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Akademie für Alte Musik Berlin - Beethoven: Symphonies Nos. 1 & 2 - C.P.E. Bach: Symphonies, Wq 175 & 183/17

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Beethoven: Symphonies Nos. 1 & 2 - C.P.E. Bach: Symphonies, Wq 175 & 183/17

Akademie für Alte Musik Berlin and Bernhard Forck

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Carl Philipp Emanuel Bach was much admired by Haydn, Mozart, as well as young Beethoven, who piously treasured his Essay on the True Art of Playing Keyboard Instruments. The two men never met (Beethoven was eighteen when Johann Sebastian’s son passed away), but there are many affinities between them. Both of their works span the transition between two eras of music, and both shared a passion for harmonic exploration and formal studies, combined with a love of the bizarre. It was therefore only right to bring them together on the same album. In his first two symphonies, Beethoven created a world of his own, drawing on the relatively recent history of the musical form that Carl Philipp Emanuel and Joseph Haydn had helped to shape and develop fifty years earlier. Although the works of Carl Philipp Emanuel Bach and Beethoven presented here have little in common, they have a similar air of audacity and novelty about them, traits which have been wonderfully showcased by the musicians of the Akademie für Alte Musik Berlin under the baton of their “konzertmeister”, Bernhard Forck. An exciting example of mirroring works released by Harmonia Mundi as part of its monumental Beethoven edition commemorating the composer’s birth and death dates (2020 and 2027). © François Hudry/Qobuz

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Beethoven: Symphonies Nos. 1 & 2 - C.P.E. Bach: Symphonies, Wq 175 & 183/17

Akademie für Alte Musik Berlin

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1
Symphony in F Major, H. 650, Wq. 175: I. Allegro assai
Bernhard Forck
00:03:21

Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Carl Philipp Emanuel Bach, Composer - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

2
Symphony in F Major, H. 650, Wq. 175: II. Andante
Bernhard Forck
00:03:06

Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Carl Philipp Emanuel Bach, Composer - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

3
Symphony in F Major, H. 650, Wq. 175: III. Tempo di Menuetto
Bernhard Forck
00:02:28

Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Carl Philipp Emanuel Bach, Composer - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

4
Symphony No. 1, Op. 21: I. Adagio molto. Allegro con brio
Bernhard Forck
00:09:11

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

5
Symphony No. 1, Op. 21: II. Andante cantabile con moto
Bernhard Forck
00:07:12

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

6
Symphony No. 1, Op. 21: III. Minuet. Allegro molto e vivace. Trio
Bernhard Forck
00:04:06

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

7
Symphony No. 1, Op. 21: IV. Finale. Adagio. Allegro molto e vivace
Bernhard Forck
00:05:43

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

8
Symphony in G Major, H. 666, Wq. 183/4: I. Allegro assai
Bernhard Forck
00:02:58

Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Carl Philipp Emanuel Bach, Composer - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

9
Symphony in G Major, H. 666, Wq. 183/4: II. Poco andante
Bernhard Forck
00:03:28

Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Carl Philipp Emanuel Bach, Composer - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

10
Symphony in G Major, H. 666, Wq. 183/4: III. Presto
Bernhard Forck
00:03:25

Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Carl Philipp Emanuel Bach, Composer - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

11
Symphony No. 2, Op. 36: I. Adagio molto. Allegro con brio
Bernhard Forck
00:12:15

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

12
Symphony No. 2, Op. 36: II. Larghetto
Bernhard Forck
00:10:30

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

13
Symphony No. 2, Op. 36: III. Scherzo. Allegro. Trio
Bernhard Forck
00:04:25

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

14
Symphony No. 2, Op. 36: IV. Allegro molto
Bernhard Forck
00:06:27

Ludwig van Beethoven, Composer - Copyright Control, MusicPublisher - Akademie für Alte Musik Berlin, Orchestra, MainArtist - Bernhard Forck, Conductor, MainArtist

2020 harmonia mundi 2020 harmonia mundi

Album Description

Carl Philipp Emanuel Bach was much admired by Haydn, Mozart, as well as young Beethoven, who piously treasured his Essay on the True Art of Playing Keyboard Instruments. The two men never met (Beethoven was eighteen when Johann Sebastian’s son passed away), but there are many affinities between them. Both of their works span the transition between two eras of music, and both shared a passion for harmonic exploration and formal studies, combined with a love of the bizarre. It was therefore only right to bring them together on the same album. In his first two symphonies, Beethoven created a world of his own, drawing on the relatively recent history of the musical form that Carl Philipp Emanuel and Joseph Haydn had helped to shape and develop fifty years earlier. Although the works of Carl Philipp Emanuel Bach and Beethoven presented here have little in common, they have a similar air of audacity and novelty about them, traits which have been wonderfully showcased by the musicians of the Akademie für Alte Musik Berlin under the baton of their “konzertmeister”, Bernhard Forck. An exciting example of mirroring works released by Harmonia Mundi as part of its monumental Beethoven edition commemorating the composer’s birth and death dates (2020 and 2027). © François Hudry/Qobuz

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