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer, Producer - Larry Muggerud, Composer, Lyricist - Louis Freese, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Senen Reyes, Composer, Lyricist - Chris Schwartz, Executive Producer - Jason Roberts, Engineer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer

(P) 1993 SONY BMG MUSIC ENTERTAINMENT

12
Hand On The Glock (Album Version)
00:03:33

Cypress Hill, Associated Performer, Main Artist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer, Producer - Larry Muggerud, Composer, Lyricist - Louis Freese, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Senen Reyes, Composer, Lyricist - Chris Schwartz, Executive Producer - Jason Roberts, Engineer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer

(P) 1993 SONY BMG MUSIC ENTERTAINMENT

13
Break 'Em Off Some (Album Version)
00:02:43

Cypress Hill, Associated Performer, Main Artist - Dj Muggs, Arranger, Executive Producer, Mixing Engineer, Producer - Larry Muggerud, Composer, Lyricist - Louis Freese, Composer, Lyricist - Joe "The Butcher" Nicolo, Executive Producer, Mixing Engineer - Senen Reyes, Composer, Lyricist - Chris Schwartz, Executive Producer - Jason Roberts, Engineer - Chris Shaw, Engineer - Andy Kravitz, Engineer - Jon Gamble, Engineer - Manuel Lecuona, Engineer

(P) 1993 SONY BMG MUSIC ENTERTAINMENT

Album review

Black Sunday made Cypress Hill's connection to rock & roll more explicit, with its heavy metal-like artwork and noisier, more dissonant samples (including, naturally, stoner icons Black Sabbath). It's a slightly darker affair than its groundbreaking predecessor, with the threats of violence more urgent and the pot obsession played to the hilt (after all, it was a crucial part of their widespread appeal). Apart from those subtle distinctions, the sound of Black Sunday is pretty much the same as Cypress Hill, refining the group's innovations into an accessible bid for crossover success. In fact, it's a little startling how often Black Sunday recycles musical ideas and even lyrical catch phrases from the endlessly inventive debut. And the rock-derived, verse-chorus song structures start to sound a little formulaic by the end of the record (how many choruses feature Sen Dog repeating part of whatever B Real just said?). But in spite of that, Black Sunday still sounds vital and lively, since the group has a surer sense of craft. Most of the tracks are fleshed out into structured songs, in contrast to the brief sketches that punctuated Cypress Hill. The album benefits immensely from the resulting clutch of excellent singles (and songs that could have been), and while a couple of tracks feel redundant and underdeveloped, Black Sunday is overall a consistent, engaging listen, especially the flawless first half or so. Unfortunately, it's also the group's last great album, thanks to the musical recycling operation that began here and would handicap much of their subsequent work.

© Steve Huey /TiVo

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