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Matthias Kirschnereit|Beethoven: Unknown Solo Piano Works

Beethoven: Unknown Solo Piano Works

Matthias Kirschnereit

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The Unknown Beethoven – is there such a thing?

The pianist Matthias Kirschnereit has therefore given himself something of a challenge for his new album by researching and recording the small but nevertheless brilliant jewels of Beethoven’s piano repertoire. “On this album it is my aim to bring to life those works by Beethoven that are seldom in the limelight and to let them sparkle anew. They include pieces that are not going to set the world on fire. I am no archaeologist who hunts around in attics, libraries or archives in search of works yet to be published. Everything he ever wrote has already been published. So I set about compiling a list – and I was utterly amazed,” explains Matthias Kirschnereit.

The album offers an overview of all the important genres in Beethoven’s piano oeuvre, such as sonatas, sonatinas, variations and dances, as well as a summary of the great man’s compositional development. Starting with his musical beginnings in the Rondo in C major WoO 48, which he wrote at the age of just 12 or 13, through to his final musical aphorisms such as the Piano Piece in G minor WoO 61a of 1825: a score comprising a mere 13 bars that expresses his deep sorrow at what must surely have been the greatest loss of his life, his hearing. For Matthias Kirschnereit, to interpret a sense of empathy for the composer’s emotions, or to lend a psychological interpretation of music is one of the most exciting tasks for a performer. “It is always a magical moment when the work ‘speaks to you’!”

In the case of one work in particular, Matthias Kirschnereit found it especially exciting to research the emotional background: the Prelude in F minor, probably composed around 1803. When one hears the work for the first time, it is difficult to place it. Its stylistic proximity to the preludes of Johann Sebastian Bach’s Well-Tempered Clavier is stark and at first hearing it does not really sound like Beethoven at all. Yet on closer inspection the depth and pain that are clearly evident are surely proof that only Beethoven could have composed this work. “For me it is like a dialogue between Beethoven and Johann Sebastian Bach by candlelight; a dialogue full of sorrow, loneliness and melancholy,” declares Kirschnereit of this deeply moving work. It is easy to imagine the work being composed at night and how it must have felt to Beethoven like an intimate conversation with the other patriarch of music, Johann Sebastian Bach.

Snapshots from Beethoven’s life are intertwined throughout the entire album, and the works, some of them very short, almost seem like excerpts or single lines from a diary. Beethoven’s life was hugely influenced by emotions and setbacks, and these are clearly reflected in some of the works on the album. Yet the album is not solely made up of brooding, sad pieces. Enjoyable, day-to-day moments are also portrayed in musical miniatures, thereby giving a very wide-ranging, diverse overview of this composer, born 250 years ago. © Berlin Classics

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Beethoven: Unknown Solo Piano Works

Matthias Kirschnereit

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1
Polonaise in C Major, Op. 89
00:06:14

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

2
Allegretto in C Minor, WoO 53
00:04:00

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

3
Two Piano Pieces, WoO 54: "Lustig & Traurig"
00:02:08

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

4
Rondo in C Major, WoO 48
00:02:26

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

5
Bagatelle in C Minor, WoO 52
00:04:02

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

6
Prelude in F Minor, WoO 55
00:04:02

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

7
Sonata in F Minor, WoO 47: I. Larghetto maestoso
00:03:55

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

8
Sonata in F Minor, WoO 47: II. Andante
00:07:00

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

9
Sonata in F Minor, WoO 47: III. Presto
00:03:31

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

10
7 Ländler in D Major, WoO 11
00:04:08

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

11
Piano Piece for Piringer in B Minor, WoO 61
00:02:38

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

12
Piano Piece in B-Flat Major, WoO 60
00:01:13

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

13
Ecossaises in E-Flat Major, WoO 83
00:02:17

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

14
Minuet in E-Flat Major, WoO 82
00:03:39

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

15
Sonatina in F Major, Kinsky Halm Anh.5 No. 2: I. Allegro assai
00:02:08

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

16
Sonatina in F Major, Kinsky Halm Anh.5 No. 2: II. Rondo. Allegro
00:02:22

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

17
6 Variations in F Major, Op. 34
00:13:43

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

18
Waltz in E-Flat Major, WoO 84
00:01:51

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

19
Anh.: Andante in C Major
00:01:19

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

20
Piano Piece in G Minor, WoO 61a
00:00:59

Matthias Kirschnereit, Artist, MainArtist - Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher

2020 Berlin Classics/Edel Germany GmbH 2020 Berlin Classics/Edel Germany GmbH

Album Description

The Unknown Beethoven – is there such a thing?

The pianist Matthias Kirschnereit has therefore given himself something of a challenge for his new album by researching and recording the small but nevertheless brilliant jewels of Beethoven’s piano repertoire. “On this album it is my aim to bring to life those works by Beethoven that are seldom in the limelight and to let them sparkle anew. They include pieces that are not going to set the world on fire. I am no archaeologist who hunts around in attics, libraries or archives in search of works yet to be published. Everything he ever wrote has already been published. So I set about compiling a list – and I was utterly amazed,” explains Matthias Kirschnereit.

The album offers an overview of all the important genres in Beethoven’s piano oeuvre, such as sonatas, sonatinas, variations and dances, as well as a summary of the great man’s compositional development. Starting with his musical beginnings in the Rondo in C major WoO 48, which he wrote at the age of just 12 or 13, through to his final musical aphorisms such as the Piano Piece in G minor WoO 61a of 1825: a score comprising a mere 13 bars that expresses his deep sorrow at what must surely have been the greatest loss of his life, his hearing. For Matthias Kirschnereit, to interpret a sense of empathy for the composer’s emotions, or to lend a psychological interpretation of music is one of the most exciting tasks for a performer. “It is always a magical moment when the work ‘speaks to you’!”

In the case of one work in particular, Matthias Kirschnereit found it especially exciting to research the emotional background: the Prelude in F minor, probably composed around 1803. When one hears the work for the first time, it is difficult to place it. Its stylistic proximity to the preludes of Johann Sebastian Bach’s Well-Tempered Clavier is stark and at first hearing it does not really sound like Beethoven at all. Yet on closer inspection the depth and pain that are clearly evident are surely proof that only Beethoven could have composed this work. “For me it is like a dialogue between Beethoven and Johann Sebastian Bach by candlelight; a dialogue full of sorrow, loneliness and melancholy,” declares Kirschnereit of this deeply moving work. It is easy to imagine the work being composed at night and how it must have felt to Beethoven like an intimate conversation with the other patriarch of music, Johann Sebastian Bach.

Snapshots from Beethoven’s life are intertwined throughout the entire album, and the works, some of them very short, almost seem like excerpts or single lines from a diary. Beethoven’s life was hugely influenced by emotions and setbacks, and these are clearly reflected in some of the works on the album. Yet the album is not solely made up of brooding, sad pieces. Enjoyable, day-to-day moments are also portrayed in musical miniatures, thereby giving a very wide-ranging, diverse overview of this composer, born 250 years ago. © Berlin Classics

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